Tuba Solo - Level 2 - Digital Download SKU: A0.1023733 Composed by JESUS DURAN. Arranged by JESUS DURAN. Instructional,Standards. Individual part. 12 pages. JESUS DURAN #6343379. Published by JESUS DURAN (A0.1023733). Tuba songs book II (TSB) is a recopilation of music world songs. For use from early stages to advanced students.TSB include traditional and classical songs of all styles.

Tuba Solo - Level 1 - Digital Download SKU: A0.1023732 Composed by JESUS DURAN. Arranged by JESUS DURAN. Instructional,Standards. Individual part. 12 pages. JESUS DURAN #6343377. Published by JESUS DURAN (A0.1023732). Tuba songs book (TSB) is a recopilation of music world songs. For use from early stages to advanced students.TSB include traditional and classical songs of all styles.

Tuba Solo - Level 3 - Digital Download SKU: A0.1023731 Composed by JESUS DURAN. Instructional. Individual part. 43 pages. JESUS DURAN #6343375. Published by JESUS DURAN (A0.1023731). BRASS BASICS Series is a whole practice tranining book for brass learners, students, teachers and professionals.All the important fundamentals and tools are in the book.BRASS BASICS Series will get you fired up about playing your instrument and do it in a way that is totally enjoyable.It includes downloaded play along tracks to do the practice routine easier and funny. Available for Trumpet, French Horn, Tenor Horn, Trombone and Tuba.BRASS BASICS Series is ready to practice in brass section, class, or as a personal tecnical study.

Tuba Solo - Level 3 - Digital Download SKU: A0.921084 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300199. Published by Michael D. Blostein (A0.921084). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.

Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills.  In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences.  A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part.  Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal.  The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range.  Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness.  This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong.  Increase air support for the higher pitches.  Make the descending scales resound and bounce off the lowest notes.  The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness.  Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable.  The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections.  The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.