Tuba Solo - Level 1 - Digital Download SKU: A0.604584 Composed by Albert Hague. Arranged by Kevin Busse. 20th Century. Individual part. 2 pages. Kevin Busse #3908465. Published by Kevin Busse (A0.604584). This is an exact transcription of You're A Mean One Mr. Grinch in the easy key of C for Tuba.

Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464557. Published by Gordon Cherry (A0.810845). Bach's Unaccompanied Suites beautifully and meticulously edited for Tuba or Bass Trombone by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 5 - Digital Download SKU: A0.792325 Composed by Telemann, George. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 26 pages. Gordon Cherry #4804587. Published by Gordon Cherry (A0.792325). Georg Philip Telemann published his Twelve Fantasias in 1732 -33, originally for transverse flute. In making this version for the Tuba, Mr. Sauer has used all of Telemann’s original tempos, slurs and dynamics, and expanded on these ideas when appropriate.  This edition has been customized for the Tuba, ie., the keys have been changed from the original to best fit the tessitura of the instrument, breath marks added & ornaments used when appropriate.For advanced performers.

Tuba Solo - Level 5 - Digital Download SKU: A0.810859 Composed by Telemann, G. F. Arranged by Sauer, Ralph. Baroque,Classical. Individual part. 8 pages. Gordon Cherry #3636245. Published by Gordon Cherry (A0.810859). These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tuba or Bass Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.

Tuba Solo - Level 3 - Digital Download SKU: A0.792613 Composed by Anton Slama. Arranged by Ralph Sauer. 20th Century,Instructional,Romantic Period. Individual part. 48 pages. Gordon Cherry #5040935. Published by Gordon Cherry (A0.792613). The Slama 66 Etudes have been used for over 90 years as a tried and true method for learning all of the major and minor keys on bass clef instruments. It is an excellent book for honing the basics of technique and gaining knowledge of all the scales. This new improved edition has been carefully edited by Ralph Sauer, eliminating many misprints and articulation conflicts. In the transposing of Professor Slama’s music into the appropriate range for Tuba and Bass Trombone, Mr. Sauer has placed the etudes in a different order from the original Trombone method. However the book starts in C major and methodically proceeds through all of the keys in order to give the performer all of the tools necessary for a thorough technique on his or her instrument. We can recommend this method book for all students of intermediate level and above.

Tuba Solo - Level 3 - Digital Download SKU: A0.1084027 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Brooks Holmes. Classical,Wedding. Individual part. 2 pages. Brooks Holmes #688249. Published by Brooks Holmes (A0.1084027). This arrangement was designed for the Church musician performing at Funerals or other special events. Careful attention was paid to give tribute to Andrea Bocelli’s vocal style as it was arranged in the more comfortable key of Concert F. Check out Mr. Holmes’ YouTube performance for more details. This arrangement is available for other instruments in this key!

Tuba Solo - Level 2 - Digital Download SKU: A0.811009 Composed by Randy Aldcroft. Blues,Jazz,Latin. Individual part. 25 pages. Gordon Cherry #4726647. Published by Gordon Cherry (A0.811009). Randy Aldcroft has written a great series of Twelve Jazz Duets for beginning to intermediate Tubas in easy keys with moderate range. The duets are two pages each and are perfectly suited for two students or teacher and student. Mr. Aldcroft covers a variety of different styles in these duets: Blues Bossa Nova Dixieland Jazz Waltz Rock Bebop Soft Shoe Minor Blues Jazz Ballad Mixed rhythms These Duets are a great way to learn the jazz styles in preparation for more serious study.

By Henry Mancini. Arranged by Paul Murtha and Will Rapp. Film/TV; Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music