Tuba Solo - Level 2 - Digital Download SKU: A0.609879 By Kimberley Locke. By Jerry Herman. Arranged by Kevin Busse. Disney. Individual part. 2 pages. Kevin Busse #5713825. Published by Kevin Busse (A0.609879). This is a transcription with lyrics of Angela Lansbury's We Need A Little Christmas with lyrics in a good range for Tuba.

Tuba Solo - Level 2 - Digital Download SKU: A0.607329 By Lewis Capaldi. By Benjamin Alexander Kohn, Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Peter Norman Cullen Kelleher, Sam Romans, Samuel Elliot Roman, Samuel Roman, Thomas Barnes, and Tom Andrew Searle Barnes. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4635829. Published by Kevin Busse (A0.607329). This is an exact transcription of Lewis Capaldi's Someone You Loved in a good range for Tuba.

Tuba Solo - Level 2 - Digital Download SKU: A0.606942 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4604887. Published by Kevin Busse (A0.606942). This is an exact transcription of Lady Gaga's Shallow in a good range for Tuba.

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

Tuba Solo - Level 4 - Digital Download SKU: A0.1109537 Composed by Marco Bordogni. Arranged by Wade Goodwin. Classical,Opera,Romantic Period. Individual part. 89 pages. Gordon Cherry #711929. Published by Gordon Cherry (A0.1109537). Dr. Wade Goodwin has edited and arranged these great études for Bass Trombone or Tuba. The Bordogni (Rochut) études have been a major fixture in the Tenor Trombone world for almost 100 years. Dr. Wade Goodwin's arrangements of the Melodious Etudes for Bass Trombone or Tuba, Volume 2 (31-60) are a valuable addition by arranging Bordogni's études, not just an octave lower, but also a fifth lower as well. So....there are actually 60 études in this marvelous coil-bound book for Bass Trombonists or Tubists. Two versions of each étude. This book may be used by teachers to play along in octaves with their students, locking in tuning and style. Also, for Tenor Trombonists, to work on and improve their low register. Appropriate for intermediate to advanced performers.

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music

Composed by Christmas traditional. Christian, Spiritual, Sacred, Christmas, Recital. 52 pages. Published by Glissato Music Publishing