B-Flat Tuba,Tuba Solo - Level 2 - Digital Download SKU: A0.1379975 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,Soul,Standards. Individual part. 2 pages. Jps Arrangements #964683. Published by Jps Arrangements (A0.1379975). All About That Bass for tuba is a catchy and powerful pop song written by Meghan Trainor and Kevin Kadish. This arrangement captures the infectious rhythm and playful spirit of the original recording. Perfect for beginner/intermediate musicians. The arrangement is in Bb major.

Tuba Solo - Level 3 - Digital Download SKU: A0.609040 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328899. Published by Kevin Busse (A0.609040). This is an exact transcription of I Want It That Way by The Backstreet Boys in the original key for Tuba.

Tuba Solo - Level 2 - Digital Download SKU: A0.608233 Composed by Gordon Warren, James Smith, Joseph Killington, and Joseph Peter Michael Killington. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #4841509. Published by Kevin Busse (A0.608233). This is an exact transcription of Tell Me That You Love Me in a good range for Tuba.

Tuba Solo - Level 1 - Digital Download SKU: A0.609074 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328997. Published by Kevin Busse (A0.609074). This is an exact transcription of I Want It That Way by The Backstreet Boys in the easy key of C for Tuba.

B-Flat Tuba,Tuba Solo - Level 3 - Digital Download SKU: A0.1366857 By Kate Bush. By Kate Bush. Arranged by Rogel Junior. Film/TV,New Age. Individual part. 5 pages. Rogel Junior #951190. Published by Rogel Junior (A0.1366857). Running Up That Hill (A Deal With God) by Kate Bush, the famous song from the 80's used at Season 4 of Stranger Things Netflix series and covered by other artists like Placebo and Meg Myers. Intermediate arrangement for tuba (solo).

B-Flat Tuba,Tuba Solo - Level 3 - Digital Download SKU: A0.1366856 By Kate Bush. By Kate Bush. Arranged by Rogel Junior. Film/TV,New Age. Individual part. 5 pages. Rogel Junior #951189. Published by Rogel Junior (A0.1366856). Running Up That Hill (A Deal With God) by Kate Bush, the famous song from the 80's used at Season 4 of Stranger Things Netflix series and covered by other artists like Placebo and Meg Myers. Intermediate arrangement for tuba (solo). This score includes chords of the song.

Tuba Solo - Level 1 - Digital Download SKU: A0.608250 Composed by Gordon Warren, James Smith, Joseph Killington, and Joseph Peter Michael Killington. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #4841563. Published by Kevin Busse (A0.608250). This is an exact transcription of Tell Me That You Love Me in the easy key of C for Tuba.

Tuba Solo - Level 2 - Digital Download SKU: A0.609057 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Kevin Busse. Dance,Pop. Individual part. 2 pages. Kevin Busse #5328949. Published by Kevin Busse (A0.609057). This is an exact transcription of I Want It That Way by The Backstreet Boys in a good range for Tuba.

Tuba Solo - Level 3 - Digital Download SKU: A0.608216 Composed by Gordon Warren, James Smith, Joseph Killington, and Joseph Peter Michael Killington. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #4840299. Published by Kevin Busse (A0.608216). This is an exact transcription of Tell Me That You Love Me in the original key for Tuba.

Tuba Solo - Interactive Download SKU: HX.497736 By Miranda Lambert. This edition: Interactive Download,scorch. Country. Individual part. 2 pages. Duration 175. Published by Hal Leonard - Digital (HX.497736).

By Meghan Trainor. This edition: Interactive Download,scorch. Pop, Rock. Individual part. 1 pages. Duration 175. Published by Hal Leonard

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 5 - Digital Download SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba.  In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time.    Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage.    Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni.    It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day.  Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain.    Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences.  The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute.  Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed.    The harmonic and echo-like acoustic effects created are stunning in every performance and venue.    This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked.    It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve.    While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.

Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.