Tuba - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance. Solo Part. 15 pages. Published by Cherry Classics Music

Tuba Solo - Level 5 - Digital Download SKU: A0.740819 Composed by Wolfgang Amadeus Mozart. Arranged by Ellen Macpherson. Concert,Latin,Traditional. Individual part. 6 pages. Ellen Macpherson #6233393. Published by Ellen Macpherson (A0.740819). Mozart Duet arranged for Two Tubas.

Tuba Solo - Digital Download SKU: A0.1025517 Composed by J.R. Trevino. Contemporary. Individual part. 3 pages. J.R. Trevino #4820339. Published by J.R. Trevino (A0.1025517).

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

Tuba Solo - Level 2 - Digital Download SKU: A0.1001847 Composed by Chris Cobon. Contemporary. Individual part. 12 pages. Chris Cobon #6369137. Published by Chris Cobon (A0.1001847). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for all seven pieces (Set 1) being released in April/ May 2021. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreTuba bass clefEb Bass treble clef Bb Bass treble clefThe Music:Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy. These pieces move the focus from musical dexterity to stamina, tone, and breath (woodwind/brass) control.

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Tuba Solo - Level 3 - Digital Download SKU: A0.966286 Composed by David. F. Golightly. 20th Century,Contemporary. Individual part. 22 pages. Modrana Music Publishers Ltd #2020655. Published by Modrana Music Publishers Ltd (A0.966286). These three Tuba Jollies are fun pieces for tuba composed by a tuba player who is also a composer, and are graded approximately grade 4-6. Duration 5 minutes. Want some light hearted easy pieces for Tuba that are great fun to play and fun for an audience to listen to then these pieces are exactly what you need. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba).

Tuba Solo - Level 1 - Digital Download SKU: A0.1194334 Composed by Franz Schubert. Arranged by Tiago Cordeiro. 19th Century,Classical,Religious,Wedding. Individual part. 2 pages. Tiago Cordeiro #793708. Published by Tiago Cordeiro (A0.1194334). A beautiful melody arranged in the style of a lead sheet for Tuba. (Includes intro and outro).

Tuba Solo - Level 5 - Digital Download SKU: A0.1392428 By Elihu S. Conant-Haque. By Elihu S. Conant-Haque. Arranged by Elihu S. Conant-Haque. 21st Century,Contemporary. Individual part. 6 pages. E. S. Conant-Haque #975958. Published by E. S. Conant-Haque (A0.1392428). Chapters is a 7-minute long monologue for the bass tuba. The main theme is a connected line ascending through the most lyrical range of the instrument; in between theme statements are quasi-polyphonic lines which use the full range of the tuba to create the illusion of bass, harmony, and melody. The singsong nature of the theme invites rubato interpretation, and expressive annotations throughout the score encourage this further. A majestic theme appears briefly towards the end of the work, which the player should clearly convey as a brilliant and triumphal outcry. The final statement is a long series of delicate, uninterrupted arrpegios decrescendoing to ppp, and is best circular-breathed. This piece demands a high technical level and is for the advanced player seeking to expand their musicality.

Tuba Solo - Level 4 - Digital Download SKU: A0.1310136 Composed by Paul Dukas. Arranged by Clayton Frank. 20th Century,Classical. Individual part. 6 pages. Clayton Frank #899268. Published by Clayton Frank (A0.1310136). Written by Paul Dukas in 1906, Villanelle is a standard piece in the solo horn repertoire. It was originally written as an exam piece for the horn class of the Paris Conservatoire. This new arrangement for solo tuba contributes a showstopping piece to the growing tuba repertoire.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 4 - Digital Download SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published by Julien Simard (A0.931126). The metronome is always right is a phrase that every music student has heard at one point or another. However, Meditation for Tuba and Metronome? proves once and for all that the metronome is in fact not always right! As the tubist performs luscious melodies, the metronome he is using starts to malfunction, becoming more and more inconsistent and agitated. This drives the tubist into a frenzy, causing him to finally reset the metronome and start over.....Commissioned and recorded by Tristan Whalen-Hughes on the album Low Orbit. https://www.tristanwhalenhughes.com/recordings.

B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015252. Published by Stephan Langenberg (A0.1435146). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung·         gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) ·         Sprecher·         Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) ·         Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1.   Choral: „Selig die am Tisch des Herrn” (1)2.   Der Knecht3.   Der Weg zum ersten Gast (instrumental + Sprecher)4.   Chor: „Du hast der Güter reich” (der erste Gast)5.   Die Einladung/ die Absage (1)6.   Der Weg zum zweiten Gast (s.o.)7.   Chor: „Stark ist dein Arm” (der zweite Gast)8.   Die Einladung/ die Absage (2)9.   Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com

Tuba Solo - Digital Download SKU: A0.772083 Composed by Gregory Hamilton. Christian,Christmas,Concert,Sacred. Individual part. 6 pages. Dr. Gregory Hamilton #4986715. Published by Dr. Gregory Hamilton (A0.772083). Silent Night for Tuba and Piano is suitable for many liturgical services, or concerts.

Tuba Solo - Digital Download SKU: A0.869839 Composed by Thomas Oboe Lee. Contemporary. Individual part. 6 pages. Thomas Oboe Lee #6027761. Published by Thomas Oboe Lee (A0.869839).