Tuba Solo - Level 1 - Digital Download SKU: A0.1197270 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Individual part. 1 pages. Alex Rodrigues #796434. Published by Alex Rodrigues (A0.1197270). Swing Low, Sweet Chariot is a traditional African American spiritual hymn that dates back to the 19th century. The song is known for its beautiful and emotional melody, and its touching lyrics that evoke images of hope and liberation.Swing Low, Sweet Chariot has been performed by countless artists over the years, and its timeless message of faith and perseverance continues to resonate with audiences today. Whether you're a musician looking to add a classic spiritual hymn to your repertoire or simply a fan of beautiful music, the sheet music for Swing Low, Sweet Chariot is an essential item.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.

Tuba Solo - Level 2 - Digital Download SKU: A0.1342856 Composed by ADOLPHE C. ADAM. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #928391. Published by Rodrigo Faleiros (A0.1342856). Immerse yourself in the magic of the season with our enchanting solo tuba arrangement of O Holy Night. Perfect for beginners, this rendition captures the timeless beauty of the Christmas classic in a single, flowing melody, allowing even those new to the tuba to bring the spirit of the holidays to life with every heartfelt note. Accessible and evocative, this arrangement is your gateway to creating a serene and memorable Christmas atmosphere with the gentle, expressive tones of the tuba.And don't forget to check out my other christmas and holiday music arrangements by clicking here!

Tuba Solo - Level 2 - Digital Download SKU: A0.1342869 Composed by ADOLPHE C. ADAM. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #928363. Published by Rodrigo Faleiros (A0.1342869). Immerse yourself in the magic of the season with our enchanting solo tuba arrangement of O Holy Night. Perfect for beginners, this rendition captures the timeless beauty of the Christmas classic in a single, flowing melody, allowing even those new to the tuba to bring the spirit of the holidays to life with every heartfelt note. Accessible and evocative, this arrangement is your gateway to creating a serene and memorable Christmas atmosphere with the gentle, expressive tones of the tuba.And don't forget to check out my other christmas and holiday music arrangements by clicking here!

Tuba Solo - Level 2 - Digital Download SKU: A0.1264536 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Glauco Fernandes. Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #857364. Published by Glauco Fernandes (A0.1264536). Tuba Solo Sheet Music with Chords: August - Taylor Swift Elevate your musical skills with our exclusive tuba solo sheet music for the song August by the talented singer Taylor Swift. Specifically designed for tuba players, this sheet music includes chords, allowing you to dive into the captivating musical world of Taylor Swift.✔� Perfect for solo performances: Whether you're practicing in solitude or performing for an audience, our tuba solo sheet music for August is a perfect choice. With its beautiful melodies and expressive passages, you can create a captivating and emotive performance.✔� Suitable for tuba players of all levels: Our sheet music is designed to be accessible for tuba players at various skill levels. Whether you're a beginner or an experienced player, you can master this beautiful piece and impress with your performance.✔� Explore Taylor Swift's talent: Taylor Swift is known for her heartfelt compositions and captivating melodies. With our tuba solo sheet music for August, you can immerse yourself in Taylor Swift's musical world and bring her music to life through the expressive sound of the tuba.✔� Professional quality: Our sheet music is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation on the tuba.✔� Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the August tuba solo sheet music. This allows you to start practicing and performing this emotionally captivating piece right away.Elevate your musical abilities and create memorable moments with the tuba solo sheet music with chords for August by the talented Taylor Swift. Take this opportunity to immerse yourself in the music of one of the greatest icons of our time. Start playing August today, following the chords, and let the expressive sound of the tuba bring Taylor Swift's melodies to life.

Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Tuba Solo - Level 2 - Digital Download SKU: A0.1231922 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827607. Published by Alex Rodrigues (A0.1231922). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.

Tuba Solo - Level 2 - Digital Download SKU: A0.1231921 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827606. Published by Alex Rodrigues (A0.1231921). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.

Tuba Solo - Level 4 - Digital Download SKU: A0.1310136 Composed by Paul Dukas. Arranged by Clayton Frank. 20th Century,Classical. Individual part. 6 pages. Clayton Frank #899268. Published by Clayton Frank (A0.1310136). Written by Paul Dukas in 1906, Villanelle is a standard piece in the solo horn repertoire. It was originally written as an exam piece for the horn class of the Paris Conservatoire. This new arrangement for solo tuba contributes a showstopping piece to the growing tuba repertoire.

Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations.  The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two.  Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc.   The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio.  The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation.  The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness.  This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes.  Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.

Tuba Solo - Level 5 - Digital Download SKU: A0.878326 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405441. Published by SeanBrownMusic (A0.878326). This is a set of Christmas tunes for a solo tuba player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.

Tuba Solo - Level 2 - Digital Download SKU: A0.1377108 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961711. Published by Rodrigo Faleiros (A0.1377108). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo tuba. This beloved aria, known for its tender expression of love and longing, is now reimagined for tuba, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience.Key Features: Tuba Showcase: Tailored for a solo tuba, allowing for a captivating and expressive performance of the iconic aria. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for tuba offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.

Tuba Solo - Level 2 - Digital Download SKU: A0.1294881 By Christina Perri. By Christina Perri and David Hodges. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #885198. Published by Glauco Fernandes (A0.1294881). Tuba Sheet Music with Chord Notations: Christina Perri's 'A Thousand Years'Explore the timeless beauty of Christina Perri's A Thousand Years with our exclusive tuba sheet music arrangement, complete with chord notations, available for sale on leading online sheet music platforms. This meticulously crafted arrangement captures the essence of the song uniquely, allowing tuba players of all levels to explore its captivating melody.Our sheet music features clear and detailed notation for the tuba, along with chord symbols for accompaniment. This comprehensive arrangement is accessible for both beginners and experienced tuba players, ensuring an authentic and emotional performance.By purchasing our A Thousand Years tuba sheet music with chord notations, you gain access to a valuable resource to enrich your musical repertoire. Furthermore, the music is perfect for a variety of occasions, from weddings to recitals and special performances.Stand out as a musician and move your audience with this timeless song. Acquire our sheet music now and start playing A Thousand Years by Christina Perri on the tuba with chord notations, allowing for a fuller musical experience. Explore the emotional depth of this music and share your unique interpretation with the world.Don't miss the opportunity to play one of the most beloved songs in pop music on the tuba, enriched with chord notations. Get our sheet music today and embark on your musical journey with Christina Perri's A Thousand Years..