Tuba Solo - Level 3 - Digital Download SKU: A0.598050 By Anna Kendrick. By A.P. Carter, Heloise Tunstall-Behrens, and Luisa Gerstein. Arranged by Kevin Busse. Film/TV. Individual part. 2 pages. Kevin Busse #3130089. Published by Kevin Busse (A0.598050). This is a transcription of Anna Kendrick's When I'm Gone for Tuba. This sheet music can be played along with the official recording of this song.

Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3048025. Published by Gordon Wolfe (A0.1003255). A Sonata Form solo for Tuba intended as the second and primary movement of a Church Sonata in Gospel style. It is based on two hymns: When I can Read my Title Clear and Lily of the Valley.

Tuba Solo - Level 3 - Digital Download SKU: A0.1028779 Composed by Duncan McPherson. 20th Century,Contemporary. Individual part. 2 pages. Duncan S McPherson #4109663. Published by Duncan S McPherson (A0.1028779). Composed by Duncan McPherson. Unaccompanied solo. Duration 2 minutes, 42 seconds. Published by Duncan McPherson.When I was very young, I read about eclipses in an encyclopedia for children. The article described how more primitive societies viewed eclipses as bad omens and how, when they appeared, they could incite chaos in these groups for the duration of the event. This piece, intended for students of intermediate skill, was designed to evoke a sense of unease, leading to panic, followed by a tentative return to normalcy. .

Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments.  This second collection contains my all-time favorites and is written for early-mid-intermediate players.  The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes.  Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing.  Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges.  This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed.  Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat.  Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon.  When necessary, parts occasionally cross for ease of playing for the bass instruments.  A piano accompaniment book is also available.  These accompaniments are eclectic in style and span the gamut from classical to gospel.  The hymns with their concert keys are:   All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him!  Praise Him!  F Redeemed, How I Love to Proclaim It!  A-flat Rejoice, The Lord Is King!  C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music

Tuba - Advanced - Digital Download Composed by C Blankenship. Impressionistic, Modern. Solo Part. 2 pages. Published by C Blankenship