Tuba Solo - Level 2 - Digital Download SKU: A0.1317352 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Glauco Fernandes. Pop. Individual part. 2 pages. Glauco Fernandes #906013. Published by Glauco Fernandes (A0.1317352). Shake It Off by Taylor Swift: A Musical Celebration of AuthenticityMusic has the incredible power to transport us to a place where we feel free to be ourselves. And when it comes to a song that exudes confidence, optimism, and authenticity, Taylor Swift's Shake It Off is an amazing choice. If you're a instrumental musician, this is a sheet music you should definitely consider adding to your repertoire.The contagious energy of this song is undeniable. With its captivating rhythm and inspiring lyrics, Shake It Off reminds us of the importance of not caring about others' criticisms and simply being who we are. It's a celebration of authenticity and the ability to overcome obstacles with a smile on our faces.Imagine playing this song on your instrument, feeling the vibrant beat, and sharing this positive energy with your audience. It's an opportunity to create a truly special and inspiring moment. Moreover, learning to play Shake It Off can be a rewarding musical challenge, helping you improve your skills and expand your repertoire.So, if you're an instrumental musician looking for sheet music that conveys joy, positivity, and authenticity, Shake It Off is a perfect choice. Get the sheet music, immerse yourself in the music, and share Taylor Swift's infectious spirit with the world. It will be a musical experience that you and your audience will never forget.  

Tuba Solo - Level 2 - Digital Download SKU: A0.1317355 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Glauco Fernandes. Pop. Individual part. 2 pages. Glauco Fernandes #906014. Published by Glauco Fernandes (A0.1317355). Shake It Off by Taylor Swift: A Musical Celebration of AuthenticityMusic has the incredible power to transport us to a place where we feel free to be ourselves. And when it comes to a song that exudes confidence, optimism, and authenticity, Taylor Swift's Shake It Off is an amazing choice. If you're a instrumental musician, this is a sheet music you should definitely consider adding to your repertoire.The contagious energy of this song is undeniable. With its captivating rhythm and inspiring lyrics, Shake It Off reminds us of the importance of not caring about others' criticisms and simply being who we are. It's a celebration of authenticity and the ability to overcome obstacles with a smile on our faces.Imagine playing this song on your instrument, feeling the vibrant beat, and sharing this positive energy with your audience. It's an opportunity to create a truly special and inspiring moment. Moreover, learning to play Shake It Off can be a rewarding musical challenge, helping you improve your skills and expand your repertoire.So, if you're an instrumental musician looking for sheet music that conveys joy, positivity, and authenticity, Shake It Off is a perfect choice. Get the sheet music, immerse yourself in the music, and share Taylor Swift's infectious spirit with the world. It will be a musical experience that you and your audience will never forget.  

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.

Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Tuba Solo - Level 1 - Digital Download SKU: A0.1494267 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070871. Published by Alex Rodrigues (A0.1494267). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Tuba Solo - Level 3 - Digital Download SKU: A0.1270713 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863087. Published by Glauco Fernandes (A0.1270713). Title: Tuba Solo Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating tuba solo arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for tuba players, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for tuba solo, accommodating tuba players with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level tuba players, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our tuba solo arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!

Tuba Solo - Level 2 - Digital Download SKU: A0.1289331 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Christian,Film/TV,Pop,Wedding. Individual part. 1 pages. Glauco Fernandes #880077. Published by Glauco Fernandes (A0.1289331). ---Evoke Emotions with Leonard Cohen's Hallelujah Sheet Music for Tuba and Chord Notations!If you're a music enthusiast looking to perform one of the most iconic songs of all time, you're in the right place. We proudly present to you the exclusive sheet music arrangement of Leonard Cohen's Hallelujah for tuba, complete with chord notations, tailored for musicians at an easy/intermediate level.Reasons to choose our sheet music:1. Accessibility: Our arrangement is perfect for musicians of all levels. Whether you're an ambitious beginner or a more experienced musician, you'll find challenge and satisfaction in playing Hallelujah.2. Professional Quality: Our sheet music has been meticulously crafted by professional musicians, ensuring you get an authentic representation of the original music.3. Emotion and Expression: Hallelujah is a song brimming with emotion. With our sheet music, you'll be able to convey that emotion with every note you play.Keywords for easy search:- Tuba Sheet Music for Hallelujah by Leonard Cohen with Chord Notations- Easy/Intermediate Tuba Arrangement with Chord Notations- Classical Music Sheet with Chords- Emotional Sheet Music with ChordsDon't miss the opportunity to play this timeless song. Get your sheet music now and start creating music that touches the hearts of all who hear it. Join the community of musicians inspired by Hallelujah and turn it into your musical masterpiece.Play Hallelujah today and share the beauty of Leonard Cohen's music with the world!

Tuba Solo - Level 1 - Digital Download SKU: A0.1494271 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Individual part. 1 pages. Alex Rodrigues #1070875. Published by Alex Rodrigues (A0.1494271). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Tuba Solo - Level 2 - Digital Download SKU: A0.1289332 By Andrea Bocelli. By Leonard Cohen. Arranged by Glauco Fernandes. Chamber,Christian,Film/TV,Pop,Wedding. Individual part. 1 pages. Glauco Fernandes #880078. Published by Glauco Fernandes (A0.1289332). ---Evoke Emotions with Leonard Cohen's Hallelujah Sheet Music for Tuba!If you're a music enthusiast looking to perform one of the most iconic songs of all time, you're in the right place. We proudly present to you the exclusive sheet music arrangement of Leonard Cohen's Hallelujah for tuba, tailored for musicians at an easy/intermediate level.Reasons to choose our sheet music:1. Accessibility: Our arrangement is perfect for musicians of all levels. Whether you're an ambitious beginner or a more experienced musician, you'll find challenge and satisfaction in playing Hallelujah.2. Professional Quality: Our sheet music has been meticulously crafted by professional musicians, ensuring you get an authentic representation of the original music.3. Emotion and Expression: Hallelujah is a song brimming with emotion. With our sheet music, you'll be able to convey that emotion with every note you play.Keywords for easy search:- Tuba Sheet Music for Hallelujah by Leonard Cohen- Easy/Intermediate Tuba Arrangement- Classical Music SheetDon't miss the opportunity to play this timeless song. Get your sheet music now and start creating music that touches the hearts of all who hear it. Join the community of musicians inspired by Hallelujah and turn it into your musical masterpiece.Play Hallelujah today and share the beauty of Leonard Cohen's music with the world!

Tuba Solo - Level 3 - Digital Download SKU: A0.1270712 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863086. Published by Glauco Fernandes (A0.1270712). Title: Tuba Solo Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating tuba solo arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for tuba players, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for tuba solo, accommodating tuba players with various skill levels.- Sheet music with chords provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level tuba players, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our tuba solo arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Tuba Solo - Level 2 - Digital Download SKU: A0.1301931 By Ed Sheeran. By Ed Sheeran. Arranged by Alex Nunes Rodrigues. Pop. Individual part. 2 pages. Alex Rodrigues #891529. Published by Alex Rodrigues (A0.1301931). Perfect by Ed Sheeran stands out for the delicacy and harmony that envelop the melody. Your interpretation conveys a sense of gentle and authentic romance, complementing the emotive voice of the original song perfectly. It's an arrangement that captivates listeners, capturing the essence of the original song remarkably.

Tuba Solo - Level 2 - Digital Download SKU: A0.1301932 By Ed Sheeran. By Ed Sheeran. Arranged by Alex Nunes Rodrigues. Pop. Individual part. 2 pages. Alex Rodrigues #891530. Published by Alex Rodrigues (A0.1301932). Perfect by Ed Sheeran stands out for the delicacy and harmony that envelop the melody. Your interpretation conveys a sense of gentle and authentic romance, complementing the emotive voice of the original song perfectly. It's an arrangement that captivates listeners, capturing the essence of the original song remarkably.