Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.900691 Composed by Giovanni Battista Buonamente. Arranged by Jakob Gierens. Baroque,Classical,Renaissance,Sacred. Score and parts. 6 pages. Jakob Gierens #504724. Published by Jakob Gierens (A0.900691). A beautiful four-part canzon transcribed for brass quartet (or any instrumental quartet). Playing Scores included in concert pitch (Treble/Bass clef); also in B flat and F (all parts in Treble clef).

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.579649 Composed by Lowell Mason. Arranged by David Warin Solomons. 20th Century,Christian,Contemporary,Romantic Period,Sacred. 6 pages. David Warin Solomons #3141129. Published by David Warin Solomons (A0.579649). Hymn by Lowell Mason (1792-1872) in a simple transcription for instrumental quartet, both in the more well-known 4/4 time version and also in the original 6/4 time version.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.835863 Composed by Paul Burnell. Contemporary. 83 pages. Paul Burnell #6290665. Published by Paul Burnell (A0.835863). Graphene MachineComposed Paul Burnell 2020For Instruments in Four Parts with optional drum setScore in CDuration without repeats 4:15, duration with repeats 4:55If repeats are omitted use 2nd time indications.Graphene Machine is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Bb, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Bb Clarinet, Trumpet, Violin 1)Part 2: C, Bb, G, Eb (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Alto Saxophone, Trumpet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, F horn, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great Bass Recorder, Tenor Saxophone, F Horn, 'Cello)Optional: Drum Set - Kick Drum or damped Floor Tom, Snare Drum, High Hat, Crash Cymbal, Ride CymbalAlternately, 'found' percussion object equivalents may be played.Part 4 may be played an octave lower than written - using the available 'Bass clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The Con Sord./Mute indications are for string and brass instruments.The optional unpitched air sounds notated with x note heads can be performed on wind and brass instruments. Other instrument types may improvise an equivalent unpitched sound.Bracketed note heads indicate alternate note where the associated unbracketed note is out of range. Programme note:Graphene is a form of carbon consisting of sheets just one atom thick, with the atoms arranged in a honeycomb-shaped lattice. In relation to its thickness, it is about 100 times stronger than steel. Graphene conducts heat and electricity very efficiently and is nearly transparent.'Graphene Machine' reflects Graphene's characteristic of extreme thinness and relative strength through the contrast of quiet delicate sounds with forceful dynamic playing. The piece also features interlocking six-note patterns that were inspired by Graphene's hexagonal atomic structure.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1514366 Composed by Alan Edgar. 20th Century. 16 pages. Alan Edgar Ted Moon #1088846. Published by Alan Edgar Ted Moon (A0.1514366). PROGRAMME NOTE: This depicts aspects of spider life, and the reactions of an arachnophobe. In the introduction, we hear the 12- note-row then very long pauses as the spider waits for prey to approach. Frenetic activity leads to the capture of prey and its consumption. The arachnophobe (instruments or players) scream on seeing the spider. A relatively consonant waltz depicts the halting, tapping, very careful, mating dance of the male. She eats him anyway. Next we limn the hundreds of babies hatching and abseiling down on their threads. This of course makes the arachnophobe scream again.DURATION: 4 minutes.INSTRUMENTATION: Flute, Oboe, Clarinet, Bassoon.

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.567147 Composed by Folk Song. Arranged by Kate Agioritis. Celtic,Folk. 19 pages. Musika Publishing Australia #5775613. Published by Musika Publishing Australia (A0.567147). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) to the Isle of Skye as he evaded capture following his defeat at the Battle of Culloden in 1746. More recently, this beautiful, lilting song has become known as the opening theme of television series 'Outlander'. Arranged by Kate Agioritis for Woodwind Quartet, this moving rendition will be a welcome addition to your repertoire, for any occasion. Includes optional Bass Clarinet substitute for Bassoon part. This arrangement is also available for other instrumentations.Visit our websites: www.musikapublishing.com and www.sheetmusicmarketplace.com

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.587222 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. 67 pages. David McKeown #3108003. Published by David McKeown (A0.587222). 16 Favourite Hymns for Wind Quartet (Vol 2.) is a collection of commonly performed traditional hymns. The score is arranged for one Flute, one Oboe, one Clarinet and one Bassoon, but the file also contains alternative/additional parts for Flute on part 2 Clarinet on parts 2 and 4 and Bass Clarinet on part 4. The file contains the score plus the separate parts. 16 Favourite Hymns for Wind Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements ·     There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. ·     This makes them ideal for building repertoire for church bands and other ensembles. ·     The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows ·     Hail to the Lord’s Anointed, (Ellacombe) ·     He who would Valiant Be, (Monk’s Gate) ·     Holiness by Faith in Jesus, (Rousseau) ·     How Sweet the Name, (Lloyd) ·     I Vow to Thee My Country, (Thaxted) ·     I Will Sing the Wondrous Story, (Hyfrodol) ·     Just a Closer Walk with Thee, (Closer Walk) ·     The King of Love, (Dominus Regit Me) ·     The Lord’s My Shepherd, (Crimond) ·     Love Divine, (Austrian Hymn, Haydn) ·     Nearer My God to Thee, (Bethany) ·     Oh Love that will not Let Me Go, (St Margaret) ·     Purer Yet Purer, (Lyndhurst) ·     Shall We Gather by the River, ·     There is a Green Hill, (Horsley) ·     When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.845260 Composed by Z Noskowski. Arranged by Phil Beaman. Baroque,Classical,Romantic Period. 14 pages. Phil Beaman #6505871. Published by Phil Beaman (A0.845260). Zygmunt Noskowski was the great Polish composition professor. He is best known for his symphonic works, but also wrote many piano pieces based on dances. I have taken his piano Gavotte and freely arranged it for Instrumental Quartet.  This brisk piece is lively with a busy texture. I have crafted 4 independent lines that are each of equal importance and the focus quickly shifts from one part to the other. The lines rhythmically weave together, answering each other. The real interest in the piece is the constantly changing and contrasting dynamics and articulation. Often every beat of the bar has a different articulation, and the individual parts rarely have the same articulation at the same time. (i.e., One part might be slurred while another part is playing staccato and yet another is accented.) This complexity of texture creates energy and excitement. A great piece to spice up any concert with a fun smile.  This composition is a fusion of multiple eras; originally written during the Romantic period, but with many Classical elements and a Baroque form and style, to which I add some Contemporary touches.  Notes and rhythms are Intermediate, but adding all of the markings at this pace makes it Advanced Intermediate.6 page score, 2 page parts2:10 minutes

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.809177 By Julie Andrews. By George Gershwin. Arranged by Glenn Martin. Broadway,Contest,Festival,Holiday,Jazz,Musical/Show,Wedding. 19 pages. Cornelius edition #4628081. Published by Cornelius edition (A0.809177). Do Do Do from the 1926 musical comedy Oh, Kay! by George Gershwin. The musical was named after the composer Kay Swift with whomGershwin collaborated. In this arrangement for woodwind quartet; (flute, oboe, Bb clarinet and bassoon), all four instrumentalists take the lead and the piece would be a popular choice for a woodwind quartet to pefrorm. It would make an ideal repertoire piece suitable for concerts, competitions and any occasion.  Duration: 3:46.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.971864 Composed by Tomas Luis de Victoria. Arranged by P. Daniel Brittain. Renaissance. Score and parts. 21 pages. Philip Brittain #3115353. Published by Philip Brittain (A0.971864). Brass ensemble transcription of O Vos Omnes. Flexible instrumentation; playable by the full ensemble or any select group within. Parts for possible instruments are included.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1339620 Composed by Conrad Ho. 21st Century,Baroque,Classical,Early Music. 16 pages. Conrad Ho #925324. Published by Conrad Ho (A0.1339620). This is a sort of theme and variation composed based on on the La Folia progression in late-April 2023. La Folia is a common composition back in the Baroque era. Vivaldi did it, Lully did it, Coreli did it. Even though Bach never composed anything named La Folia, it is used in his composition as well. In this version, it is intended for a baroque woodwind ensemble. Ideally, it should be played at A = 415 Hz where possible but modern instrument is acceptable. Although the art of improvisation is no longer popular amongst classical musician these days, applying improvisation in ornaments is highly recommended.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1211148 Composed by Boucher (b. 1994). Baroque. 8 pages. Mitch Boucher #808848. Published by Mitch Boucher (A0.1211148). This piece was written many years ago and recently revised. It relies on two German hymn melodies, and the harmonic exploration is my own. It may be arranged for any manner of instruments.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.998218 Composed by Irish Traditional. Arranged by David Catherwood. Celtic,Folk,Irish,Traditional. Score and parts. 15 pages. Opus 3 Music #603870. Published by Opus 3 Music (A0.998218). A great Irish tune (made famous by Percy French) in a simple but effective arrangement. The key chosen is also suitable to accompany the singing of this popular song. The arrangement allows for a great deal of flexibility in presentation with parts included in the download for all standard brass quartet, quintet and small brass band scoring. A full set contains a score in C and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments Part 1 in Bb (Trumpet 1 in Bb/Cornet 1 in Bb) Part 2 in Bb (Trumpet 2 in Bb/Cornet 2 in Bb) Part 2 in Eb (1st Horn in Eb ) Part 2 in F (1st Horn in F) Part 3 in C (Trombone) Part 3 in Eb (2nd Horn in Eb) Part 3 in F (2nd Horn in F) Part 3 in Bb (Bb Trombone/Baritone (treble clef) Part 4 in C (Bass Trombone) Part 4 in Eb (Eb Bass Tuba (treble clef) Part 4 in Bb (Euphonium/Bb Bass Tuba (treble clef) Percussion (Optional).