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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flūte, Hautbois, Clarinette, Basson

$49.95 47.87 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956808 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404149. Published by Woods Only, Arrangements (A0.956808). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet 2 Clarinets and 2 Bassoons
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956812 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404173. Published by Woods Only, Arrangements (A0.956812). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet 2 Flutes and 2 Bassoons
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, RadamĆ©s Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the ClĆ³vis Salgado Foundation, PalĆ”cio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, SebastiĆ£o Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of BillĆØre (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem PrĆ³ximo do Mal (Next Evil), Jogando para o AmanhĆ£, O PrĆ³ximo Passo, Gunā€™s Speech, Trem Fantasma, 3:00:AM, CoraƧƵes Ardentes, Filhos de AdĆ£o, Perdidos em Abbey Road, Vivalma, ManuelzĆ£o e Bananeira, OfĆ©lia, Opostos, Minas Portuguesa, O Homem da CabeƧa de PapelĆ£o, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo FranƧa JĆŗnior.ļ»æ
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
Flūte, Hautbois, Clarinette, Basson

$19.95 19.12 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956810 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404169. Published by Woods Only, Arrangements (A0.956810). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet 2 English Horns Clarinet and Bassoon
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956816 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404195. Published by Woods Only, Arrangements (A0.956816). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet Flute Oboe English Horn and Bassoon
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956821 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404209. Published by Woods Only, Arrangements (A0.956821). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet Oboe English Horn Clarinet and Bassoon
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956814 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6404191. Published by Woods Only, Arrangements (A0.956814). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daƟ ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
Bach Jesu, joy of man's desiring for Woodwind Quartet Flute English Horn Clarinet and Bassoon
Flūte, Hautbois, Clarinette, Basson

$9.99 9.57 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Flūte, Hautbois, Clarinette, Basson

$8.99 8.62 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1470682 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 5 pages. Rodrigo Faleiros #1048175. Published by Rodrigo Faleiros (A0.1470682). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for woodwind quartet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the four woodwind instruments — flute, oboe, clarinet and bassoon — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Woodwind Quartet - flute, oboe, clarinet in Bb and bassoon?? Check out my other arrangements clicking here! ??'---'---'---'---'---'---'---'---'---'---'---'---'---'.
Choral from the Cantata BWV 77 (for Woodwind Quartet)
Flūte, Hautbois, Clarinette, Basson

$4.99 4.78 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus


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