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Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553. Published by Jan Thalman (A0.937494). Son de la loma es una pieza compuesta por el cubano Miguel Matamoros, alrededor de 1945. Es una melodĆ­a muy conocida en ritmo de son, sin embargo, esta versión para cuarteto de saxofones estĆ” escrita para que se interprete en ritmo de samba. La samba es una danza brasileƱa de origen africano.En caso de no utilizar la percusión:- Los primeros 3 compases de la introducción deben eliminarse. Se empieza, entonces en el compĆ”s 4- El solo de percusión en el compĆ”s 91 debe ser omitido.- Letra G no se toca. De manera que, del compĆ”s 122 se pasa al compĆ”s 4.La parte percusión es opcional, puede incorporarla a los saxofones si asĆ­ lo prefiere.Son de la lomaThis piece was composed by the Cuban musician Miguel Matamoros around 1945. The tune was originally written with a Son rhythm, however, in this version for a saxophone quartet the rhythm is Samba, a Brazilian dance.The use of percussion is optional. If it is not used, the player should follow these recomendations:-  The first three measures of the introduction must be eliminated to start in measure four.-  The percussion solo in measure 91 must be omitted-  Letter G is not played, as a result, the player must move on from measure 122 tomeasure 4.The use of percussion is optional.
Son De La Loma
Flūte, Hautbois, Clarinette, Basson

$14.00 12.02 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1143522 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743838. Published by Woods Only, Arrangements (A0.1143522). This arrangement adapted for woodwind quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Woodwind Quartet
Flūte, Hautbois, Clarinette, Basson

$7.99 6.86 € Flūte, Hautbois, Clarinette, Basson PDF SheetMusicPlus






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