Handbells 3-6 octave handbells with optional 3-6 octave handchimes - Level 2 - Digital Download

SKU: H1.2551DP

Composed by Natalie Sleeth. Arranged by Cynthia Dobrinski. General Worship. Handbell score. 8 pages. Hope Publishing - Digital #2551DP. Published by Hope Publishing - Digital (H1.2551DP).

1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.

Popular hymn Cynthia Dobrinski's new arrangement of Natalie Sleeth's endearing hymn treats each of the three verses with a distinct approach that variously utilizes suspended bells played by mallets, vibrato, thumb damps, echoes, and optional 3-6 octave handchimes. Bell changes are minimal. Natalie's metaphorical text speaks of our resurrection and makes this useful for almost any worship occasion, memorial service or funeral.

Handbells (Choral, Handbells, Handchimes) - Level 3 - Digital Download

SKU: H1.1701DP

Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Sing & Ring Series. Contemporary, Ring & Sing, Christmas, Children. Handbell score. 8 pages. Hope Publishing - Digital #1701DP. Published by Hope Publishing - Digital (H1.1701DP).

Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - Matthew 2:8 - Matthew 2:9 - Matthew 2:10 - Matthew 2:11 - Matthew 2:12 - John 3:16 - Luke 2:14.

Original anthem The master melody writer, Natalie Sleeth, originally composed this captivating Christmas selection in a unison/two-part setting. That anthem has gone on to be one of the all-time best-selling pieces in the Hope choral catalog. It is now available in an SAB version with piano or 3-5 octave handbell accompaniment.

Handbells 3-5 octave handbells with optional 3 octave (18) handchimes & bongos - Level 4 - Digital Download

SKU: H1.2572DP

Composed by Natalie Sleeth. Arranged by Sondra K. Tucker. Agape Bronze - L4-5. General Worship, Sacred. Handbell score. 16 pages. Hope Publishing - Digital #2572DP. Published by Hope Publishing - Digital (H1.2572DP).

Choral favorite Sondra Tucker's handbell setting of the perennial choral favorite by Natalie Sleeth is faithful to the original. Take care to keep the various melodic lines separated through careful attention to dynamics and clean damping.

3-5 octave handbells with optional 3-5 octave handchimes - Level 2 - Digital Download

SKU: H1.8692HBDP

Composed by Natalie Sleeth. Arranged by Joel Raney. Easter Sunday, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #8692HBDP. Published by Hope Publishing - Digital (H1.8692HBDP).

An Easter prelude
Built on the popular Natalie Sleeth title, and incorporating the tunes, EASTER HYMN, PASSION CHORALE and DIADEMATA, this festive Easter prelude is the latest addition to Joel Raney's exciting series of piano/organ worship openers with SATB choir entering at the conclusion for an optional choral introit. The optional part 3-5 octave handbells with optional 3-5 octave handchimes is a fully developed Level 2 setting that greatly enhances the overall presentation.

Handbells (Choral, Handbells, Handchimes) - Level 3 - Digital Download

SKU: H1.1519DP

Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Sing & Ring Series. Contemporary, Ring & Sing, Easter Sunday, Children, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #1519DP. Published by Hope Publishing - Digital (H1.1519DP).

1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.

Original Anthem
Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.

Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.

3 octaves handbells - Level 2 - Digital Download

SKU: C7.CGAB79

Composed by Natalie Sleeth. General. Score. 8 pages. Chorister's Guild - Digital #CGAB79. Published by Chorister's Guild - Digital (C7.CGAB79).

UPC: 749193001059.

A lilting amalgamation of Good Christian Friends, Rejoice (IN DULCI JUBILO) and Here We Come A-wassailing provides the opportunity to use a handbell tree or other solo instrument in combination with handbells and handchimes. The tunes are treated separately and then combined before the optional vocal/choral lyrics wish the listener, Love and joy come to you . . . and God bless you, and send you a happy new year. Optional parts are also included for Petit & Fritsen(tm) bells, Silver Melody Bells(tm) and percussion. The piece was written for Concert Bells of Fort Worth to showcase their newly acquired Bb2 handbell.

3, 4, or 5 octaves handbells - Level 2 - Digital Download

SKU: C7.CGB355

Composed by Martha Lynn Thompson and Natalie Sleeth. Advent, Christmas. With 3 octaves handchimes, Solo Inst. Score. 8 pages. Chorister's Guild - Digital #CGB355. Published by Chorister's Guild - Digital (C7.CGB355).

UPC: 749193009543.

3, 4 or 5 octaves with optional Bb2.Advent or General.Level 4.Everlasting Light is based on two contrasting hymns dealing with light. CONDITOR ALME SIDERUM is one of the oldest Christian hymns, whose simplicity and rhythmical flow reflect the freedom of speech. Written seven centuries later, WIE SCHON LEUCHTET is at the other end of the spectrum: measured, straight forward and fanfare-like. The introduction intersperses dramatic .ashes of light and the resulting shimmer (via the echo technique) with phrases of the chant. The chant is treated in its entirety at measure 19, and then antiphonally at measure 27 with its inversion (light reflected). The German chorale is heard at measure 40, and again in augmentation at measure 62 layered over the chant, each phrase of which is echoed (reflected) an octave lower. The piece ends with a return to the opening .ashes of light, this time the shimmering sixteenth-notes being more pronounced.