Handbell - Level 4 - Digital Download SKU: A0.796339 Composed by Philipp Nicolai. Arranged by Diana Meux. Baroque,Christmas,Easter,Sacred. Score. 5 pages. Download Church Music #6509429. Published by Download Church Music (A0.796339). Arrangement on the hymn tune WIE SCHÖN LEUCHTET by Philipp Nicolai, for 4 octave handbells, 36 bells used. 5 pages.As the hymn tune for Alleluia! Let Praises Ring, He is Arisen! Glorious Word, O Holy Spirit, Enter In, O Morning Star, How Fair and Bright, and Rejoice, Rejoice, This Happy Morn, the arrangement has multiple uses including for General Praise, Easter, Pentecost, Call to Worship, Epiphany, and Christmas.

Handbell - Level 2 - Digital Download SKU: A0.1394420 Composed by traditional chantey. Arranged by Megan Oberfield. Folk,Historic,Multicultural,Traditional,World. Score. 3 pages. Megan Oberfield #977889. Published by Megan Oberfield (A0.1394420). This traditional Québéquois chantey, based on the Scottish tune, Hieland Laddie, is a flexible arrangement for 3-7 ringers and 3 octaves of handbells, choirchimes, or Boomwhackers. 14 bells are required. This lively secular folk tune is great for school and community ensembles and can be adapted to the ability level of ringers and the size of the ensemble. Special techniques can be adapted to suit your situation. Malleting, Plucking, and/or Thumb Damping can be used to achieve the staccato effect in the bass.  Can be used to accompany singing. This logging chantey comes from the Great Lakes and waterways of Canada and the northeastern United States and is based on a tune brought over by Scottish settlers. A donkey is a steam engine, often mounted on a barge, used to help load timber and other heavy items onto cargo ships.Were you ever in QuebecStowing timber on the deck?Where there's a king with a golden crownRiding on a donkey.(Chorus)Hey, ho! Away we go!Donkey riding, donkey riding.Hey, ho! Away we go!Riding on a donkey.Were you ever off the HornWhere it's always fine and warm?Seeing the lion and unicornRiding on a donkey.(Chorus)Were you ever in Cardiff Bay?Where the folks all shout, Hurray!Here comes John with three years' payRiding on a donkey.(Chorus).

(Handbells, Percussion) - Level 3 - Digital Download SKU: H1.2802PDP Composed by Davis and Onorati & Simeone. Arranged by Joel Raney. Christmas, Sacred. Instrumental Parts: Conductor's Score. 22 pages. Hope Publishing - Digital #2802PDP. Published by Hope Publishing - Digital (H1.2802PDP). By Davis, Onorati & Simeone.Classic Christmas song by Katherine Kennicott Davis & Henry Onorati & Harry Simeone This delightful presentation of this well-loved Christmas song is a dynamic fully developed setting that is perfect for Christmas concerts in schools, communities, and churches. The optional parts for synth and percussion add nuance and festive charm. . . pa-rum pum pum pum.

By Nicolas Roubanis. Arranged by Tim Waters. Film/TV; Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music

By Nicolas A Lebegue. Arranged by Albert Zabel. For Handbells (4-5 octaves). Handbell Sheet. Concert. Level 2+. Published by Lorenz Publishing - Digital Sheet Music

Handbell - Level 3 - Digital Download SKU: A0.1307875 Composed by Nicholas Jacques Lemmens. Arranged by Paul W. Allen - Bronze:FX. 19th Century,Classical,Romantic Period,Wedding. Score. 8 pages. Bronze:FX #897135. Published by Bronze:FX (A0.1307875). “Endless Fanfare� is a transcription of an original organ toccata composed by the Parisian organist Nicolas Jacques Lemmens. In the style of a French suite, this piece may be condensed or expanded to fit nearly any performance situation. Played quickly and without repeats, it builds to a satisfying climax. Taken at a more moderate tempo and with all repeats (including an unwritten but implied optional DC from the end of measure 78), “Endless Fanfare� may continue forever.The arrangement is for full choir using 3, 4, 5, or 6 octaves of handbells, and the piece is Level 3 when played with a full complement of ringers.All stopped sounds are left to the director's discretion, depending on the performance context and personal taste. The bass must provide a solid foundation, but never be overbearing. Plucked sounds would create a sharp accent and quick decay; malletted sounds should be much softer; martellati would be quite harsh.Exceptional skill and endurance is required of the F5+G5 and A5+B5 ringers, who must maintain a contant but subtle off-beat pulse throughout.The tempo must remain steady and without rubato, until the final two measures.Performance time:  4 minutes.