3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. With Flute. Score. 12 pages. Chorister's Guild - Digital #CGB979. Published by Chorister's Guild - Digital (C7.CGB979). UPC: 749193024553.Uplifting and sweet, this arrangement of The Lord’s My Shepherd, I’ll Not Want (BROTHER JAMES’ AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines.  The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse.  The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death’s dark vale / yet will I fear no ill).  At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God’s house forevermore / my dwelling place shall be.  The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.

Handbell - Digital Download SKU: A0.862068 Arranged by Lauran Delancy. Christian,Sacred. Score. 6 pages. Headless Mallets #4633977. Published by Headless Mallets (A0.862068). Bells Still Are Chiming and Calling is a Handbell duet arrangement of the hymn tunes KIRKEN DEN ER ET GAMMELT HUS, often associated with the hymn text Built on the Rock, and MAGDALEN, often associated with the hymn text My Hope is Built on Nothing Less. The duet is written for 3 octaves of handbells with an optional D7. This arrangement is dedicated to the faithful saints of churches throughout the world, particularly Historic Trinity Lutheran Church in Milwaukee, Wisconsin and Notre Dame de Paris who continue the Lord's work even in the midst of damage and loss to their physical buildings. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May NOT be duplicated for multiple groups. Headless Mallets Publishing.

3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB972 Wakantanka Taku Nitawa. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Thanksgiving, General. With Finger cymbals, ankle bells (or sleigh bells), tambourine, buffalo drum (or other American Indian drum). Score. 8 pages. Chorister's Guild - Digital #CGB972. Published by Chorister's Guild - Digital (C7.CGB972). UPC: 749193023075.Uplifting and sweet, this arrangement of The Lord's My Shepherd, I'll Not Want (BROTHER JAMES' AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death's dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God's house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1004 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. Christmas. With 3, 4, 5, 6 or 7 octaves handchimes, handbell tree or solo instrument, chorus or vocal solo, 2 octaves Petit & Fritsen handbells or tubular chimes, 2 octaves Silver Melody Bells, finger cymbals, and chime tree. Score. 12 pages. Chorister's Guild - Digital #CGB1004. Published by Chorister's Guild - Digital (C7.CGB1004). Come, You Thankful People, Come is a spirited setting of the familiar hymntune, ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch and shake techniques, and making extensive use of mallets. The straightforward first stanza is in the usual and expected 4/4 meter, interspersed with an occasional 2/4 measure along the way. The second stanza moves into 3/4, with a recurring cross-accent pattern, producing the effect of playing in 6/8. After modulating from F to E-flat, the third and final stanza returns to the original meter, bringing the piece to a decisive and joyful ff conclusion!