Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1298557 Composed by John W. Fisher. Christian,Instructional,Jazz,Praise & Worship,Sacred. Score. 7 pages. John Fisher #888452. Published by John Fisher (A0.1298557). This Sermon song for soloist and quartet was inspired by two sermons on September 3 and September 10, 2023  by Dr. Paul de Jong at First Presbyterian Church Fort Myers,  Florida. It is based on Mark chapter  4 and it defines what parables are and how that was the way in which Christ spoke to the masses. He spoke to the disciples directly.  The music is lively with three solo verses and quartet choruses to follow.  The piano accompaniment is jazzy and the whole piece comes across like a Negro  spiritual.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.576749 Composed by David Warin Solomons. 20th Century,Children,Contemporary,Instructional. Score. 4 pages. David Warin Solomons #144133. Published by David Warin Solomons (A0.576749). Song from our collaboration CD for children of all ages Wildlife in the nursery (the sound sample comes from the CD). http://www.cdbaby.com/cd/singinganimals The voice is normally spoken but it can be sung if required. Various animal sounds may be added if available.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1011896 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by A-Kian Sam. Pop. Score. 15 pages. A-Kian Sam #3510425. Published by A-Kian Sam (A0.1011896). Score: Piano and voice (piano reduction with backup vocals)Upon my wish to bring to life a true transcription of the score able to be performed only with piano and voice this arrangement serves the purpose of arranging the whole instrumental for Poker Face and fit it into the pianoforte, as well as arranging the vocals and backup vocals into one staff for voice. Students looking for a mid-level challenge, fans wishing for an arrangement to reflect the original intention from the artist, artists looking for a backbone to rely their own performance can enjoy this arrangement as I do very little to change barely anything of the actual performance, just enough to fit the song into just accompaniment and voice.You can perform as you wish, that's what each artist calling actually is, but you need a solid foundation to justify your performance and this is it.Main vocals are not doubled by the piano. Piano performance is intended to play the instrumental parts of every synth. Back up vocals included for completeness sake.No chords as chords are actually implied by harmonies and bass throughout the song.Left hand can be simplified by suppressing unison octaves and keeping just the higher voice of the hand.Vocal range of main singer voice: F♯3 - B4Pianistic challenges: Non legato octaves.PARENTAL ADVISORY. Explicit content: Uncensored lyrics reflect the actual pronounciation of the hook.

Piano and voice - Digital Download SKU: LV.15850 Composed by Walter Redmond. Roller skating, Couples, Accidents, Athletic facilities, Courtship & love, Injuries, Physicians. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15850). Rinking Rose, or, She Said She'd Be My Bride. Written by Chas. Townley. Composed by Walter Redmond. Published [n.d.] by Francis Brothers & Day, 351 Oxford Street, W. in London. Composition of strophic with chorus [includes spoken narrative] with piano and voice instrumentation. Subject headings for this piece include Roller skating, Couples, Accidents, Athletic facilities, Courtship & love, Injuries, Physicians. First line reads You've heard of roller skating rinks Where ladies learn the arts.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!

Piano and voice - Digital Download SKU: LV.279 Composed by N.J. Sporle. Clothing & dress, Portraits, Advice, Wisdom. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.279). Songs and Ballads of the New Orleans' Operatic Troupe. No. 8. Think ere You Speak. Ballad. Words by James Simmonds. Music by N.J. Sporle. Published 1850 by J.E. Gould & Co. (Successors to A. Fiot), No. 3 Swain's Building, Chesnut St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Portraits, Advice, Wisdom. First line reads Think ere you speak, for a word lightly spoken, oft wakens a pang that has slumber'd for years.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.5592 Composed by W.M. Grant. Arranged by E.C. Dorsey. Silver mining, Gold rushes, Money, Avarice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5592). O, Jemima, Have You Heard the News? The Great Silver Campaign Song. The Biggest Hit of the Season. Words and Music by W.M. Grant. Arranged for Piano by E.C. Dorsey. Published 1895 by H.N. Cockrell & Co. in Spokane, Washington. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Silver mining, Gold rushes, Money, Avarice. First line reads Hark, my lads, don't you hear, that strange sound draw'n near?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278122 By Judith Vander Wege. By Judith Vander Wege. Arranged by Judith Vander Wege. A Cappella,Children,Christian,Christmas,Praise & Worship. Score. 3 pages. Spokesman Ink #869819. Published by Spokesman Ink (A0.1278122). Christ is Born begins with a Master of Ceremonies reading the story from the Bible about the Shepherds who heard the angelic announcement. Then, the excited shepherds say Let's go see the baby! They know this is extremely good news. Afterward, they go tell the people in the city that Jesus Christ is born!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.576204 Composed by David Warin Solomons. Contemporary,World. Score. 12 pages. David Warin Solomons #6489. Published by David Warin Solomons (A0.576204). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 19 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1488127 By Natalie Cole. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1065006. Published by DAVID LEE GINGRAS (A0.1488127). This Can't Be Love is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, This can't be love because I feel so well. This version was developed from a lead sheet and was simplified so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a few left-hand fills for rhythm - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.781265 By Creedence Clearwater Revival. By Jay Hawkins. Arranged by Harry Haden-Brown. Rock. Score. 7 pages. Harry Haden-Brown #6092565. Published by Harry Haden-Brown (A0.781265). I Put A Spell On You - originally written and performed by Jay Hawkins in a Rock and Roll style - here written out in a disco style and in the same structure as performed by Bette Midler in the 1993 Disney film about witches 'Hocus Pocus'.This version has been arranged for 4 female voices, all sharing the lead line, and providing the backing vocals in harmony as in the movie version.The song starts with a semi spoken and free introduction, before launching into the epic disco diva style rendition made famous by the Broadway and Film performer. A great song for cabarets or stand alone shows - showing off character, vocal dynamics and range. Drum breaks are omitted or kept percussive on the piano.