Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.782884 By Justin Cody. By Justin Cody. Arranged by Justin Cody. Contemporary,Jazz,New Age. Score. 20 pages. Justin Cody #390290. Published by Justin Cody (A0.782884). Written for the 2022 Aspire performance at the River Arts Center in Prairie du Sac, WI, this piece is a reflection of the power of water to influence and guide you through life if you only list for it. An immensely Transformative piece, I delved into water themes in tempo and harmony. All the tempos are derivitives of 212 Degrees and the constant changing tempos are reminiscent of how the flow of water changes all the time. Harmonically, the key centers from Eb, to G, to B, are all connected to each other through common tones just like bodies of water are interconnected.

Piano and voice - Digital Download SKU: LV.21963 Composed by Irving Berlin. Palm trees, Beaches, Dancing, Pride. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21963). There's Something Nice About the South. Words and Music By Irving Berlin. Published 1917 by Irving Berlin, Inc. 1571 B'way in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Palm trees, Beaches, Dancing, Pride. First line reads I've been a traveling chap, travelled all over the map.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.4549 Composed by Harry Montague. Portraits, Occupations, Lawyers, Businessmen, Bankers, Wealth, Social classes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4549). Popular Songs of Harry Montague, The Artist Comique of the Day. Something in the City. Words and Music by Harry Montague. Published 1876 by G.P. Benjamin, 712 8th Ave. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Occupations, Lawyers, Businessmen, Bankers, Wealth, Social classes. First line reads I live uptown, in Harlem, ev'ry morning out I crawl.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.612543 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred. Score. 12 pages. Exultet Music #6473805. Published by Exultet Music (A0.612543). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Also includes the recitation that goes with the piece. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday  

Piano and voice - Digital Download SKU: LV.8747 Composed by Joe Goodwin, Joe McCarthy & Al Piantadosi. Portraits, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8747). That's How I Need You. By Joe Goodwin, Joe McCarthy and Al Piantadosi. Published 1912 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love. First line reads Sometimes when someone needs something, something to make someone glad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1248246 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 31 pages. Ross Fiddes #842808. Published by Ross Fiddes (A0.1248246). It was late 2015. You have written music for our children and for many others, but you’ve never written anything for me� said my bride of (then) 36 years.  Point taken. Whilst she had inspired me and had been a sounding board for many works, I had never dedicated anything to her. In looking for texts which expressed something of the love and admiration I have for my dear lady, I found some beautiful poems by the late Australian poet, John Shaw Neilson. These express emotions which are romantic, whimsical, allegorical, contemplative and more, providing marvellous inspiration.Rejecting the idea of narrative song cycle, I decided each song would tell its own story, naming the grouping Love Stories.So here is is.Throughout, the music is treated in ensemble; the piano does not “accompany� but supports whilst charting its own course.The work was premiered in the 2018 Newcastle Music Festival by Michael Lampard with the composer at the piano.And the dedicatee gave the performers a huge hug onstage at the conclusion of the work!YouTube: https://www.youtube.com/watch?v=s-E8lJpMVGE&t=2s 

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.811886 By Koop Feat. Cecilia Staling. By Magnus Gustaf Zingmark and Oscar Bengt Simonsson. Arranged by G. Franklin. Contemporary,Pop. Score. 6 pages. Inner Marshland #6210493. Published by Inner Marshland (A0.811886). As heard on Koop's Waltz for Koop album. The keyboard parts are open to your own voicings/transpositions, especially as there's the odd overlap of parts here, which isn't ideal, but something to be aware of. Transposing the bass part down an octave will help here.Also note that the bass part (a loop) is exactly the same throughout, apart from a semitone shift at the key change.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.812120 By Celine Dion. By Harry Warren. Arranged by Laura Chegwidden. Blues,Contemporary,Jazz,Wedding. Score. 11 pages. Laura Chegwidden #3677209. Published by Laura Chegwidden (A0.812120). At Last is a classic love song by Etta James, and a very popular wedding song. This arrangement is for Solo Voice, Solo Violin and Piano, and includes many of the little melodies you hear in the original, including the violin's iconic opening melody. Perfect for weddings and gig performances, the violin part adds a little something extra that your audience will love.This arrangement goes for approx. 3min. This purchase includes a score and parts: Piano with Voice and Violin, a solo Violin part and a combined Violin and Voice part for cues.  It would work best for players of an intermediate to advanced level. It is set in the original key of F.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/lchegmusic.com

Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1027469 Composed by Douglas Fronczek. Christmas. Score. 10 pages. Douglas Ward Fronczek #520373. Published by Douglas Ward Fronczek (A0.1027469). In His Mother's Arms (3m 58sec) is available for any voice range by contacting me through Facebook. As a church musician (and being blessed with an excellent tenor soloist) I decided to write something for the Christmas season and also to honor my grandson who just celebrated his first birthday in November 2015.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?� was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.

Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).