Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1161274 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 4 pages. Exultet Music #761613. Published by Exultet Music (A0.1161274). Contemplative and meditative song for Holy Week or Good Friday that is scored for a Vocal Quartet (a Vocal Trio of SAB with an additional Vocal solo) and Piano accompaniment. Accessible and appropriate for any church or concert setting.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1351435 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Lent,Sacred,Spiritual. Score. 4 pages. Exultet Music #936280. Published by Exultet Music (A0.1351435). Powerful hymn based on Psalm 31 that is used during Palm Sunday, Holy Week or Good Friday that is scored for a Vocal solo with Piano accompaniment.  Accessible and appropriate for any church setting.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1039017 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Sacred. Score. 3 pages. Daniel Hay Music #644019. Published by Daniel Hay Music (A0.1039017). SSAATTBB and full piano. The audio sample is computer generated. The piano might be best played with three or four hands.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801303 Composed by Connie Boss. Easter. Score. 4 pages. Connie Boss #5197971. Published by Connie Boss (A0.801303). Holy Thursday - Washing of the feet song. It is a vocal trio with flute and piano. The verses are for solo voice or could be all in unison with harmonies added. The instruments are optional except the piano. Voices are written in treble clef but men could be added as well. The YouTube link is with a cello instead of flute, but it will be the same music.Questions or requests, email cdboss@cvalley.netHoly Thursday/Washing of the Feet/The Last Supper Verse 1: Jesus said to His apostles, welcome to this feast – He said Please try to remember me This was the night of His last supper, they all sat down to eat. He said Please try to remember me. Refrain: For I will be with you always Keep me in your heart Verse 2: Then He knelt before each man and placed their feet in His hands – He said Please try to remember me He washed their feet of the dirt and sand from their trip on the land – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart Verse 3: He told them of His fate that night and saw that they were filled with fright – He said Please try to remember me Now go forth and spread the word, the message that you’ve heard – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.897957 By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Marc Gumberg. Pop. Score. 4 pages. Marc Gumberg #3375577. Published by Marc Gumberg (A0.897957). This arrangement is for intermediate to advanced players. For the student it addresses 8th note triplets in 4/4 time as well as a lot of hand movement in both hands. This piece is great for recitals, it sounds full & is fun to play, lasts about 2 and a half to 3 minutes. For a more advanced player it has chord changes & can be embellished for gigs when you need more than just a lead sheet.Marc Gumberg is an ASCAP affiliated composer with song placements on albums by various artists.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1460333 By Adele. By Adele Adkins and Dan Wilson. Arranged by Elena EL. 21st Century,Children,Contemporary,Pop,Singer/Songwriter. Score. 13 pages. Elena EL #1039265. Published by Elena EL (A0.1460333). This piano music sheet is an arrangement of Adele-Someone like you in G major suitable for two hands. The piece features a simple, chord bass line, making it easy for beginners to play. The arrangement includes two versions: one with note names labeled on the notes to assist with learning and sight-reading, and another without note names and with lyrics for more advanced practice. The sheet is designed to be clear and easy to read, with large, well-spaced notes and minimal complexity. A great piece for late beginners. This approach helps pianists of all levels enjoy playing this beautiful piece. A full video on how to play it is presented on my Youtube channel: Vocal Keys with Elena El.Beginner/beginners. Late beginner/late beginners/ Intermediate. Grade 1/ Grade 2/ Grade 3/Grade 4To commission an arrangement or set up Google Meet piano or/and voice lessons, contact Elena:Instagram: elena_vocal_keysFacebook: facebook.com/Elena.Vocal.KeysGmail: elena.vocal.keys.studio@gmail.comYou can find more piano and singing tutorials on my Youtube channel: Vocal keys with Elena El.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing #2029095. Published by M Seits Publishing (A0.953784). The Hello and Goodby Song, composed by Marilynn Seits, is a delightful and easy to sing song that can be used at the beginning and end of classes for young children. In this song, the teacher sings Hello (or Good Bye) to all the boys & girls and then goes around the room for a Hello (or Good Bye) to each individual by name. After the children are familiar with the song, they can sing their own names and clap their hands to the rhythm as they go around the room. It's easy to add parents, grandparents or visitors names to the lyrics and it appropriate for children from nursery school through ages 6 or 7. There is an easy piano accompaniment & chord symbols for left hand piano or guitar. It's the key of D major which is easy for children & adults to sing in.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ?� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ?� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â?� with â??ssâ?� in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.