Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1333946 By Adele. By Adele Adkins, Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Adele Adkins. Contemporary,Multicultural,Pop,World. Score. 7 pages. Mr. Lu Lai #920226. Published by Mr. Lu Lai (A0.1333946). All I Ask Piano score.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1333950 By Adele. By Adele Adkins, Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Adele Adkins. Contemporary,Multicultural,Pop,World. Score. 6 pages. Mr. Lu Lai #920228. Published by Mr. Lu Lai (A0.1333950). All I Ask Piano score.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505967 By The Next Humanity. By Bill Mullin. Arranged by Robin A. Smith. Broadway,Contemporary,Musical/Show,Pop,Romantic Period,Wedding. Score. 9 pages. Mullin Over Music ASCAP #1081343. Published by Mullin Over Music ASCAP (A0.1505967). Romantic Wedding Song - Anniversary Ballad;  The song is from the Podcast Musical As I Recall F()REVER. Sung originally by Jaimee Paul; An instrumental track of the orchstration may be purchased for general public playback to have a solo vocalist sing to it. It may not be recorded & released to the general public;  The full orchestration score is available to record for a clearance license fee from info@sigmusic.com; Any original recordings of the song may be performed with Standard Mechanical Licensing via MLC  or the Harry Fox Agency. The International Standard Musical Work Code (ISWC)  is T3235599885.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast Bell #6351495. Published by Susan Staples Mast Bell (A0.749551). Lord, I Lift Your Name on HighPiano Solo for IntermediateBy Rick FoundsArrangement by Susan Staples Bell, ASCAPLord, I Lift Your Name on High is an iconic song in the Praise Music genre.  This arrangement is specifically written to be accessible and instructive for the Intermediate Piano Student or the traditional Church Pianist who is asked to transition to a more Contemporary style of playing. Careful thought was given to hand position changes, interval reaches, and easier syncopated rhythms.Included in this Series:  -You Gotta Know the Score! an introduction to the elements of Praise Music and concepts included in this arrangement. -a Lead Sheet. The original melody and chord symbols. -It’s All About the Chords.  What are the chords used in this arrangement and how can you use them to create your own version? Also, ideas for improvisation in the Right Hand for fills and vamps. -Put it All Together. Here is the arrangement, specially crafted for you! Time length. (03:00).  Piano Solo for Worship or Recital. Intermediate level. Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus.Also, selected pieces are now available on JW Pepper for a print option and SuperScore for Ipad. Susan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg

Piano and voice - Digital Download SKU: LV.11848 Composed by Jules Benedict. Waterfronts, Mothers & children, Sailboats, Ships, Dwellings, Baskets, Cliffs, Farewells, Absences, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11848). By the Sad Sea Waves. Ballad. From the Opera of the Bride of Venice. Compose by Jules Benedict. Published [n.d.] by Firth & Hall, 1 Franklin Sq. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Mothers & children, Sailboats, Ships, Dwellings, Baskets, Cliffs, Farewells, Absences, Death. First line reads By the sad sea waves I listen while they moan.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.915701 Composed by Richard Joseph Barber. Christian,Contemporary,Gospel,Sacred. Score. 9 pages. Barber Music Company #4727367. Published by Barber Music Company (A0.915701). DedicationSometime in the 1980's, Richard Tober, a brother in Christ who was also an appliance repair man, came to our house on Hill Street in Coloma, Michigan to fix our kitchen range. He knew that I was a composer, and during the course of his time with us that day he told about his love for Jesus and his aspiration to write poetry with music to express that love. He didn't feel he was equipped to put music to his words, but he did have a poem that he gave me, wondering if I would set it to music for him. It was a difficult task because Richard's poetry was not set up in any formal poetic fashion; it was, however, a fulfilling task because his poem was such a simple, childlike, personal expression of his love for the Lord. I Am Going Home to Glory is the result of our collaboration. He was thrilled with the outcome. Now that Richard has left this world to be with Jesus, I am happy that God allowed and enabled me to set Richard's poem to music. -Richard Barber

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818338 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 32 pages. Stephen R Dalrymple #6200707. Published by Stephen R Dalrymple (A0.818338). With all My Heart I Thank You ♫ original song by Stephen R Dalrymple ♫ CCLI #7153226 ♫ Worship Team Edition ♫ Based on Psalm 9 ♫ Thanks anyway… I suppose I should thank you… Thank you!... Thanks a lot (NOT!)… I thank you from the bottom of my heart… Thank you very much. That’s the nicest thing anyone’s every done for me. Our expressions of gratitude can represent quite a range of emotion. Ungrateful < lukewarm < minimal < genuine < deeply felt < extravangantly expressed. ♫ ‘With all my heart’ is often a Christian cliché. But it caught my eye in this Psalm of David. ♫ David had a lot to be thankful for. His early experiences, physical strength, musical abilities, organizational talent, leadership abilities, his loyal following, his wealth, the rise from shepherd (pretty low status in Hebrew culture) to monarch, his extended and extensive family, the many, many times God had rescued him from physical danger, and God’s grace that saved him from rightfully being publicly executed as an adulterer. ♫ “With all my heart.� I need to ask myself “Is my gratitude to God fresh, heartfelt, and appropriate?� ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1110751 Composed by Nick Hefner. Arranged by Nick Hefner. Christian,Religious,Sacred. Score. 5 pages. Nicholas A. Hefner #713050. Published by Nicholas A. Hefner (A0.1110751). Charles Luther's searching text, Must I Go and Empty Handed is set to a thoughtful minor key melody. This new setting challenges the singer and listeners to think deeply about the needful task of telling others about the Savior.

Piano and voice - Digital Download SKU: LV.16753 Composed by J. H. Hewitt. Courtship & love, Mothers & children. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16753). Go And Ask My Mother. Comic Ballad. Written and Composed By J.H. Hewitt. Published 1848 by F.D. Benteen in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Mothers & children. First line reads You've told me many a time and oft, That I was fair and comely.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1500662 By Lauren Daigle. By Alecia Moore, Jason Ingram, Jeffrey Bhasker, Lauren Daigle, and Nathaniel Ruess. Arranged by Unknown. 19th Century,A Cappella,Christian,Contemporary,Praise & Worship. Score. 7 pages. Clem & Jun Bascar #1076749. Published by Clem & Jun Bascar (A0.1500662). A very wonderful song of thanksgiving. Very contempory and nice melodic pattern. A good vocal solo rendition with piano accompaniment. Additionally, this could be an awsone unison singing both for youth and adult.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.954309 Composed by Vanja Y. Watkins. Christian,Christmas,Sacred. Score. 3 pages. Music Section Harold B. Lee Library #2860065. Published by Music Section Harold B. Lee Library (A0.954309). In this vocal solo, Marvin Gardner's lyrics ask Who kneels and worships Christ? Will you? Will I? Also available in the compilation Music of Christmas.