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Piano,Vocal,Voice - Digital Download SKU: A0.915677 Composed by Richard Joseph Barber. Concert,Contemporary,Easter,Sacred. Score. 5 pages. Barber Music Company #3023223. Published by Barber Music Company (A0.915677). A solo Low Voice especially suited for Good Friday, but the poetry by 19th century English master poet, Christina Rossetti, is appropriate for Christian worship at all times.  Requires a good legato at soft dynamic levels and careful attention to diction. The range of an octave and a forth, from b-flat below middle c to the second e flat above middle c, is not demanding.  Duration: 3:10.                                                                     RJB - barberpianoserv@gmail.com.
Good Friday
Piano, Voix

$3.00 2.75 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414977 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for flute, voice and piano.
Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Piano, Voix
Nitty Gritty Dirt Band
$4.99 4.57 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.893954 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Score. 15 pages. Gabriel Ruiz-Bernal #6320925. Published by Gabriel Ruiz-Bernal (A0.893954). Fecit potentiam in brachio suo dispersit superbos mente cordis sui, deposit potentes de sede (He has shown strength with his arm and has scattered the proud in their conceit, casting down the mighty from their thrones). The music illustrates the lyrics, first alerted with three bell calls for attention, and the duet tenor and baritone proceed to present the statement with energetic yet angular singing lines, while the orchestra accompanies them with a scattered instrumentation in pizzicato, reflecting the image of the scattered crowds.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html.
MAGNIFICAT. Mov. 6 "Fecit Potentiam". Duet for Tenor and Baritone with piano (orchestra reduction)
Piano, Voix

$3.00 2.75 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                                                     Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
Toasting Mother Earth
Piano, Voix

$35.00 32.07 € Piano, Voix PDF SheetMusicPlus






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