Piano,Vocal,Voice - Digital Download SKU: A0.893373 By Benny Goodman. By Benny Goodman, Chick Webb, and Edgar Sampson. Arranged by Rob Ames. Jazz. Score. 3 pages. Rob Ames #6318493. Published by Rob Ames (A0.893373). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335265 By Benny Goodman. By Eddie Delange and James Van Heusen. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #921093. Published by DAVID LEE GINGRAS (A0.1335265). Darn That Dream is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No.1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra (vocal by Russ Carlyle) (#14 in Billboard charts) and by Tommy Dorsey (vocal by Anita Boyer) (#16 in Billboard charts). This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills that we hope you like!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377063 By Count Basie. By Billy Hill. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #961669. Published by DAVID LEE GINGRAS (A0.1377063). The Glory of Love is a song that was written by Billy Hill and recorded in 1936 by Benny Goodman. Goodman's version was a number one pop hit and the song has been recorded by many artists. It was the signature theme of the 1967 film Guess Who's Coming to Dinner. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added what we think are some pretty cool left-hand fills that we hope you will like! It's a beautiful tune, easy to play and sounds great!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1148692 By Benny Goodman. By Irving Berlin. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #748825. Published by DAVID LEE GINGRAS (A0.1148692). I've Got My Love to Keep Me Warm is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by Ray Noble (January 5, 1937), Howard Barrie, vocalist, and Red Norvo (January 8, 1937), Mildred Bailey, vocalist. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm going, we added some pretty cool left-hand fills. We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381155 Composed by Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #965861. Published by DAVID LEE GINGRAS (A0.1381155). I Gotta Right to Sing the Blues is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1207740 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #805865. Published by DAVID LEE GINGRAS (A0.1207740). In a Sentimental Mood is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz. Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935 and 1936 were by Benny Goodman and by Mills Blue Rhythm Band. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement something special and fun to play!

By Benny Goodman and Nikki Yanofsky. Jazz; Standards. Piano/Vocal. 16 pages. Published by Hal Leonard - Digital Sheet Music (HX.172404). - Piano/Vocal - Jazz; Standards - Hal Leonard - Digital Sheet Music

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0001105 By Benny Goodman. By Richard Rodgers. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0001105. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001105).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1263280 By Peggy Lee. By Bob Ellsworth, Dick Howard, and Russ Morgan. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #856241. Published by DAVID LEE GINGRAS (A0.1263280). Somebody Else Is Taking My Place is a song with words by Dick Howard and music by Russ Morgan and Bob Ellsworth. It was written in 1937 and first recorded by Benny Goodman and his orchestra with vocals by Peggy Lee. This version was developed from the original 1937 sheet music and features a root-based chord blocking that John and I have used in many of  our arrangements. We hope you like what we've done with this grand old tune!