Piano,Vocal,Voice - Digital Download SKU: A0.953118 Composed by Richard Brooks. Contemporary. Score. 35 pages. American Composers Alliance Inc. #4639351. Published by American Composers Alliance Inc. (A0.953118). Piano reduction of Brooks' affectionately humorous mini-cantata in three tableaux imagined from several photos of Arnold Schönberg with libretto by Nancy Bogen. Cast for soprano, mezzo-soprano, tenor, and baritone, with flute, clarinet, violin, cello, and piano. PDF download includes piano-vocal score.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1102466 Composed by Brett L. Wery. Chamber,Contemporary. Score. 12 pages. Sonata Grendel Publishing #705876. Published by Sonata Grendel Publishing (A0.1102466). The Calculus of Division is a science-fiction song set in a universe where myriapods—a subphylum of arthropods containing millipedes and centipedes—are sentient and sapient. The songs centers on a plot, as told by the more advanced centipedes, to dominate the millipedes by sowing doubt in math and thereby divide them into factions, brown on black and black on brown. While distracted, the carnivorous centipedes will eat the detritivorous—eating organic waste such as rotting wood—millipedes’ young. The song is the first in a trilogy of songs set in this unforgiving universe. Duration–5:30.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1111262 Composed by Brett L. Wery. Chamber,Classical,Contemporary. Score. 12 pages. Sonata Grendel Publishing #713542. Published by Sonata Grendel Publishing (A0.1111262). Interlude and the Cleansing is a science-fiction song set in a universe where myriapods—a subphylum of arthropods containing millipedes and centipedes—are sentient and sapient. The song is the second song in a cycle beginning with The Calculus of Division, which centers on a plot by the more advanced centipedes to dominate the millipedes by sowing doubt in math and thereby divide them into factions. While distracted, the carnivorous centipedes will eat the detritivorous—eating organic waste such as rotting wood—millipedes’ young. Interlude and the Cleansing is a story of the Black on Brown faction that is described in the first song as “sustained by fear and dread.� In the song, one of the Black on Browns has been found murdered. The chemical traces of his last thoughts and words are cleansed from his body. The song is the second in a trilogy of songs set in this unforgiving universe.

Piano and voice - Digital Download SKU: LV.19679 Composed by Ch. Gounod. Poets, Churches, Prayer. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19679). Charles Gounod's Songs. Mission Bells of Monterey. X.L.C.R. Edition. Words by Bret Harte. Music by Ch. Gounod. Published 1884 by John F. Ellis & Co. in Washington, D.C. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Poets, Churches, Prayer. First line reads O bells that rang, O bells that sang above the martyred wilderness.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Classical,Comedy,Musical/Show. Score. 133 pages. Editorial Copistas Acuario #1072841. Published by Editorial Copistas Acuario (A0.1496298). Esta obra es claro reflejo de las corrientes arti?sticas que impactaban a los escritores, mu?sicos e intelectuales de la Repu?blica Dominicana a principios del siglo pasado. Por un lado, encontraremos la li?rica caracteri?stica del modernismo latinoamericano impregnado en cada letra del libreto. Desde el nombre de la obra nos hace referencia al si?mbolo ma?s claro de este movimiento, el «azul» coloreado por el gran Dari?o que dejari?a entintado todo el continente. Dentro de la tema?tica y el lenguaje se busca decididamente la refinacio?n aristocra?tica mediante la creacio?n de ima?genes cargadas de flores, adornos, joyas y delicadeza. Por otra parte, en la mu?sica, encontraremos a un compositor consumado dominando de manera holgada el estilo de la zarzuela, la cua?l desde los primeros an?os del siglo XX, habi?a realizado su entrada en la palestra cultural dominicana a trave?s de las diferentes compan?i?as que llegaban principalmente de Italia, Espan?a y Estados Unidos.1 Si bien esta obra esta? escrita originalmente para orquesta, las partes de dicho arreglo se encuentran en parte extraviada. Lo que se presenta aqui? es el score vocal conservado, el cua?l contiene las diferentes voces utilizadas en las canciones, y una reduccio?n para piano de la mu?sica. Asi? mismo, debido a la vinculacio?n de esta obra al municipio de San Pedro de Macori?s, hemos decidido, a trave?s de la visio?n creativa de la ilustradora Ana Gerardino, visualizar el escenario de «La Go?ndola Azul» dentro de una imaginacio?n simbo?lica de las costas de esta localidad.