Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1488110 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1064990. Published by DAVID LEE GINGRAS (A0.1488110). Shall We Dance? is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the characters of Anna Leonowens and the King of Siam, originated on Broadway by Gertrude Lawrence and Yul Brynner respectively. This version was developed from a lead sheet and was simplified so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a few left-hand fills for rhythm - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279835 Composed by George Gershwin and Ira Gershwin. Arranged by Dave Gingras and John E. Dosher. Comedy,Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #871265. Published by DAVID LEE GINGRAS (A0.1279835). Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich - this is the title song from that film. It is the seventh of the ten Fred Astaire-Ginger Rogers films. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical. Tony Bennett also included it on his Steppin' Out LP. This version features a root-based chord blocking that John and I have used in a number of our arrangements, we also added what we think are some pretty cool left-hand fills. We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1123845 Composed by Christian Parkess. Arranged by Christian Parkess. 19th Century,Chamber,Classical,Opera,Romantic Period. Score. 12 pages. CAP Music #724597. Published by CAP Music (A0.1123845). A brooding and sometimes brilliantly sparkling Lied style art song for piano and soprano vocal. The English lyrics, translated from the German Goethe poem of the same name, are from the perspective of a cadaver floating down a river at night after jumping off of a bridge to her death because of unrequited love. The lyrics are simultaneously directed toward the moon, the river, and her love interest. Each verse is followed by a piano ritornello that sets up the key and feel of the following verse. The highest pitch for the soprano is a D6, which is led to by step. This beautiful and challenging piece is appropriate for intermediate to advanced musicians.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1345691 Composed by Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #930572. Published by DAVID LEE GINGRAS (A0.1345691). Have You Met Miss Jones? is a popular song that was written for the 1937 musical comedy I'd Rather Be Right, with music by Richard Rodgers and lyrics by Lorenz Hart. In the musical, the song is performed by characters Peggy Jones and Phil Barker. In the 1937 version these characters were played by Joy Hodges and Austin Marshall. In the movie Gentlemen Marry Brunettes (1955) the song was performed by Rudy Vallee, Jane Russell, Jeanne Crain (dubbed by Anita Ellis), Scott Brady (dubbed by Robert Farnon) and Alan Young, Danced by Jane Russell and Jeanne Crain. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills that we hope you like!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1319678 By Dolly Parton. By Carol Hall. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #908230. Published by DAVID LEE GINGRAS (A0.1319678). Hard Candy Christmas is a song written by composer-lyricist Carol Hall for the musical The Best Little Whorehouse in Texas.Near the end of the original play, individual girls of the brothel sing lines of the verses as they are preparing to leave; they join together on the refrains. This pattern was adopted for the film version of the musical, except that Dolly Parton (who played Miss Mona) is featured as soloist on the refrains, with the girls accompanying her. A further alteration can be found on the soundtrack album for the film in which Parton alone sings the verses. This version was developed from the original 1977 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1276630 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #868380. Published by DAVID LEE GINGRAS (A0.1276630). They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire. It also appears on Tony Bennett's album Steppin' Out. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we added some pretty cool left-hand fills, as well! We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794081 Composed by Glenn Miller. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6102071. Published by DAVID LEE GINGRAS (A0.794081). Moonlight Serenade is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. In 1991 Miller's recording of Moonlight Serenade was inducted into the Grammy Hall of Fame. This version features a root-based chord-blocking technique that John and I have used in a number of our arrangements. We added a few left-hand fills to make it a little more interesting - not that it wasn't interesting enough, I mean we're talking Glen Miller here!We hope you like this version!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995983 Composed by Dave Flippo - music, Marie Yuen - lyrics. Broadway,Musical/Show. Score. 9 pages. David William Flippo #4766529. Published by David William Flippo (A0.995983). Opening scene establishing the semi-post-modern world of Precieuses and Cadets at the Hall of the HoÌ‚tel de Bourgogne (Paris: 1640).   Piano / Vocal Score.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1362758 By Carl Brisson. By Arthur Johnston and Sam Coslow. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #947133. Published by DAVID LEE GINGRAS (A0.1362758). Cocktails for Two is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie Murder at the Vanities (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this great tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1300821 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #890519. Published by DAVID LEE GINGRAS (A0.1300821). Stormy Weather is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called The Cotton Club Parade of 1933 but for the road tour it was changed to Stormy Weather Revue; it contained the song Stormy Weather, which was sung by Adelaide Hall. This version was developed from the original 1933 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!