Piano,Vocal,Voice - Digital Download SKU: A0.507659 By Carole King. By Carole King and David Palmer. Arranged by Biegler. Contemporary,Pop. Score. 7 pages. Biegler #5793311. Published by Biegler (A0.507659). Scored for piano with the vocal line played in the right hand/treble clef.The arrangement includes all of the sax solos and many of the fills.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.929540 By Gillan - Glover. By Ian Gillan and Roger David Glover. Arranged by Tasha Palmer. Contemporary. Score. 2 pages. Tasha Palmer #6063753. Published by Tasha Palmer (A0.929540). A fun late beginner piece. Perfect for Halloween or any time of the year. .

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1223665 By Judy Garland, Gene Kelly. By Music by George W. Meyer with lyrics by Edgar Leslie and Ray E. Goetz. Arranged by Dave Gingras and John E. Dosher. Broadway,Early Music,Film/TV,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #819812. Published by DAVID LEE GINGRAS (A0.1223665). For Me and My Gal, a public domain song published over a hundred years ago! It was written by George W. Meyer with lyrics by Edgar Leslie and E. Ray Goetz. The song was used in the 1942 film of the same name, where it is the first song that Jo Hayden (Judy Garland) and Harry Palmer (Gene Kelly) perform together. This version was developed from the original 1917 sheet music which John and I simplified considerably (particularly the left-hand part) so that someone of average ability can play it as-written and sound great doing so! Enjoy!

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.811884 By King Crimson. By Bill Bruford, David Cross, John Wetton, Richard Palmer-James, and Robert Fripp. Arranged by G. Franklin. Contemporary,Folk,Pop,Rock. Score. 6 pages. Inner Marshland #5744863. Published by Inner Marshland (A0.811884). The Unthanks cover of King Crimson's Starless, as heard on their album Last.Note that it includes the trumpet solo parts.The strings motif during the coda can be played as is, or transposed to whichever octave you wish. For clarity, it's shown two octaves higher than in The Unthanks version, but it can also be played 3 octaves lower as an alternative bass part, akin to its use in the original King Crimson version.