Piano and voice - Digital Download SKU: LV.20018 Composed by Lady John Scott. Poets, Courtship & love, Death, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20018). Douglas, Tender and True. Music by Lady John Scott. Published [n.d.] by The National Music Co. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Poets, Courtship & love, Death, Distress. First line reads could ye come back to me, Douglas! Douglas! In the old likeness that I knew.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.12809 Portraits, Abraham Lincoln, Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12809). Honest Old Abe. Song and Chorus. Words By D. Wentworth, Esq. Music by A Wide Awake. Published 1860 by Blodgett & Bradford, 209 Main St. in Buffalo, N.Y. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Abraham Lincoln, Presidential elections. First line reads Ye Democrats list to my story, Ye douglasites all give me heed.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian D Biggs #5728909. Published by Adrian D Biggs (A0.882264). Agnus dei for high or medium Solo Voice and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SAB, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Also available in piano versions

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1374928 Composed by Sergei Rachmaninoff. Arranged by Nicholas Palmer. 20th Century,Christian,Classical,Religious,Sacred. Score. 2 pages. Nicholas D Palmer #959498. Published by Nicholas D Palmer (A0.1374928). Rachmaninov's beautiful All-night Vigil (aka Songs of the Church) is rarely performed because of its level of difficulty, language, and length. The music is transcendent and perfectly suited for celebrations of the Presentation of the Lord (February 2), evening prayer, and funerals. This selection, No. 5 of 15 in the work, is taken from the 1920 English translation by Winfred Douglas and is well-suited as a solo piece. The choral parts were easily translated into an accompaniment on organ, although piano can be used. The movement is in its original key and is suited for a high tenor (the original solo called for in the work) or soprano. This arrangement is also available in G minor and E minor for lower voices. This piece would also work as a unison choir piece.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882279 Composed by Robert Lowry (1826 - 1899). Arranged by A. Douglas Biggs. Concert,Contemporary,Easter,Sacred,Spiritual. Score. 12 pages. Adrian D Biggs #6519029. Published by Adrian D Biggs (A0.882279). Over the years, I have had occasion to create arrangements of various hymns and spirituals for my own use as well as for other performers. My intent has always been to take a fresh look at familiar material, to make something both challenging and rewarding for the performers involved and still retain the audience connection found in doing the Old Songs.   Shall We Gather is an adaptation of the old hymn Shall We Gather at the River by Robert Lowry (1826 – 1899). The calm flowing power of the river runs through this arrangement. As the river flows and changes, so does its reflection in the music of strength and the enduring capacity of faith. This arrangement is substantive and expressive for both the vocalist and the pianist. Suitable for recital or worship. It is expressive and passionate, requiring an established singer. The accompaniment is at times straight forward and at others requiring a confident hand in the more ornate and robust passages.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1374933 Composed by Sergei Rachmaninoff. Arranged by Nicholas Palmer. 20th Century,Classical,Religious,Sacred. Score. 2 pages. Nicholas D Palmer #959504. Published by Nicholas D Palmer (A0.1374933). Rachmaninov's beautiful All-night Vigil (aka Songs of the Church) is rarely performed because of its level of difficulty, language, and length. The music is transcendent and perfectly suited for celebrations of the Presentation of the Lord (February 2), evening prayer, and funerals. This selection, No. 5 of 15 in the work, is taken from the 1920 English translation by Winfred Douglas and is well-suited as a solo piece. The choral parts were easily translated into an accompaniment on organ, although piano can be used. The movement is transposed down a minor third and is suited for a tenor (the original solo voice called for in the work) or soprano. This arrangement is also available in Bb minor (original key) and E minor for lower voices. This piece would also work as a unison choir piece.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1374936 Composed by Sergei Rachmaninoff. Arranged by Nicholas Palmer. 20th Century,Classical,Religious,Sacred. Score. 2 pages. Nicholas D Palmer #959507. Published by Nicholas D Palmer (A0.1374936). Rachmaninov's beautiful All-night Vigil (aka Songs of the Church) is rarely performed because of its level of difficulty, language, and length. The music is transcendent and perfectly suited for celebrations of the Presentation of the Lord (February 2), evening prayer, and funerals. This selection, No. 5 of 15 in the work, is taken from the 1920 English translation by Winfred Douglas and is well-suited as a solo piece. The choral parts were easily translated into an accompaniment on organ, although piano can be used. The movement is transposed down a fifth and is suited for an alto or bass. This arrangement is also available in Bb minor (original key) and G minor for higher voices. This piece would also work as a unison choir piece.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.