Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1419026 Composed by Liz Nedela. 20th Century,Christian,Classical,Contemporary,Religious. Score. 24 pages. Liz Nedela #1000466. Published by Liz Nedela (A0.1419026). This piece is a Song Cycle of three songs.  The titles of the songs are lines from the  poem.  The poem is by e.e. cummings, used with permission.  Each song emphasizes portions of the complete poem.  The composer's intent is to place the same emphasis as Cummings portrayed in his recitation, a copy of which is online; see the YouTube link.NOTE: The mp3 uses samples of each of the three songs, using this guide:Song #1: Beginning of recording to #1:37; Measures 1-41 of the scoreSong #2: From #1:57-3:28 of recording; Measures 1-46 of the scoreSong #3: From #3:43-end of recording; Measures 1-57 of the score 1. a true blue dream of sky, states the entire poem, with emphasis as portrayed inCummings recitation. The voice is lyrical and theatrical, with spoken words andhumming, as well as singing. The accompaniment implicates solidity, predictability,strength of the nature of God; but also wonderment, freedom and being light-hearted.The composer chose to title this song using a line in the poem, rather than the mostused title — which begins the cycle of key elements of the poem used to title andcomprise songs 2 and 3 — thereby placing importance as Cummings recited.2. of life and of love and wings, is more lyrical and lighter in nature than song #1. This song emphasis God’s creations, and seemingly joy He displayed while creating them, giving them wings of freedom for life and love.3. unimaginable You, is more reflective, using a modal tone — all to emphasize thereactions of Cummings to the wonderment and magnitude of God.  He concludes with:(and now the ears of my ears awake andnow the eyes of my eyes are opened)Also please note:  The price includes permission to make two copies of the pdf.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1418039 Composed by Liz Nedela. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. Score. 12 pages. Liz Nedela #999589. Published by Liz Nedela (A0.1418039). This piece is based on a poem by e.e. cummings. The subject matter is the specialheaven that would be created for the poet’s mother. The music shadows, augments,and illuminates the rendition of the poem. In keeping with poetic symbolism, the pianouses motifs and musical phrases to emulate the soprano throughout the pieceThe tone of the piece is somewhat minor and modal; however, please portray a light-hearted interpretation—it should never be heavy or dark. The poet is uplifting his motherto the highest stature possible, and portrays his father as devoted and loving towardsher.The key is atonal; however, various tonality implications are heard throughout. Thepiano pedal should be complimentary to the piece, with care not to be noticed or over-bearing.Please Note: there are two other versions of this piece by this composer:One is for solo pianoOne is for the ensemble of Soprano, Violin, Bassoon, CelloAlso please note: the mp3 is from computer notation; the the soprano does not sing words; please sing along with the mp3 following the text.Text is used by permission of the Trustees of the E.E. Cummings Trust.

Piano,Vocal,Voice - Digital Download SKU: A0.917338 Composed by Music by Gary S. Fagin, poem by e. e. cummings. Contemporary. Score. 5 pages. Gary Fagin #4625483. Published by Gary Fagin (A0.917338). From Four Songs on Poems of e. e. cummings.

Piano,Vocal,Voice - Digital Download SKU: A0.917341 Composed by Music by Gary S. Fagin, poem by e. e. cummings. Contemporary. Score. 12 pages. Gary Fagin #4625487. Published by Gary Fagin (A0.917341). From Four Songs on Poems of e. e. cummings.

Piano,Vocal,Voice - Digital Download SKU: A0.917339 Composed by Music by Gary S. Fagin, poem by e. e. cummings. Contemporary. Score. 4 pages. Gary Fagin #4625481. Published by Gary Fagin (A0.917339). From Four Songs on Poems of e. e. cummings.

By e.e. cummings. American; Classical; Collection. Piano/Vocal. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.316898). - Piano/Vocal - American; Classical; Collection - Hal Leonard - Digital Sheet Music

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1487907 Composed by William Hawley. Classical,Contemporary. Score. 6 pages. William Hawley #1064838. Published by William Hawley (A0.1487907). This is the score of William Hawley's While All Skies Fall, for Voice and Piano, setting a text by E.E. Cummings. The Audio Sample is the complete Composer's Demo recording. Performance duration: 2.5 minutes.  ASCAP  https://williamhawley.net.

Piano,Vocal,Voice - Digital Download SKU: A0.952113 Composed by Elizabeth R. Austin. 20th Century,Contemporary. Score. 20 pages. American Composers Alliance Inc. #4409971. Published by American Composers Alliance Inc. (A0.952113). Four songs for high voice and piano on texts relating to birthdays. Includes: for your birthday (e.e. cummings), A Birthday (Christina Rossetti), Remember (Christina Rossetti), Aedh Wishes for the Cloths of Heaven (W.B. Yeats).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505644 By Coleman Hawkins. By Leo Robin and Lewis E. Gensler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1081033. Published by DAVID LEE GINGRAS (A0.1505644). Love Is Just Around the Corner is a popular song with music by Lewis E. Gensler and lyrics by Leo Robin, published in 1934. Although it was sung by Bing Crosby in the film Here is My Heart, which was released on December 28, 1934, Cliff Edwards (AKA Ukulele Ike) released a recording on October 19 of that year on the Perfect and Banner labels. Crosby himself released the song on November 9, 1934, with Georgie Stoll and his Orchestra for Decca Records, which reached No. 8 position in the US charts. He recorded the song again in 1954 for his album Bing: A Musical Autobiography. The song was also recorded in 1935 by Robert Cummings for the film Millions in the Air, released on December 12 of that year. It became a standard, recorded by other many artists over the decades. This version features a root-based chord blocking that John and I have used in many of our arrangements, and the left-hand part is a bit easier to play than the arrangement we published back in March. We hope you like what we've done with this grand old tune!