Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise�, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                                                     Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1504104 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Christmas,Religious,Sacred. Score. 4 pages. Anastace #1079559. Published by Anastace (A0.1504104). Here is a beautiful, simple advent song I wrote to serve churches through the season of Advent, particularly during the candle lighting portion of each Sunday the weeks leading up to Christmas. I recommend singing verse 1 on week 1, verse 1 and 2 on week 2, and so on, but you can also just use a different verse each week depending on your service needs and time constraints. There are recordings available of each of the weeks on all streaming platforms as of November 1, 2024, in case that is helpful to your service preparation or to choirs who are learning the song. This version is in C Major, with a vocal range of C4-A4, with an optional descant that reaches E5. Also available, by searching Stacey Plays Hymns and the song title on this site, is a guitar lead sheet version and a piano solo that is perfect for a prelude or postlude any time this song is used congregationally, to tie the whole service together muscially.Purchase includes a free license for four church services with under 300 people, with proper attribution and credit to Stacey Plays Hymns in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984025 Composed by Steven H. Boothe. Christian,Pop. Score. 7 pages. Boothe Publishing #5984093. Published by Boothe Publishing (A0.984025). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.

Piano,Voice - Digital Download SKU: A0.1069984 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 223. Boothe Publishing #4737077. Published by Boothe Publishing (A0.1069984). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earth�, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fields�, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumn�, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “S�s were still written as “F�s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Piano,Vocal,Voice - Digital Download SKU: A0.1017875 Composed by Hilary Brooks, Lyrics by Clive King. 20th Century,Broadway,Film/TV,Musical/Show,Pop. Score. 8 pages. Hilary Brooks #6343503. Published by Hilary Brooks (A0.1017875). Musical theatre song from the musical MELANIA. Solo female. Satire. Featuring Jackie Kennedy. It's a long way from the Eastern Bloc to the East Wing - and for one former glamour model turned FLOTUS it hasn't been a happy journey. Can the ghosts of Eleanor Roosevelt and Jackie Kennedy lift our heroine's spirits? Hilary Brooks and Clive King have written a highly entertaining musical with songs full of humour and irony (Mumble Musicals) â˜…★★★★@brooksandking. Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. Requests for script copies and permissions for productions should be sought through MSA.A chamber musical for three female actors.Original production length: 58 minutes. Suitable for MT students, colleges, MT societies.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Lead Sheet. 90 pages. Published by DJWorks Music

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.

Piano and voice - Digital Download SKU: LV.5795 Composed by Felix McGlennon. Arranged by William Dressler. Architectural elements--columns, Musical instruments, Statues, Mothers & children, Friendship, Fathers & children, Rescues, Shipwrecks, Marine accidents, Soldiers, Keepsakes, War casualties. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5795). The Only Complete and Correct Edition. That is Love. The Great Descriptive Emotional Song and Chorus. Music by Felix McGlennon. Arranged by William Dresser. Published 1890 by in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Architectural elements--columns, Musical instruments, Statues, Mothers & children, Friendship, Fathers & children, Rescues, Shipwrecks, Marine accidents, Soldiers, Keepsakes, War casualties. First line reads Love, sweet love is the poet's theme.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters� - Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.�Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876427 Composed by Joe Procopio. Christian,Pop. Score. 3 pages. JoeCopio Music LLC #1945. Published by JoeCopio Music LLC (A0.876427). THE TOUCH, THE TASTE OF TIME By Joe Procopio From the CD ALL IN MY LIFE THE TOUCH, THE TASTE OF TIME is a pop song that tells of the feelings that come from our unique awareness of our own mortality. It is a song that describes a love for another that is so powerful that it lets the lover see its source as infinite, divine and eternal Love. It is a love that transcends the moment and touches eternity. A deep, abiding, Divine love that is possible for us as humans to experience by loving God and others in a manner that mirrors Christ. Barbie plays the guitar and sings the song by herself. She is one of those rare artists that can do more alone than most can do with a group. You can also hear Barbie on Why Are You So Lonely, A Woman’s Blues, For You My God and Maybe It’s The Way. These recordings can be found on Sheet Music Plus, iTunes, Amazon, etc., in a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.

Piano and voice - Digital Download SKU: LV.5486 Composed by Harry Gilbert Castle. Arranged by Geo. W. Hetzel. Farewells, Keepsakes, Poor persons, Mothers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5486). A Lock of Hair, or, Mother's Parting Gift. Song and Chorus. Words and Music by Harry Gilbert Castle. Arranged by Geo. W. Hetzel. Published 1893 by Broder & Schlam, 26-28-30 O'Farrell Street in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Farewells, Keepsakes, Poor persons, Mothers & children. First line reads The morn was fair and friends did gather, to bid to me a long goodbye.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Piano Reduction, Score. 134 pages. Published by DJWorks Music

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044901 By Stephen DeCesare. By Stephen DeCesare. Classical,Contemporary,Sacred. Score. 7 pages. Exultet Music #649519. Published by Exultet Music (A0.1044901). Scored for a Vocal Trio (SAB) with Piano accompaniment. Based on the Angel's Prayer of Fatima: O Most Holy Trinity, Father, Son and Holy Spirit, I adore Thee profoundly. I offer Thee the most precious Body, Blood, Soul and Divinity of Jesus Christ present in all the tabernacles of the world, in reparation for the outrages, sacrileges and indifferences by which He is offended. By the infinite merits of the Sacred Heart of Jesus and the Immaculate Heart of Mary I beg the conversion of poor sinners..