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Piano and voice - Digital Download SKU: LV.24112 Composed by George Frederick Root. Parlors, Portraits, Windows, Families, War casualties, Death, Civil war--Confederate. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24112). The Vacant Chair, or, We Shall Meet, But We Shall Miss Him. Words by H.S.W. Music by G.F. Root. Published [n.d.] by Davies & Sons in Richmond, VA. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Portraits, Windows, Families, War casualties, Death, Civil war--Confederate. First line reads We shall meet, but we shall miss him, there will be one vacant chair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Vacant Chair, or, We Shall Meet, But We Shall Miss Him
Piano, Voix

$5.99 5.19 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279835 Composed by George Gershwin and Ira Gershwin. Arranged by Dave Gingras and John E. Dosher. Comedy,Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #871265. Published by DAVID LEE GINGRAS (A0.1279835). Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich - this is the title song from that film. It is the seventh of the ten Fred Astaire-Ginger Rogers films. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical. Tony Bennett also included it on his Steppin' Out LP. This version features a root-based chord blocking that John and I have used in a number of our arrangements, we also added what we think are some pretty cool left-hand fills. We hope you like what we've done with this grand old tune!
Shall We Dance?
Piano, Voix

$4.99 4.33 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.22262 Composed by Alfred Delaney. Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22262). The Nation Shall Not Die! Song and Chorus. Words by Robt. Morris, Esq. Music by Alfred Delaney. Published 1863 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism. First line reads The Land in which we live, and love, Oh! 'twas a happy land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Nation Shall Not Die! Song and Chorus
Piano, Voix

$5.99 5.19 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.859255 Composed by Charles Francois Gounod. Arranged by Stephen Bulat. Film/TV,Halloween,Romantic Period. Score. 3 pages. Stephen Bulat Publishing #6606535. Published by Stephen Bulat Publishing (A0.859255). An easy piano arrangement of Charles Gounod's classical masterpiece famously used in the television show, Alfred Hitchcock Presents. This arrangement has been simplified to allow the young musician to play the well known melody. This arrangement is very easy to follow with a layout in a larger style font than in a typical arrangement. Please click on the publisher to purchase this arrangement in Spooky Songs - A Halloween Songbook for the Beginner Pianist.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
Funeral March Of A Marionette (Theme from "Alfred Hitchcock Presents") - Arranged for easy piano
Piano, Voix

$3.49 3.03 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.
Die rote Blume
Piano, Voix

$7.50 6.5 € Piano, Voix PDF SheetMusicPlus






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