Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1243500

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by poon. Pop. Score. 8 pages. Poon #838465. Published by poon (A0.1243500).

My Future - Billie Eilish - For Piano & Vocal - With Lyrics and Chord.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.945504

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Amy Kieran. Pop. Score. 4 pages. Amy Kieran #6009467. Published by Amy Kieran (A0.945504).

Billie Eilish my future piano sheet music
Learn piano with Billie Eilish. This is an intermediate to advanced piano cover / sheet music. 
Perfect for performances at school, concerts or at home. 
Subscribe to my YouTube: amykpiano, for more sheet music and piano tutorials of popular songs and artists like Billie Eilish.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1253066

Composed by George Marion Jr. and Richard Whiting. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #846813. Published by DAVID LEE GINGRAS (A0.1253066).

My Future Just Passed is a song with words and music written by George Marion Jr. and Richard Whiting for the motion picture safety In Numbers from 1930. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1031492

Composed by Rex Emerson Jackson. Arranged by Rex Emerson Jackson. Musical/Show. Score. 5 pages. Rex Emerson Jackson #3420013. Published by Rex Emerson Jackson (A0.1031492).

Rex Emerson Jackson is trained in musical theatre performance, and this song was written in 2003 and later used as part of a musical in progress titled Twenty, a show about whether the plans we have for ourselves and our futures have expiry dates. See more from Rex here: https://www.youtube.com/user/sillabub3 and connect on facebook here: http://facebook.com/rexemersonjackson

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1255098

Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098).

It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.

Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise�, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.

Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.

For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.

The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  
http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.html

We can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.

A living orb cloaked white and blue and green
Revolving and evolving, tight-hugged in orbit flight
We ride her back; dependent, fragile offspring.
Suckling all the while …but have we bonded?

A world unlike any other world we’ve seen
Gifted with Water, Air, Earth and perfect Light.
The essentials of life. Freely, these gifts she brings.
Free for all but how have we responded?

                                                                     Poem© 2020 Derek Dowding
Ross Fiddes
January 2023.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.809438

By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438).

Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.

When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4]

The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.896317

Composed by Doug Howell. Christian. Score. 6 pages. Creative Measures #4726471. Published by Creative Measures (A0.896317).

I was dragging a bit as I walked across campus in the morning chill, wondering what the day might bring. Looking down. It had frosted during the night, and I was watching my step, I guess, when out of the corner of my eye I saw a brilliant sparkle that stopped me in my tracks. The sun, peeking above the horizon for approval, had sent out a special ray to attract my attention. When I looked closer, I saw an overturned leaf, covered with-diamonds! And oh, how I needed a promise right about then.

Throughout that day and the days afterward, I was struck by just how extravagant God is with diamonds-and promises. Now that my eyes were opened, I seemed to see them everywhere: right in front of me, where I least expected them to be, in my memories, in my future. I’m still seeing them...

For mp3, more notes and lyrics, sheet music, accompaniment track, and MIDI file see https://creativemeasures.com/music/songs/diamonds/

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.993323

Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Flome the Gnome #3684867. Published by Flome the Gnome (A0.993323).

I was originally inspired to write Rock of My Salvation & Soul near the end of 2012 and remastered it in 2018.  The additions to the song were the intro and the final few versus which restate the Christian’s desire to give their heart completely to Jesus.  Moreover, it also reaffirms that the believer is choosing to build their life and future upon the Chief Cornerstone, whom is Jesus. It was first played publicly at the Country Church near my home on October 7, 2018.  I pray that it nourishes your soul, your family, and/or your congregation. Please let others know about my songs; say a pray for me, my family, and ministry; and consider supporting my ministry financially so that I might have time to write additional songs and/or serve the Lord.

This song would be good for all churches but is probably best suited for those that enjoy more traditional hymns.

I can be found online at my website: www.flomethegnome.com and on facebook. You can email me at flomethegnome@gmail.com  You can snail mail me at Matthew Yarnell, 2098 Marble Valley Basin Road, Addy, WA. 99101.  Or, you can call me at 509-675-3420.