Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1253066

Composed by George Marion Jr. and Richard Whiting. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #846813. Published by DAVID LEE GINGRAS (A0.1253066).

My Future Just Passed is a song with words and music written by George Marion Jr. and Richard Whiting for the motion picture safety In Numbers from 1930. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Choral Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.611371

Composed by Stephen DeCesare. Broadway,Children,Musical/Show. Score. 14 pages. Exultet Music #5653. Published by Exultet Music (A0.611371).

Featured in The Jungle Book: the musical which is available on this site. The sheet music for this piece is also available as well as an accompaniment and rehearsal track.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1494070

By Elevation Worship Feat. Chris Brown. By Brandon Lake, Chris Davenport, Patrick Barrett, and Steven Furtick. Arranged by Dale Nichols. 21st Century,Christian,Praise & Worship,Rock,Sacred. Score. 19 pages. Soul Surfer Publishing #1070680. Published by Soul Surfer Publishing (A0.1494070).

Another One by Elevation Worship featuring Chris Brown, was officially released on February 9, 2024. The track is part of their upcoming album, When Wind Meets Fire, and was co-written by notable figures in contemporary Christian music, including Steven Furtick, Brandon Lake, Pat Barrett, and Chris Davenport.

The song is described as prophetic, aimed at individuals who have been sowing, praying, and waiting on God. Chris Brown emphasizes that the song is meant to inspire listeners to believe in the miracles that God can bring into their lives, reinforcing the idea that God has numerous ways to meet our needs and fulfill His promises. The lyrics echo a message of hope and anticipation for future blessings, encapsulated in the repeated refrain that another one is on the way—a reminder of God's faithfulness and the miracles He has performed in the past

This sheet music has been carefully transcribed from the live performance in the linked YouTube video. Whether for personal practice, worship leading, or performance, this arrangement aims to bring the spirit of the song directly to your fingertips and voice at the piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.976935

Composed by Sabrina Pena Young. Broadway,Film/TV,Jazz,Musical/Show,Opera. Score. 4 pages. Sabrina Peña Young #3430825. Published by Sabrina Peña Young (A0.976935).

Jazzy musical tune from the groundbreaking animated opera film Libertaria. A fun work arranged for Male Vocal and Piano. Ideal for Tenor or Baritone, room for improvisation. Broadway inspired. Award-winning composer.

Award-winning Cuban-American Composer S. Peña Young

https://sabrinapenayoung.wordpress.com/

Contact Young directly at Facebook

FACEBOOK: https://www.facebook.com/newmusiccomposer

LIBERTARIA: THE VIRTUAL OPERA

https://virtualopera.wordpress.com/ 

ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. 

One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.com

WHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLES

Between the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!

Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.976927

Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430785. Published by Sabrina Peña Young (A0.976927).

Dramatic musical theater work from the groundbreaking 21st century opera and film Libertaria. Written by an award-winning composer. In this excerpt, the addict Simeon laments the loss of his daughter Lucinde to an explosion that was of his doing. Along in the Underground Sewers he sings a bizarre personal reflection of remorse. Quite an unusual but excellent work! Ideal for any intermediate to advanced student, amateur or music professional. For male vocalist, ideal for Tenor or Baritone Voice.

Award-winning Cuban-American Composer S. Peña Young

https://sabrinapenayoung.wordpress.com/

Contact Young directly at Facebook

FACEBOOK: https://www.facebook.com/newmusiccomposer

LIBERTARIA: THE VIRTUAL OPERA

https://virtualopera.wordpress.com/ 

ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon.

One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.com

WHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLES

Between the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!

Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.976929

Composed by Sabrina Pena Young. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Score. 2 pages. Sabrina Peña Young #3430799. Published by Sabrina Peña Young (A0.976929).

A moving emotional musical theater piece from the groundbreaking science fiction animated opera Libertaria. Simeon sings to his missing daughter amidst a post-apocalyptic chaos. Arranged for Voice and Piano by award-winning vocal composer. Written for Male Voice and Piano, ideal for Tenor or Baritone soloist. Intermediate/Advanced/Professional level. Emotional and beautiful!

Award-winning Cuban-American Composer S. Peña Young

https://sabrinapenayoung.wordpress.com/

Contact Young directly at Facebook

FACEBOOK: https://www.facebook.com/newmusiccomposer

LIBERTARIA: THE VIRTUAL OPERA

https://virtualopera.wordpress.com/ 

ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon.

One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.com

WHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLES

Between the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!

Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.809438

By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438).

Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.

When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4]

The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.