Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809438 By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438). Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4] The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1370444 By Tori Amos. By Tori Amos. Arranged by Stuart Beatch. Folk,Pop,Rock. Score. 10 pages. Stuart Beatch #954808. Published by Stuart Beatch (A0.1370444). Silent All These Years is a powerful exploration of domestic violence and one of Tori Amos' signature songs. This is a note-for-note transcription of the original recording that appears on her debut album, Little Earthquakes. This transcription was commissioned by Michael Manganiello and performed in May 2023 at the Peabody Institute of Johns Hopkins University, where Tori Amos studied piano as a child.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869173 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. 64 pages. Thomas Oboe Lee #30987. Published by Thomas Oboe Lee (A0.869173). Program note: Two thousand ten marks my 20th year of teaching music at Boston College, a Jesuit institute of higher learning. To celebrate this milestone I decided to set a poem by the great British Jesuit poet, Gerard Manley Hopkins. In my search for a text I came upon his monumental work, The Wreck of the Deutschland. The poem is in two parts. Part The First deals with faith and God. Part The Second concerns the five Franciscan nuns who perished in the sinking of the ship. I decided to set Part The First only, for soprano and piano. There are ten stanzas. Each stanza has its own musical texture and mood. 1. THOU mastering me God! 2. I did say yes 3. The frown on his face 4. I am soft sift 5. I kiss my hand 6. Not out of his bliss 7. It dates from day 8. Is out with it! 9. Be adored among men 10. With an anvil ding Enjoy!!!Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/part-the-first-thou-mastering-me-god-2010Video link: https://youtu.be/1dTcBDA-sow

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1326992 By Elizabeth S. Cardwell. By Elizabeth S. Cardwell and Christine Monson. Arranged by Elizabeth S. Cardwell and Christine Monson. 20th Century,21st Century,Christian,Praise & Worship,Religious. Score. 1 pages. Liz Smith Cardwell #915083. Published by Liz Smith Cardwell (A0.1326992). This s a missionary hymn.  Looking at a photo of Sister Lindsay Mattei, then serving a mission in Brazil, smiling a beautiful smile was the inspiration for this hymn.  The fourth verse was inspired at an institute class taught by James Hendricks in 2016.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1216738 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,Christian,Praise & Worship,Religious,Spiritual. Score. 5 pages. Monkspath Music #813277. Published by Monkspath Music (A0.1216738). James Arthur Ager (1867-1947) was a British composer, organist, and music educator. He studied composition at the Royal College of Music in London under Hubert Parry and Frederick Bridge. Ager served as the organist and choirmaster at St. Andrew's Church in Birmingham for over 50 years. Ager also became Professor of Organ & Harmony at the Birmingham and Midland Institute School of Music (the predecessor of the Royal Birmingham Conservatoire) for nearly four decades. Although not as well-known as some of his contemporaries, Ager's music, including a variety of songs, choral, piano, and organ works, is worth exploring for those interested in late 19th and early 20th-century music. Perhaps his most famous composition is The Legend of St. Christopher, a cantata based on the medieval legend. Eventide is a beautiful vocal piece composed in 1916, with lyrics written by Arthur's daughter, Gladys. It is suitable for a wide range of voices (including soprano, mezzo-soprano, tenor, and baritone) and can be a great alternative to traditional hymns like Abide with Me. Often associated with evening and twilight, Eventide is a versatile piece that can be sung on various occasions where a reflective and contemplative atmosphere is desired. It is ideal for Christian worship services, funerals, memorials, candlelight vigils, recitals, or concerts where a reflective, serene, and tranquil atmosphere is desired. A PDF scan of the original publication is available via email request.For further pieces, view the Monkspath Music catalogue and click here!