Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.997323 By Harry Styles. By Harry Styles, Mitchell Kristopher Rowland, Mitchell Rowland, Thomas Edward Percy Hull, Thomas Hull, Tyler Johnson, and Tyler Sam Johnson. Arranged by Bach to Rock. Pop. Score. 2 pages. Bach to Rock #6753211. Published by Bach to Rock (A0.997323).

By Harry Styles. By Mitchell Kristopher Rowland, Mitchell Rowland, Thomas Edward Percy Hull, Thomas Hull, Tyler Johnson, Tyler Sam Johnson, and Harry Styles. Arranged by Arturo Arvizu, Miguel Angel Calderon. Pop. Score. 5 pages. Arturo Arvizu #5982717. Published by Arturo Arvizu

Piano,Vocal,Voice - Digital Download SKU: A0.623612 By Harry Styles. By Harry Styles, Mitchell Rowland, Thomas Hull, and Tyler Johnson. Arranged by Mark Waters. Pop. Score. 5 pages. Mark Waters #232582. Published by Mark Waters (A0.623612). Piano with vocal arrangement.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893337 By Blue Mitchell. By Mark Levine. Arranged by Rob Ames. Contemporary. Score. 6 pages. Rob Ames #6273835. Published by Rob Ames (A0.893337). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.846529 Composed by Maria Thompson Corley. Concert,Contemporary. Score. 9 pages. Maria Thompson Corley #5803441. Published by Maria Thompson Corley (A0.846529). The title alludes to the classic Joni Mitchell song, however, this is a piece of classical music. The poem refers to the burning of Notre Dame, then the inevitable physical decline inherent in aging, then the unexpected crumbling of our democratic institutions. The original melodic material echoes the fragments taken from the two masters of the Notre Dame school of organum, however, the dissonant, challenging piano accompaniment deconstructs them. The middle section is wistful and less dissonant, followed by a return to the earlier musical material. The piece ends with the quote from Perotin with which it begins, the vowel O, however, at the end it is a moan of regret. Words and music by Maria Thompson Corley, incorporating Leonin's Haec Dies and Perotin's Beata Viscera.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922109 Composed by Mitchell Jay Sharoff. Children,Christmas,Holiday,Pop,World. Score. 9 pages. Emjay Publishing #3892699. Published by Emjay Publishing (A0.922109). One Song is a beautifully crafted melody! It works perfectly with the lyrics, making us feel comfort and hope. For a song such as this, the melody couldn't be more well-written. It is simple enough for most anyone to follow it, and yet reaches to places that inspire the hope that you wish to bring out in this song. As it kicks up a notch at the end, we can hear a huge chorus singing it loudly, shaking the rafters, perhaps in a church, or at a rally. We can't say enough about this lyric. It is deceptively simple, but yet reaches around the world! Who (anywhere, or in any walk of life) could disagree with any of these lines? This verse (in particular) has a way of saying something that we've never quite heard put this way before: Everyone's a brother, Or a sister that you meet. We are all one family, Living on the same street. Yes, with the pace of the world today, we're on the same street, indeed!.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794053 By Nino Tempo & April Stevens. By Peter De Rose. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #5774133. Published by DAVID LEE GINGRAS (A0.794053). This is a contemporary arrangement of a great song written in 1934 by Peter De Rose - Mitchell Parish added lyrics after the song increased in popularity. This version features a root-based chord-blocking technique that John and I have used in a number of our arrangements. Chord-blocking in the right hand is very subdued because of the strong melody of this classic song. We hope you like it!