Songbooks - Intermediate - Digital Download Composed by Robert Burns. Theory and Reference. Voice. E-book. 240 pages. Mel Bay Publications - Digital Sheet Music #96840EB. Published by Mel Bay Publications - Digital Sheet Music

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.794052

By Tony Bennett & Amy Winehouse. By John Green. Arranged by Dave Gingras, John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #5765535. Published by DAVID LEE GINGRAS (A0.794052).

Body and Soul is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. After being performed in the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record Body and Soul, in October 1930. This arrangement features a root-based chord-blocking technique that John and I have used in a number of our arrangements. It's not too hard and fun to play - we hope you like it!

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.556449

By Tony Bennett & Amy Winehouse. By John Green. Arranged by PianoSheetNow. 20th Century,Contemporary,Jazz. Score. 4 pages. PianoSheetNow #3545825. Published by PianoSheetNow (A0.556449).

Body and Soul is a popular song and jazz standard written in 1930 with lyrics by Edward Heyman, Robert Sour and Frank Eyton and music by Johnny Green.
Here is an arrangement for Piano with lyrics  and melody line.
Advanced Piano. Four pages, 3:50' min.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1139587

Composed by Robert Chamberlin. 20th Century,Chamber,Classical. Score. 12 pages. Robert Chamberlin #739862. Published by Robert Chamberlin (A0.1139587).

This work was composed originally to be performed by two performers--soprano voice doubling on tuba and piano. I composed it for a vocal performance major at Webster University in St. Louis, Missouri who could also play tuba. The attached recording is her performance of the piece. Since there aren't many performers who can sing soprano and play the tuba, the piece can also be done with three performers. The piece begins with a play on the opening motive from Mozart's Tuba Mirum. That motive also ends the piece.