Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842200 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #5722479. Published by Andrew Mc Donald (Macka Records) (A0.842200). I Forgive You is a song about forgiveness. Sometimes people do things to offend us or hurt us. When this happens we should forgive and not go to the grave without resolving it like some do. Sometimes we can hold on to the bitterness but the Lord says no matter how many times they sin against us, we should forgive cause if we don't He will not hear our prayers.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1283548 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #874735. Published by DAVID LEE GINGRAS (A0.1283548). I'll Remember April is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.

Piano and voice - Digital Download SKU: LV.6989 Composed by Ted Snyder. Parlors, Sofas, Couples, Light fixtures, Portraits, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6989). It's the Pretty Things You Say. Words by Alfred Bryan. Music by Ted Snyder. Published 1908 by Ted Snyder Co. Music Publishers, 112 W. 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Sofas, Couples, Light fixtures, Portraits, Courtship. First line reads You ask the reason why I love but you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776848 Composed by Spiritual. Arranged by Leonora Hardy. Christian,Religious,Sacred,Spiritual. Score. 3 pages. Leonora Hardy #5213475. Published by Leonora Hardy (A0.776848). A lively, easily learned arrangement for the church pianist who wants to have a something a little different to accompany congregational singing. Each verse rises a step or a half-step to keep things interesting. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody. The demo is computer-generated with the melody line represented by an organ sound. Hymn 

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1348331 By Nirvana. By Dave Grohl, Krist Novoselic, and Kurt Cobain. Arranged by Thec P. Grunge,Rock. Score. 8 pages. Thec P #933100. Published by Thec P (A0.1348331). Hey rock enthusiasts! 🤘 I'm stoked to bring you something a little different today. I've taken on the iconic grunge anthem Smells Like Teen Spirit by Nirvana and crafted a piano and vocal arrangement that's going to shake things up. 🎹🎤In this rendition, I've reimagined the rebellious spirit of the original and translated it into a piano-driven performance that I hope captures the essence of the '90s grunge era. The piano sets the stage for a vocal interpretation that pays homage to Kurt Cobain's raw and electrifying style. 🌪�🎼The sheet music includes the vocal melody and piano accompaniment, providing you with the tools to dive into the angst and energy of this iconic tune and make it your own. 🎵✨And here's the awesome part – you can snag the sheet music right now. Don't miss the chance to add this edgy and rebellious arrangement to your musical repertoire! 🎸.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?� was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Piano,Vocal,Voice - Digital Download SKU: A0.1430084 Composed by Abel Baer, George W. Meyer, and Stanley Adams. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1010759. Published by DAVID LEE GINGRAS (A0.1430084). There Are Such Things is a popular song by Stanley Adams, Abel Baer, and George W. Meyer, published in 1942. The first and most popular version of the song was performed by Tommy Dorsey's orchestra with vocals by Frank Sinatra and The Pied Pipers, which reached No. 1 on the US best-selling records chart in 1942. This version hit No. 2 on the Harlem Hit Parade chart. There have been many other versions recorded since. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1420464 Composed by Carl Stutz and Edith Lindeman. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #1001893. Published by DAVID LEE GINGRAS (A0.1420464). Little Things Mean a Lot is a popular song, with lyrics by Edith Lindeman and music by Carl Stutz, published in 1953. Lindeman was the leisure editor of the Richmond Times-Dispatch, and Stutz, a disc jockey from Richmond, Virginia. Stutz and Lindeman are also known for writing Perry Como's 1959 hit, I Know (which reached No.47 on the U.S. Billboard chart and No.13 on the UK Singles Chart). This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1352706 By Tommy Dorsey. By Burton Lane and E.Y. Yip Harburg. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937479. Published by DAVID LEE GINGRAS (A0.1352706). How Are Things in Glocca Morra? is a popular song about a fictional village in Ireland, with themes of nostalgia and homesickness. It was introduced by Ella Logan in the original 1947 Broadway production of Finian's Rainbow. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1288894 By Andy Kirk & His 12 Clouds Of Joy. By Alberta Nichols, L.E. Freeman, Mann Holiner, Sammy Cahn, and Saul Chaplin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #879734. Published by DAVID LEE GINGRAS (A0.1288894). In 1931, Alberta Nichols wrote the music and Mann Holiner wrote the words for a song titled Till the Real Thing Comes Along which was featured in a Broadway revue titled Rhapsody in Black. The review, produced by Lew Leslie, was similar to the famous Blackbirds reviews of the late 1920s and 1930s, and featured Ethel Waters, who introduced Till the Real Thing Comes Along. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the 1936 sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!