Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841909 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3479499. Published by Andrew Mc Donald (Macka Records) (A0.841909). They're Forgotten is a song referring to the many sins we have done. Jesus because of the cross is able to forgive our sins and blot them out as if they were no more. They are forgotten. It does not matter how bad the sin He forgives and He forgets.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928578 Composed by Richard Perlmutter, Verdi. Arranged by Clifton J. Noble Jr. Children,Contemporary,Instructional,Romantic Period,Standards. Score. 5 pages. Beethoven's Wig, Inc. #6385099. Published by Beethoven's Wig, Inc. (A0.928578). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words?  - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to a piano arrangement of the music for La donna é mobile from Rigoletto by Verdi.  The piano arrangement is by Clifton J Noble Jr. The lyrics are by Richard Perlmutter.

Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-15E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-47E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-47E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-47E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Piano and voice - Digital Download SKU: LV.23853 Composed by E. Clinton Keithley. Cartoons, Humorous pictures, Seamen, Prisoners, Women, Cleaning, Punishment & torture, Courtship, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23853). They Put Our Little Percy in the Brig. The Great Comic Gob Song. Lyric by Wm. J. Redford, U.S.N. Music by E. Clinton Keithley. Published 1919 by Frank K. Root & Co., McKinely Music Co. Owners in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Humorous pictures, Seamen, Prisoners, Women, Cleaning, Punishment & torture, Courtship, World War I. First line reads Percy was a salty seagoin' sailor, altho' he never sailed upon the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842200 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #5722479. Published by Andrew Mc Donald (Macka Records) (A0.842200). I Forgive You is a song about forgiveness. Sometimes people do things to offend us or hurt us. When this happens we should forgive and not go to the grave without resolving it like some do. Sometimes we can hold on to the bitterness but the Lord says no matter how many times they sin against us, we should forgive cause if we don't He will not hear our prayers.

Piano and voice - Digital Download SKU: LV.27 Clothing & dress, Manners & customs. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.27). The Bloomer's Complaint. A Very Pathetic Song for the Piano Forte. n. Published 1851 by A. Fiot, 196 Chesnut St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Manners & customs. First line reads Dear me, what a terrible clatter they raise.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.6386 Composed by Jack Stanley. Portraits, Death, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6386). They Needed a Song Bird in Heaven (So God Took Caruso Away). Idea suggested by Geo. Walter Brown. Lyric by Geo. A. Little. Music by Jack Stanley. Published 1921 by Jack Mills, Inc., Music Publishers, 152 W. 45th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Death, Comfort. First line reads Just like a beautiful rose that has flown.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.2882 Arranged by Charles E. Horn. Courtship, Love, Distress, Grief. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2882). They Say Thou Hast Forsaken Me. The Words by a Lady of New York. Arranged to the Celebrated Waltz, Le Desire by Charles E. Horn. Published 1837 by Dubois & Bacon, 167 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Distress, Grief. First line reads They say thou has forsaken me for eyes more bright than mine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.1827 Composed by F. Kinlock. Courtship, Love, Distress. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1827). I Defy Thee To Forget. Words by W. Gilmore Simms, Esq. Music by F. Kinlock. Published [n.d.] by Firth & Hall, 1 Franklin Square in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Distress. First line reads They have torn us apart but by those angel eyes and the sweet glance they gave when first we met.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.19338 Composed by Fred G. Carnes. Portraits, Health resorts, Eating & drinking, Leisure, Courtship & love, Ballroom dancing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19338). What They Do At The Springs. Parlor Waltz Song and Chorus. Words By John G. Saxe. Music By Fred G. Carnes. Published 1878 by California Music Publishing Company, No.352 Clay Street in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Health resorts, Eating & drinking, Leisure, Courtship & love, Ballroom dancing. First line reads Imprimis, my darling, they drink of the water so sparkling and clear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.