Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1470648

By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Score. 17 pages. Marcos Fernandez-Barrero #1048301. Published by Marcos Fernandez-Barrero (A0.1470648).

Work commissioned for mezzo-soprano Sandra Ferrández and pianist Irene Alfageme to be premiered at the Teatro de la Zarzuela (Madrid) on 1st April 2024.

The piece takes inspiration from the the XV Century Spanish poem by anonymous author 'Van Y Vienen', which gave the lyrics of the work. Although the poem was written in the Middle Ages, it resonates with a timeless universality, allowing for a deep connection with the contemporary audience. Its metaphor of the sea as a reflection of human emotions – that come and go like the waves of the sea – transcends eras, resonating with the instability and hope that characterize the human experience.

By using it as lyrics for a sort of contemporary habanera, I saw the possibility of merging the nostalgia of the past with the artistic expression of the present, creating a bridge between different historical moments through music and poetry. 
____________________________________________________________________
Obra encargo para el estreno a cargo de la mezzosoprano Sandra Ferrández y la pianista Irene Alfageme en el Teatro de la Zarzuela (Madrid) el 1 de abril de 2024. 

La pieza se utiliza el poema anónimo del siglo XV 'Van y Vienen'. Aunque fue escrito en la Edad Media, resuena con una universalidad atemporal, permitiendo una profunda conexión en la era actual. Su metáfora del mar como reflejo de las emociones humanas – que van y vienen como las olas del mar – trasciende épocas, resonando con la inestabilidad y la esperanza que caracterizan la experiencia humana. 

Al utilizarlo como letra para una especie de habanera contemporánea, vi la posibilidad de fusionar la nostalgia del pasado con la expresión artística del presente, creando un puente entre diferentes momentos históricos a través de la música y la poesía.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.516655

Composed by Gioachino Rossini. Arranged by Santino Cara. Opera,Romantic Period. Score. 6 pages. Santino Cara #54443. Published by Santino Cara (A0.516655).

Version for Mezzosoprano and piano of A questo seno Lucia's aria, from the La gazza ladra of Gioacchino Rossini with texts by Giovanni Gherardini. Transcribed by Santino Cara in Rome in 2014.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1151996

Composed by Akihiro Masuda. Christian. Score. 11 pages. AKIHIRO MASUDA #752202. Published by AKIHIRO MASUDA (A0.1151996).

Mezzo-soprano version of 'Ave Maria'.

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1081918

By Performance of Eighteen in Italy by Marsha Anderson , Francis Osentowski, Piano. By Francis Osentowski, DMA University of North Texas, Jerry McElveen, Texts. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Opera. Score. 29 pages. Francis Osentowski #686049. Published by Francis Osentowski (A0.1081918).

LETTERS FROM A POET IN ITALY is a song cycle for soprano and soprano. This site includes of all four songs: 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. DAVID The cycle is my setting of poems by Jerry McElveen, my friend and an awesome poet and professor at Richland College. Jerry wrote several poems during a tour of Italy made up of a group of faculty and spouses. On our last day in Rome...he surprised everyone by performing his new works. The minute he started reading I knew this would be a great text to set to music. This cycle has been performed often in the DFW Tx. area...first by Marsha Anderson, my colleague at North Lake College and later by the young soprano Erin Acorn. Marsha earned a living in Italy for over 20 years as an opera singer and taught me lots of valuable details about the substiles of composing for this vocal style. You can hear her beautiful voice on recordings we made at a performance in the concert hall at UTA Arlington. In retrospect, I like the tempos to relax more than these recordings, so the vocal lines have more time to breath. The cycle also received a positive review by the famous music critic for the Dallas Morning News, Scott Cantrell. Thank you to Scott! I kept the vocal lines away from extreme high and low pitches...and several singers have told me the voice lines are very comfortable for them. Singable by professionals AND young sopranos.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1043568

By Renato Tagliabue. By Franz Schubert. Arranged by Renato Tagliabue. Christmas,Classical,Romantic Period. Score. 3 pages. Renato Tagliabue #648260. Published by Renato Tagliabue (A0.1043568).

Arr. for Mezzosoprano and Piano.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1003585

Composed by Danilo Lamas. 20th Century,Concert,Contemporary,Graduation,Sacred. Score. 5 pages. Danilo Lamas #6417347. Published by Danilo Lamas (A0.1003585).

Pater Noster (Mezzosoprano/Piano).

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1173633

Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633).

Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.



While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.



Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.



This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.

Range: Eb4-Bb5 without ornamentation
Tessitura: around Bb4-F5/G5

 

Text:

Belle luci, che accendete
In quest' alma un dolce foco,
Siete voi, e voi sarete
La mia calma, e il mio piacer.

Sì, la calma, e il piacer mio
Tutto, e sempre in voi s'aggira,
Per voi solo il cor respira,
Nè più brama il mio pensier.

About the Arranger behind Accessible Accompaniments Editions:



Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. 
For more information, please visit http://ndipaolo.musicaneo.com .

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.576172

Composed by David Warin Solomons. 20th Century,Contemporary. Score. 6 pages. David Warin Solomons #2036025. Published by David Warin Solomons (A0.576172).

Arrangement of my setting of the incantation of the three witches in Shakespeare's Macbeth This version for three voices and piano is available in E Dorian (3 altos) and in A Dorian (3 sopranos) The sound sample is an electronic preview using clarinet sounds for the voices. A live performance of the original version for three altos and guitar can be heard on youtube at: https://www.youtube.com/watch?v=l-A8w6sWQmw.

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.966150

Composed by Johann Sebastian Bach, Alexander Timofeev. Baroque,Romantic Period,Sacred,Spiritual. Score. 6 pages. Alexander Timofeev #6670301. Published by Alexander Timofeev (A0.966150).

This Ave Maria, for Mezzo-soprano and Piano, was composed in 2013 by Alexander Timofeev. The accompaniment to this new setting of Ave Maria was inspired by Bach/Siloti Prelude BWV 855. Text: Latin. Vocal range: Bb3 - F5. Duration: 4'.
This piece is also available in other versions:
1. Soprano and Piano
2. Soprano and Organ
3. Soprano, Piano and String Quartet
4. Soprano, Mixed Choir, and Piano
5. Soprano, Mixed Choir, and Organ
6. Soprano, Piano, Timpani and Strings
7. Soprano and Orchestra
8. Mezzo-soprano and Organ
9. Mezzo-soprano, Mixed Choir and Piano
10. Mezzo-soprano, Mixed Choir and Organ.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1247606

Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #842159. Published by Benzaiten Editions (A0.1247606).

Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in E flat Major. Arranged by Benzaiten Editions.

Hey! Are you a soprano who wants to learn to sing the song Ave Maria from Schubert? Stay with us!
Schubert Ave Maria in E flat Major • soprano voice sheet music with easy piano accompaniment

The Benzaiten Editions Arrangement

If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria� from Franz Schubert, look no further! 

I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. 

With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.

So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire.

Schubert Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | easy piano accompaniment
→ Alto voice| easy piano accompaniment
→ Tenor voice | easy piano accompaniment
→ Baritone voice | easy piano accompaniment

About the song

Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.

Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.

Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.

Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1247603

Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #842155. Published by Benzaiten Editions (A0.1247603).

Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in D Major. Arranged by Benzaiten Editions.

Hey! Are you a soprano who wants to learn to sing the song Ave Maria from Schubert? Stay with us!
Schubert Ave Maria in D Major • soprano voice sheet music with easy piano accompaniment

The Benzaiten Editions Arrangement

If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria� from Franz Schubert, look no further! 

I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. 

With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.

So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire.

Schubert Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | easy piano accompaniment
→ Alto voice| easy piano accompaniment
→ Tenor voice | easy piano accompaniment
→ Baritone voice | easy piano accompaniment

About the song

Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.

Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.

Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.

Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1245972

Composed by Franz Schubert. Arranged by Benzaiten Editions. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 4 pages. Benzaiten Editions #840804. Published by Benzaiten Editions (A0.1245972).

Soprano voice sheet music with easy piano accompaniment for Schubert’s Ave Maria in C Major. Arranged by Benzaiten Editions.

Hey! Are you a soprano who wants to learn to sing the song Ave Maria from Schubert? Stay with us!
Schubert Ave Maria in C Major • soprano voice sheet music with easy piano accompaniment

The Benzaiten Editions Arrangement

If you're looking for an easy / beginner soprano voice sheet music with piano accompaniment arrangement of the beautiful song “Ave Maria� from Franz Schubert, look no further! 

I have arranged a simple yet beautiful version of this song that is perfect for beginner musicians / those who like this incredible and timeless song. 

With this arrangement of Schubert’s Ave Maria, you'll be able to play this emotional melody with ease and grace. The simplified chords and melody make it easy to learn.

So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy / beginner soprano voice arrangement of Schubert’s Ave Maria is sure to inspire.

Schubert Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | easy piano accompaniment
→ Alto voice| easy piano accompaniment
→ Tenor voice | easy piano accompaniment
→ Baritone voice | easy piano accompaniment

About the song

Ave Maria is one of Franz Schubert's most well-known and revered compositions. Although it is often associated with the Catholic prayer, Schubert's music is actually an adaptation of a work by Walter Scott, a Scottish poet. Schubert composed the melody as part of his piece Ellens Gesang III (Ellen's Song III), which is a series of songs based on Scott's poems.

Ave Maria was composed in 1825 and is one of the most popular and beloved pieces in the classical repertoire. The gentle and melancholic melody, combined with the Latin lyrics invoking the Virgin Mary, evokes a sense of serenity and devotion. While it was originally written for voice and piano, the melody has also been adapted for various instruments and choirs.

Interestingly, Schubert was unaware that his melody would become widely known as Ave Maria. The original title of the composition is Ellens Gesang III: Hymne an die Jungfrau (Ellen's Song III: Hymn to the Virgin). The fame of Ave Maria came later when different versions of the melody were published and performed with the Latin lyrics.

Due to its beauty and emotional appeal, Schubert's Ave Maria has been performed on numerous occasions, from religious ceremonies to concerts and solemn events. The piece continues to move and inspire listeners around the world, highlighting Franz Schubert's genius as a composer.