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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Piano, Voix

$12.00 11.47 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.921 Composed by M. Kelly. Symbols, Love, Ships, Grief, Travel. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.921). (1) The Twin Roses. A Favorite Song in Adrian and Orrilla. (2) Bounding Billows. (1) Composed by M. Kelly. (2) Written by Mrs. Robbinson, in crossing from Dover to Calais. Published [n.d.] by G.E. Blake in Philadelphia. Composition of strophic with piano and voice First line of (1) On one parent stalk two white Roses were growing from buds just expanding First line of (2) Bounding billows cease your motion, bear me not so swiftly o'er instrumentation. Subject headings for this piece include Symbols, Love, Ships, Grief, Travel. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
(1) The Twin Roses. A Favorite Song in Adrian and Orrilla. (2) Bounding Billows
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.15505 Composed by I. Percy. Money, Peddlers, Peasants, Supernatural beings, Courtship & love, Drowning, Mermaids. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15505). (1) A Wandering Gipsey [sic]; (2) The Angler. Series Title No. 17 of the Musical Journal for the Piano Forte. Vocal Section. (1) Composed by I. Percy. Words by P. Pindar.; (2) from the German of Goethe. Composed by Reichardt. Published [n.d.] by J. Carr in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Money, Peddlers, Peasants, Supernatural beings, Courtship & love, Drowning, Mermaids. First line reads (1) A wand'ring Gipsey Sir am I from Norwood; (2) In gurgling eddies roll'd the tide the wily angler sat.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
(1) A Wandering Gipsey; (2) The Angler
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.1157 Arranged by Sir John Stevenson. Symbols, Love, Courtship. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1157). Flow on, Thou Shining River. Portuguese Air From Moore's National Melodies, No. 2. Arranged by Sir John Stevenson, Mus. Doc. Published [n.d.] by G.E. Blake, No. 13 So. 5th Street in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Symbols, Love, Courtship. First line reads Flow on, thou shining river, but, ere thou reach the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Flow on, Thou Shining River. Portuguese Air From Moore's National Melodies, No. 2
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.1156 Arranged by Sir John Stevenson. Symbols, Love, Courtship. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1156). Flow on, Thou Shining River. Portuguese Air From Moore's National Melodies, No. 2. Arranged by Sir John Stevenson, Mus. Doc. Published [n.d.] by G.E. Blake, No. 13 So. 5th Street in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Symbols, Love, Courtship. First line reads Flow on, thou shining river, but, ere thou reach the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Flow on, Thou Shining River. Portuguese Air From Moore's National Melodies, No. 2
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.22282 Composed by T. H. Hinton. Portraits, Military uniforms, Military camps, Civil War--Union, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22282). (1) Oh I'd be a Soger Boy. Marching Song and Chorus. With (2) Rosa Lee [quick-step]. T.H. Hinton. Published [n.d.] by in n.p. Composition of (1) strophic with chorus; (2) sectional with piano and voice instrumentation. Subject headings for this piece include Portraits, Military uniforms, Military camps, Civil War--Union, Patriotism. First line reads Oh; I'd be a soger boy, to march in the loyal ranks.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
(1) Oh I'd be a Soger Boy. Marching Song and Chorus. With (2) "Rosa Lee"
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.2613 Composed by J.W. Cherry. Nostalgia, Beaches, Time. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2613). Shells of Ocean. New Edition for 1 or 2 Voices. Ich ging zum Strande am Meere hin. Illustr. Popul. Song, No. 20. Written by J.W. Lake. The Music Composed By J.W. Cherry. Published [n.d.] by G. Andre & Co., 1104 Chestnut Str.St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Nostalgia, Beaches, Time. First line reads One summer eve, with pensive thought, I wander'd on the seabeat shore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Shells of Ocean for 1 or 2 Voices. Ich ging zum Strande am Meere hin
Piano, Voix
J W
$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.3988 Composed by Virginia Gabriel. Unrequited love, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3988). Only and Weary. 2 Beautiful Songs. By Virginia Gabriel. Published 1869 by John Church & Co., 66 West 4th St. in Cincinnati. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Unrequited love, Distress. First line reads Only a face at the window, only a face nothing more.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Only and Weary. 2 Beautiful Songs
Piano, Voix
Virginia Gabriel Published 1869 by John Church & Co
$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1478385 By Arturo Escorza. By Peter Winter. Arranged by Johann Baptist Henneberg. Chamber,Classical,Historic,Opera. Score. 10 pages. Arturo Escorza #1055769. Published by Arturo Escorza (A0.1478385). Discover the captivating sequel to Mozart's The Magic Flute with this exclusive voice and piano reduction of the Queen of the Night's stunning recitative Ha! wohl mir! and the virtuosic aria Ha! bald nahet sich die Stunde from the opera Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (The Labyrinth or The Struggle with the Elements. The Magic Flute's Second Part) composed by Peter Winter with a libretto by Emanuel Schikaneder, this rare gem continues the enchanting story with the same beloved characters.Perfect for sopranos looking to expand their repertoire with a dramatic and challenging piece, this edition provides a faithful reduction for voice and piano, capturing the essence of the original orchestration.This piece promises to enthrall audiences with its powerful emotion and technical brilliance.Summary:Recitative Ha! wohl mir! and aria Ha! bald nahet sich die Stunde from Das Labyrinth by Peter WinterInstrumentation: Soprano (Queen of the Night), and Piano Reduction.
"Ha! bald nahet sich die Stunde" The Queen of the Night's Aria: from The Magic Flute 2
Piano, Voix
Arturo Escorza
$15.00 14.33 € Piano, Voix PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.87 € Piano, Voix PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.87 € Piano, Voix PDF SheetMusicPlus






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