Piano and voice - Digital Download

SKU: LV.12575

Composed by Vincent Bryan. Theodore Roosevelt, Railroad companies, Panama Canal, Japan, Big game hunting, Heroes, Presidents. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12575).

Theodore. Words & Music By Vincent Bryan. Published 1907 by Shapiro, Cor. Broadway & Thirty Ninth Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Theodore Roosevelt, Railroad companies, Panama Canal, Japan, Big game hunting, Heroes, Presidents. First line reads I've travelled all around the world, I've sailed on ev'rey sea..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655587

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226015. Published by Classic Piano sheetz (A0.655587).

Schubert-Julius an Theone in bE minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655589

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226019. Published by Classic Piano sheetz (A0.655589).

Schubert-Julius an Theone in f minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655584

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226007. Published by Classic Piano sheetz (A0.655584).

Schubert-Julius an Theone in a minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655585

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226009. Published by Classic Piano sheetz (A0.655585).

Schubert-Julius an Theone in b minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655591

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226023. Published by Classic Piano sheetz (A0.655591).

Schubert-Julius an Theone in #G minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655583

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226005. Published by Classic Piano sheetz (A0.655583).

Schubert-Julius an Theone in #F minor,for Vocal and Piano.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.655586

Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6226011. Published by Classic Piano sheetz (A0.655586).

Schubert-Julius an Theone in bB minor,for Vocal and Piano.

Piano and voice - Digital Download

SKU: LV.5648

Composed by Theodore F. Morse. Portraits, Love, Quarreling, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5648).

Perhaps You'll Regret Someday. Song. Words by Paul Dresser. Music by Theo. F. Morse. Published 1898 by Howley, Haviland & Co., 1260-1266 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Love, Quarreling, Distress. First line reads Oh, leave me not in anger, leave me not in this way..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download

SKU: LV.22805

Composed by Theodore Von La Hache. Classical literature, Cleopatra, Caesar, Osiris, Isis, Death, Civil war--Confederate. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22805).

The Popular Ballads of the South. I am Dying, Egypt, Dying. Theod. von Lahache. Published 1865 by A.E. Blackmar, 167 Canal Street in New Orleans. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Classical literature, Cleopatra, Caesar, Osiris, Isis, Death, Civil war--Confederate. First line reads I am dying, Egypt, dying, Ebbs the crimson lifetide fast..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Voice and piano - Medium - Digital Download

SKU: MQ.8492-25E

Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E).

French.

Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.
This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group.
Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known.
Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice.
Contents:
18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45
Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21
Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download

SKU: MQ.8492-31E

Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E).

French.

Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.
This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group.
Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known.
Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice.
Contents:
18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45
Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21
Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download

SKU: MQ.8492-07E

Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E).

French.

Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.
This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group.
Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known.
Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice.
Contents:
18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45
Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21
Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).