Piano,Vocal,Voice - Digital Download SKU: A0.1330164 Arranged by Tunescribers. Country. Score. 6 pages. ArrangeMe #14632. Published by ArrangeMe (A0.1330164).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583557 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by Jeff Tincher. Contemporary. Score. 18 pages. Jeff Tincher #4313833. Published by Jeff Tincher (A0.583557). This is one of my favorite King Crimson songs. This song construction has the instruments playing intricate syncopated patterns while the vocals has a more straight pattern, giving this song a sound that is complicated with a steady feel. Until I wrote this, I didn't realize the time signature changes. In the original key from their Three of a Perfect Pair CD, this song is fun for both the performer and listener as well. Duration = 3:53. Visit my websites https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.811884 By King Crimson. By Bill Bruford, David Cross, John Wetton, Richard Palmer-James, and Robert Fripp. Arranged by G. Franklin. Contemporary,Folk,Pop,Rock. Score. 6 pages. Inner Marshland #5744863. Published by Inner Marshland (A0.811884). The Unthanks cover of King Crimson's Starless, as heard on their album Last.Note that it includes the trumpet solo parts.The strings motif during the coda can be played as is, or transposed to whichever octave you wish. For clarity, it's shown two octaves higher than in The Unthanks version, but it can also be played 3 octaves lower as an alternative bass part, akin to its use in the original King Crimson version.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1137412 By Charles Simic. By Che Buford. Contemporary. Score. 13 pages. Abundant Silence #737616. Published by Abundant Silence (A0.1137412). When I read Charles Simic’s poem, The Lunatic for the first time, I was impressed by the minimalist but evocative feel of the work. The poem describes the nature of a snowflake. As I read it more, I felt an unusual fixation on the action of the snowflake. The piece starts off by depicting the erratic nature of the snowflake in the right hand of the piano. It then transitions into descending plaintive, melancholy music. The singer repeats ‘’The same snowflake kept falling out of the great sky’’ three times but each time more bothered and adding words from the poem. I tried to convey the obsessive nature that the POV expresses along with the piano material depicting the falling and ‘’picking itself off the ground’’ that the snowflake does.