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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1215709 By B.J. Thomas. By Hank Williams. Arranged by Dave Gingras and John E. Dosher. Country. Score. 2 pages. DAVID LEE GINGRAS #812434. Published by DAVID LEE GINGRAS (A0.1215709). I'm So Lonesome I Could Cry is a song written and recorded by American country music singer-songwriter Hank Williams in 1949. The song has been covered by a wide range of musicians. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think is a pretty cool arpeggio pattern in the left hand, similiar to a finger-picking guitar style, except written for piano. We hope you like what we've done with this classic Hank Williams tune!
I'm So Lonesome I Could Cry
Piano, Voix
B J
$4.99 4.26 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1283553 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #874740. Published by DAVID LEE GINGRAS (A0.1283553). I'm Beginning to See the Light is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills to keep things moving along smoothly, we hope you like what we've done with this great old tune!
I'm Beginning To See The Light
Piano, Voix

$4.99 4.26 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix

$1.99 1.7 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voix

$3.99 3.4 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1422862 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons #1004217. Published by David Warin Solomons (A0.1422862). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons.
Dawn in the Room for Baritone and Piano
Piano, Voix
Mark Rowlinson (Baritone) and Peter Lawson (piano)
$10.00 8.53 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon Holden #6418715. Published by Brendon Holden (A0.1021982). Print your own Sheet Music to: Country Store: Sound of F. Country store: sound of F is written for Vocals and piano. Written in F makes this work a one of a kind good. Rock progression was used in the song. A splendidly good song!   I suppose the song says, although it does not necessarily, but could be a song that says: I am not poor because I got you! But in the song the Man doing the adoring-is most likely the reason why there is such goodness. Help us with your best lion roar, would mean to be adored, to be made more than judgmental. Vocals are: I C the birds, I C the trees, O how sweet they are to me,  I am living life feeling O so free, not a problem you can C in me. To my left I C a Store, I C I need some more. I C a Cat, can I tell you some more my friend, I walk into the store. Cat follows close behind walking on the floor. Candies and Cakes, I should get some more, get some for the Cat I adore. I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. As I am Walking out the door, I C the Cat shake his head you’re so poor. You C me Cat, I am the more, that you C I am not so poor. You’re talking like you want a war, let me ask you do you own the store? You C the shore, you C the store, you C me with all the more. If you see it is you I adore, shout and give me your best lion roar.   I C the birds, I C the trees, O how sweet they are to me. Tasty treats I adore, Tasty treats fill my core, Cakes and Candy galore/ all the more, Give me Give me, I want more. I C the birds, I C the trees, O how sweet they are to me. Tasty treats on the shore Tasty treats in the store Me and my Cat want some more, Help us with your best lion roar.     Art and Music by Brendon G.M.C. Holden
Country Store: Sound of F
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984702 Composed by Traditional. Arranged by John M. Honeycutt. Children,Folk,Instructional. Score. 8 pages. Music Innovators Workshop #4357453. Published by Music Innovators Workshop (A0.984702). These are some fun pieces arranged as rounds on key map tablatures.     ContentsBrother JohnThe Farmer in the DellO Praise to TheeRow, Row, Row Your BoatThree Fine MiceThis piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.Series 5FC - Five Finger Positions Colored. To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive 5-fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white. (version code 5FC)
Musical Rounds Collection - Series 5FC - (Key Map Tablature)
Piano, Voix

$2.00 1.71 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing #2029095. Published by M Seits Publishing (A0.953784). The Hello and Goodby Song, composed by Marilynn Seits, is a delightful and easy to sing song that can be used at the beginning and end of classes for young children. In this song, the teacher sings Hello (or Good Bye) to all the boys & girls and then goes around the room for a Hello (or Good Bye) to each individual by name. After the children are familiar with the song, they can sing their own names and clap their hands to the rhythm as they go around the room. It's easy to add parents, grandparents or visitors names to the lyrics and it appropriate for children from nursery school through ages 6 or 7. There is an easy piano accompaniment & chord symbols for left hand piano or guitar. It's the key of D major which is easy for children & adults to sing in.
THE HELLO AND GOODBYE SONG
Piano, Voix

$2.99 2.55 € Piano, Voix PDF SheetMusicPlus






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