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Piano and voice - Digital Download SKU: LV.18482 Composed by Eastburn. Courtship & love, Wealth, Jewelry, Deceit, Fathers & children. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18482). That's Where the Laugh Comes In. Song & Chorus. Written & Composed By Eastburn. Published 1865 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Wealth, Jewelry, Deceit, Fathers & children. First line reads Augustus Don Pedro, a handsome young man, Who travell'd on shape I am told.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
That's Where the Laugh Comes In. Song & Chorus
Piano, Voix
Eastburn Published 1865 by Wm
$5.99 5.09 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
Since First I Saw Your Face
Piano, Voix

$4.99 4.24 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. David William Flippo #4766523. Published by David William Flippo (A0.995984). Sung by: Christian  His I Want song. Because handsome only goes so far with a woman of letters -- and conversation.  Piano / Vocal Score.  From Roxane of Bergerac - A full length musical -  A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance.   The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
Piano, Voix

$3.95 3.36 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next” by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next” piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next” serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
Thank U, Next
Piano, Voix
Ariana Grande
$4.99 4.24 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ?ť with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ?ť accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ă?â?ť with â??ssâ?ť in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
Quatre Poemes De Guillaume Apollinaire
Piano, Voix

$8.95 7.61 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #653524. Published by Kevin G. Pace (A0.1049130). Beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace comes from heaven through Jesus Christ; He is the true Prince of Peace. Like giving manna to all around, He offers his kingly feast. Peace comes from heaven as we near his lavish table all spread. He feeds our souls through tranquility, nourishing with living bread. Peace comes from heaven through Jesus Christ to all of God’s cov’nant saints. As He empowers each one to serve, He lends to others his traits. Peacemakers choose to spread his love, bearing true peace in his stead. “My peace I give to you alone,” are holy words He has said. Peace comes from heaven through Jesus Christ, sensing a stillness to be. Peacemakers calm stormy souls of men, softening strife rev’rently, Clearing contentious clouds that clash, mending sore hearts of disdain. Peacemakers bring unity and calm, causing all tempers to tame. Peace comes from heaven through Jesus Christ; He filled the Father’s true plan. Peacemakers blessed from God’s perfect hands imitate his love of man. Hearing these sacred, holy words: “Peace, peace be unto thy soul,” Brings hope and stillness through God’s pure Name, letting his children be whole.
Peace Comes From Heaven, sacred vocal solo
Piano, Voix

$3.99 3.39 € Piano, Voix PDF SheetMusicPlus






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