Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1301441

Composed by Harold Adamson and Jimmy McHugh. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #891068. Published by DAVID LEE GINGRAS (A0.1301441).

I Couldn't Sleep a Wink Last Night is a song written by Harold Adamson with composer Jimmy McHugh. The song was popularized by Sinatra for his 1943 performance in Higher and Higher. This version was developed from the original 1943 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Piano and voice - Digital Download

SKU: LV.11494

Composed by J. A. Wade. Courtship, Love, Distress. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11494).

I've Wandered in Dreams. A Celebrated Duet. Written, Composed & Arranged for the Piano Forte by J.A. Wade. Published [n.d.] by Hewitt & Jaques, 239 Broadway in New York. Composition of sectionals with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Distress. First line reads I've wander'd in dreams to me moonlight's home, in fancy I've been where a thought could roam..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1215709

By B.J. Thomas. By Hank Williams. Arranged by Dave Gingras and John E. Dosher. Country. Score. 2 pages. DAVID LEE GINGRAS #812434. Published by DAVID LEE GINGRAS (A0.1215709).

I'm So Lonesome I Could Cry is a song written and recorded by American country music singer-songwriter Hank Williams in 1949. The song has been covered by a wide range of musicians. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think is a pretty cool arpeggio pattern in the left hand, similiar to a finger-picking guitar style, except written for piano. We hope you like what we've done with this classic Hank Williams tune!

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1357760

By Jerry Butler. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #942263. Published by DAVID LEE GINGRAS (A0.1357760).

I Could Write a Book, is a show tune from the 1940 Rodgers and Hart musical Pal Joey, where it was introduced by Gene Kelly and Leila Ernst. It is considered a standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.841664

Composed by Andrew Mc Donald. Christian,Gospel,Jazz. Score. 5 pages. Andrew Mc Donald (Macka Records) #3473281. Published by Andrew Mc Donald (Macka Records) (A0.841664).

I've Got Jesus inside is a jazz song about the fact Jesus when we become born again lives inside of us. As a result we have joy in our lives and He makes us feel like dancing. This is a piano piece but could be arranged for trumpet as well. There is a piano solo in this piece.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.922109

Composed by Mitchell Jay Sharoff. Children,Christmas,Holiday,Pop,World. Score. 9 pages. Emjay Publishing #3892699. Published by Emjay Publishing (A0.922109).

One Song is a beautifully crafted melody! It works perfectly with the lyrics, making us feel comfort and hope. For a song such as this, the melody couldn't be more well-written. It is simple enough for most anyone to follow it, and yet reaches to places that inspire the hope that you wish to bring out in this song. As it kicks up a notch at the end, we can hear a huge chorus singing it loudly, shaking the rafters, perhaps in a church, or at a rally. We can't say enough about this lyric. It is deceptively simple, but yet reaches around the world! Who (anywhere, or in any walk of life) could disagree with any of these lines? This verse (in particular) has a way of saying something that we've never quite heard put this way before: Everyone's a brother, Or a sister that you meet. We are all one family, Living on the same street. Yes, with the pace of the world today, we're on the same street, indeed!.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1284058

Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 9 pages. Maria Thompson Corley #875231. Published by Maria Thompson Corley (A0.1284058).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.

Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

This arrangement was created at the request of pianist Julia Carey. It is the only piece of the three that has been transcribed for this combination. The YouTube video is for soprano, piano and cello.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1284049

Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. Score. 7 pages. Maria Thompson Corley #875222. Published by Maria Thompson Corley (A0.1284049).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.

Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1284044

Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 9 pages. Maria Thompson Corley #875216. Published by Maria Thompson Corley (A0.1284044).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.

Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

The YouTube link is for soprano.

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1284056

Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.

Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1272498

By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.




Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1284047

Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047).

“Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.

Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.510526

By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526).

Here’s how to play “thank u, next� by Ariana Grande on piano!

With this piano sheet music, you can play “thank u, next� on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.

This “thank u, next� piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play.

These piano sheets come with all parts of the song, full lyrics included.

It’s not too hard to play and sounds fantastic!

However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619

Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!

“thank u, next� serves as the lead single from Ariana Grande’s fifth studio album.

Here are the song’s full lyrics:

“Thought I'd end up with Sean

But he wasn't a match

Wrote some songs about Ricky

Now I listen and laugh

Even almost got married

And for Pete, I'm so thankful

Wish I could say, Thank you to Malcolm

'Cause he was an angel

One taught me love

One taught me patience

And one taught me pain

Now, I'm so amazing

I've loved and I've lost

But that's not what I see

So, look what I got

Look what you taught me

And for that, I say

Thank you, next (next)

Thank you, next (next)

Thank you, next

I'm so fuckin' grateful for my ex

Thank you, next (next)

Thank you, next (next)

Thank you, next (next)

I'm so fuckin'

Spend more time with my friends

I ain't worried 'bout nothin'

Plus, I met someone else

We havin' better discussions

I know they say I move on too fast

But this one gon' last

'Cause her name is Ari

And I'm so good with that (so good with that)

She taught me love (love)

She taught me patience (patience)

How she handles pain (pain)

That shit's amazing (yeah, she's amazing)

I've loved and I've lost (yeah, yeah)

But that's not what I see (yeah, yeah)

'Cause look what I've found (yeah, yeah)

Ain't no need for searching, and for that, I say

Thank you, next (thank you, next)

Thank you, next (thank you, next)

Thank you, next (thank you)

I'm so fuckin' grateful for my ex

Thank you, next (thank you, next)

Thank you, next (said thank you, next)

Thank you, next (next)

I'm so fuckin' grateful for my ex

Thank you, next

Thank you, next

Thank you, next

I'm so fucking

One day I'll walk down the aisle

Holding hands with my mama

I'll be thanking my dad

'Cause she grew from the drama

Only wanna do it once, real bad

Gon' make that shit last

God forbid something happens

Least this song is a smash (song is a smash)

I've got so much love (love)

Got so much patience (patience)

I've learned from the pain (pain)

I turned out amazing (turned out amazing)

I've loved and I've lost (yeah, yeah)

But that's not what I see (yeah, yeah)

'Cause look what I've found (yeah, yeah)

Ain't no need for searching

And for that, I'll say

Thank you, next (thank you, next)

Thank you, next (thank you, next)

Thank you, next

I'm so fuckin' grateful for my ex

Thank you, next (thank you, next)

Thank you, next (said thank you, next)

Thank you, next (next)

I'm.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.779670

Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670).

This is a wonderful old comedy song.
I have put it into the key that Tessie O'Shea sings it (Ab major)
I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.
I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.

Words:
Verse:
For years a fairy queen I've bin', For years I foiled the demon king.
But alas, I'm getting on, The years have flown somehow,
And I feel that Fairy Snowdrop isn't wanted now.

Chorus One:
Nobody loves a fairy when she's forty.
Nobody loves a fairy when she's old.
She may still have her magic power, But that is not enough,
They like their bit of magic from a younger bit of fluff.
When once your silver star has lost its glitter,
And your tinsel looks like rust instead of gold.
Your fairy days are ending when your wand has started bending.
Noone loves a fairy when she's old.

Spoken:
T'was I who found the magic wand, I will not tell you where.
T'was I who found young Tinkerbell, her head was full of air
I’ve been a fairy of the flowers, and fairy daffodils,
I’ve been a fairy of the wind, and suffer from it still!
In certain covered valley hills I go down to the glen
Been loved by all the children and run after by the men. Huh!
Noone could touch me at me splits, me splits were all the rage,
Until the night woodman left his chopper on the stage, what a mess!

Verse 2:
Nobody loves a fairy when she's forty.
Nobody loves a fairy when she's old.
As far as I can see they try to push you off the map,
When once your wand has withered and your wings refuse to flap.
When you have lost your little fairy dimples,
And the mothholes in your dress let in the cold,
It seems that they would sooner listen to a blinkin' crooner,
Noone loves a fai-y when she's old!

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.801303

Composed by Connie Boss. Easter. Score. 4 pages. Connie Boss #5197971. Published by Connie Boss (A0.801303).

Holy Thursday - Washing of the feet song. It is a vocal trio with flute and piano. The verses are for solo voice or could be all in unison with harmonies added. The instruments are optional except the piano. Voices are written in treble clef but men could be added as well. The YouTube link is with a cello instead of flute, but it will be the same music.

Questions or requests, email cdboss@cvalley.net

Holy Thursday/Washing of the Feet/The Last Supper Verse 1: Jesus said to His apostles, welcome to this feast – He said Please try to remember me This was the night of His last supper, they all sat down to eat. He said Please try to remember me. Refrain: For I will be with you always Keep me in your heart Verse 2: Then He knelt before each man and placed their feet in His hands – He said Please try to remember me He washed their feet of the dirt and sand from their trip on the land – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart Verse 3: He told them of His fate that night and saw that they were filled with fright – He said Please try to remember me Now go forth and spread the word, the message that you’ve heard – He said Please try to remember me Refrain: For I will be with you always Keep me in your heart.