Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.789745 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Elaine Yu. Metal,Rock. Score. 6 pages. Elaine Yu #3519381. Published by Elaine Yu (A0.789745). What I've Done by Linkin Park.http://www.elaineyu.co.uk 

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1081199 By Sammy Davis Jr. By Walter Marks. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #685336. Published by DAVID LEE GINGRAS (A0.1081199). I've Gotta Be Me is a popular song that appeared in the Broadway musical Golden Rainbow, which starred Steve Lawrence and Eydie Gormé. It opened in New York City at the Shubert Theatre on February 4, 1968, and closed just under a year later, on January 11, 1969. The music and lyrics for the musical were composed and written by Walter Marks in 1967. Sammy Davis Jr. recorded the song in 1968 while the musical was still running on Broadway, altering the title slightly to I've Gotta Be Me, and released it as a single late in the year. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we incorporated a smooth left-hand bass line to keep the rhythm going - we hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1183338 By Marion Harris. By Music by Turner Layton, lyrics by Henry Creamer. Arranged by Dave Gingras and John E. Dosher. Blues,Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #783001. Published by DAVID LEE GINGRAS (A0.1183338). After You've Gone is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1148692 By Benny Goodman. By Irving Berlin. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #748825. Published by DAVID LEE GINGRAS (A0.1148692). I've Got My Love to Keep Me Warm is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by Ray Noble (January 5, 1937), Howard Barrie, vocalist, and Red Norvo (January 8, 1937), Mildred Bailey, vocalist. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm going, we added some pretty cool left-hand fills. We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1461639 By Andre Kostelanetz. By Jerome Kern and Oscar Hammerstein. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1040383. Published by DAVID LEE GINGRAS (A0.1461639). I've Told Every Little Star is a 1932 composition by Jerome Kern with lyrics by Oscar Hammerstein from the musical Music In the Air. Unfortunately, it suffers from many poor performances, particularly the awful Linda Scott 1961 hatchet job which changed both the melody and words to attract a teenage audience. The tune has a standard 32-bar AABA form. Many of the standard performances (Bing Crosby's, for example) use a simple set of changes in the A sections that stay close to the tonic; these are the original changes (as per the lead sheet in The Ultimate Fake Book). This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794131 Composed by Turner Layton. Arranged by Dave Gingras and John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6570355. Published by DAVID LEE GINGRAS (A0.794131). After You've Gone is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4 measure tag. The song is harmonically active, with chord changes almost every measure. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1098886 By Linda Eder. By Frank Wildhorn and Leslie Bricusse. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #702732. Published by DAVID LEE GINGRAS (A0.1098886). A New Life is a very pretty ballad from the 1990 musical Jekyll & Hyde. This musical is loosely based on the 1886 novella The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson. Originally conceived for the stage by Frank Wildhorn and Steve Cuden, it features music by Frank Wildhorn, a book by Leslie Bricusse and lyrics by all of them. This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few really sweet left-hand fills to keep the tempo going! This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few really sweet left-hand fills to keep the tempo going! We've provided lyrics for only the first two verses in an effort to keep the sheet music from getting too cluttered. The remainder of the lyrics are readily available at a number of sites online. We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103339 By Dion and The Belmonts. By Lorenz Hart and Richard Rodgers. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #706600. Published by DAVID LEE GINGRAS (A0.1103339). Where or When is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of Babes in Arms two years later. This version features a root-based chord blocking that John and I have used in many of our arrangements and we've included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1053247 Composed by James Van Heusen and Sammy Cahn. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #657564. Published by DAVID LEE GINGRAS (A0.1053247). Come Fly with Me is a 1958 popular song composed by Jimmy Van Heusen, with lyrics by Sammy Cahn, written for Frank Sinatra - it was the title track of his 1958 album of the same name. The song sets the tone for the rest of the album, describing adventures in exotic locales, in Bombay, Peru and Acapulco Bay as the Jet Age began. This version features a root-based chord blocking that John and I have used many of our arrangements and we've included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1045476 Composed by James Van Heusen and Johnny Burke. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #650059. Published by DAVID LEE GINGRAS (A0.1045476). Moonlight Becomes You is a popular song composed by Jimmy Van Heusen with lyrics by Johnny Burke. The song was written for the Paramount Pictures release Road to Morocco (1942) and published in 1942 in connection with the film. Vic Schoen (staff arranger for Paramount) wrote the arrangement. Our version makes use of a root-based chord blocking that we've implemented in a number of our arrangements - we hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1131359 By George Strait. By Eric Kaz and Steve Dorff. Arranged by David Lee Gingras and John E. Dosher. Country,Film/TV. Score. 3 pages. DAVID LEE GINGRAS #731585. Published by DAVID LEE GINGRAS (A0.1131359). I Cross My Heart is a song written by Steve Dorff and Eric Kaz, and performed by American country music artist George Strait. It was released in September 1992 as the first single to his album Pure Country, which is also the soundtrack to the movie of the same title. It reached number-one in both the United States and Canada. The song is featured as the movie's finale. This version makes use of a root-based chord blocking that John and I have incorporated into many of our arrangements, we've also included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1110119 Composed by Harry Ruskin and Henry Sullivan. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #712452. Published by DAVID LEE GINGRAS (A0.1110119). I May Be Wrong (but I Think You're Wonderful) is a popular song. The music was written by Henry Sullivan, the lyrics by Harry Ruskin. This song was published in 1929 and was included in the musical revue Murray Anderson's Almanac which ran for 69 performances at Erlanger's Theatre on Broadway in 1929. It is said that the song was written on-demand for John Murray Anders. This version features a root-based chord blocking that John and I have used in many of our arrangements and we've also included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1106802 By Little Anthony & The Imperials. By Bobby Weinstein and Teddy Randazzo. Arranged by David Lee Gingras and John E. Dosher. Jazz,Pop. Score. 3 pages. DAVID LEE GINGRAS #709676. Published by DAVID LEE GINGRAS (A0.1106802). Goin' Out of My Head is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit I'm on the Outside (Looking In). Their original version of the song was a Billboard Top 10 Pop smash, reaching No. 6 on the Billboard Hot 100, and No. 1 in the Canadian RPM-list in 1965. This version features a root-based chord blocking that John and I have used in many of our arrangements and we've included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1112890 Composed by Jerry Herman. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #714842. Published by DAVID LEE GINGRAS (A0.1112890). Mame is a musical with the book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. It is based on the 1955 novel Auntie Mame by Patrick Dennis and a 1956 Broadway play, by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World War II, it focuses on eccentric bohemian Mame Dennis. Her fabulous life with her wealthy friends is interrupted when the young son of her late brother arrives to live with her. They cope with the Depression in a series of adventures. This version features a root-based chord blocking that John and I have used in many of our arrangements. We've also included a few left-hand fills to keep the tempo going! We hope you like what we've done with the song!