Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!

Bass Guitar - Level 3 - Digital Download SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy Dean McCallum #1052968. Published by Tracy Dean McCallum (A0.1475418). https://tracymccallum.comTom Little: A Jazzy Bass Groove Tom Little is a funky bass guitar piece built on a foundation of swinging jazz chords. It evokes a laid-back yet sophisticated feel, perfect for setting the pocket in a jazz combo or adding a touch of cool to a solo performance. The Groove: Tempo: Medium swing (around 100-120 BPM) Feel: Relaxed and laid-back, with a steady pulse in the eighth notes. Articulation: Mostly legato (smoothly connected notes) with accents on the downbeat and upbeat for a driving feel. The Chords: Tom Little utilizes a classic jazz chord progression that cycles through ii-V-I movement in a minor key. This creates a sense of anticipation and resolution, characteristic of jazz harmony. The Bassline: The bassline weaves between the root notes of the chords, outlining the harmony while adding rhythmic interest through syncopation and walking bass lines. Ghost notes can be incorporated for a subtle, percussive effect. Tom Little's Solo: (Optional) Tom Little can be expanded into a full piece with a bass solo section. Here, the bassist explores the chord changes with melodic improvisation, showcasing their knowledge of jazz scales and techniques like double stops and chromaticism. Overall Vibe: Tom Little is a versatile piece that can be enjoyed by both bassists and jazz enthusiasts. It's a great way to practice essential jazz techniques on the bass while creating a cool and catchy groove.