https://tracymccallum.com

Lyrics

They got loose to you

Here it comes

Oh, whoa-whoa

Big wheels keep on turnin'

Carry me home to see my kin

Singin' songs about the Southland

I miss Alabamy once again, and I think it's a sin, I said

Well, I heard Mr. Young sing about her

Well, I heard old Neil put her down

Well, I hope Neil Young will remember

A Southern man don't need him around, anyhow

Sweet home Alabama

Where the skies are so blue

Sweet home Alabama

Lord, I'm comin' home to you

One thing I wanna tell you

In Birmingham, they love the governor (boo, boo, boo!)

Now we all did what we could do

Now Watergate does not bother me, uh-uh

Does your conscience bother you? Tell the truth

Sweet home Alabama

Where the skies are so blue

Sweet home Alabama (oh, my baby)

Lord, I'm comin' home to you (here I come, Alabama)

Speak your mind

Ah-ah-ah (can you feel that?), Alabama

Ah-ah-ah, Alabama

Ah-ah-ah, Alabama

Ah-ah-ah, Alabama

Now Muscle Shoals has got the Swampers

And they've been known to pick a song or two (yes, they do)

Lord, they get me off so much

They pick me up when I'm feelin' blue, now how 'bout you?

Sweet home Alabama (oh)

Where the skies are so blue

Sweet home Alabama

Lord, I'm comin' home to you

Sweet home Alabama (home, sweet home, baby)

Where the skies are so blue (and the governor's, too)

Sweet home Alabama (Lord, yeah)

Lord, I'm comin' home to you (whoo, whoa, yeah, oh)

Alright, brother, now

Wait one minute

Oh-oh, sweet Alabama

Thank you

https://tracymccallum.com/

Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.
Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.
Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.
Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:

Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.
Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.
Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.
Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.