Bass Guitar - Level 3 - Digital Download SKU: A0.941946 By Tears For Fears. By Curt Smith and Roland Orzabal. Arranged by Daniel Roberts. Contemporary. Score. 6 pages. Daniel P Roberts #4995169. Published by Daniel P Roberts (A0.941946). Bass Part by Curt Smith with TAB for Head Over Heels by Tears For Fears.

Bass Voice,Easy Bass Guitar - Digital Download SKU: HX.1038857 By Calvin Harris. This edition: scorch. Pop,Rock. Score. 3 pages. Hal Leonard - Digital #289437. Published by Hal Leonard - Digital (HX.1038857).

Bass Guitar - Level 3 - Digital Download SKU: A0.1196994 By Jim Croce. By Jim Croce. Arranged by Bruce Muckala. 20th Century,Folk,Pop,Rock. Score. 5 pages. Bruce Muckala #796154. Published by Bruce Muckala (A0.1196994). Bass with tablature.

Bass Guitar - Level 1 - Digital Download SKU: A0.1136099 By Albert King. By Booker T. Jones and William Bell. Arranged by Alex Davis. Blues,Pop,Rock. Score. 3 pages. Alex Davis Music #736127. Published by Alex Davis Music (A0.1136099). Born Under a Bad Sign by Albert King, as performed by Cream on their third album Wheels On Fire (1968). Jack Bruce's bass part has been transcribed here into full Bass TAB with no repeats, in the original key of G as per the album.

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1502107 By Alabama. By Ed King, Gary Rossington, and Ronnie Van Zant. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score. 6 pages. Tracy Dean McCallum #1077985. Published by Tracy Dean McCallum (A0.1502107). https://tracymccallum.com Lyrics   They got loose to you Here it comes Oh, whoa-whoa Big wheels keep on turnin' Carry me home to see my kin Singin' songs about the Southland I miss Alabamy once again, and I think it's a sin, I said Well, I heard Mr. Young sing about her Well, I heard old Neil put her down Well, I hope Neil Young will remember A Southern man don't need him around, anyhow Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you One thing I wanna tell you In Birmingham, they love the governor (boo, boo, boo!) Now we all did what we could do Now Watergate does not bother me, uh-uh Does your conscience bother you? Tell the truth Sweet home Alabama Where the skies are so blue Sweet home Alabama (oh, my baby) Lord, I'm comin' home to you (here I come, Alabama) Speak your mind Ah-ah-ah (can you feel that?), Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Now Muscle Shoals has got the Swampers And they've been known to pick a song or two (yes, they do) Lord, they get me off so much They pick me up when I'm feelin' blue, now how 'bout you? Sweet home Alabama (oh) Where the skies are so blue Sweet home Alabama Lord, I'm comin' home to you Sweet home Alabama (home, sweet home, baby) Where the skies are so blue (and the governor's, too) Sweet home Alabama (Lord, yeah) Lord, I'm comin' home to you (whoo, whoa, yeah, oh) Alright, brother, now Wait one minute Oh-oh, sweet Alabama Thank you

Bass Guitar - Level 2 - Digital Download SKU: A0.937115 By Nirvana. By Kurt Cobain. Arranged by Madelu Lopes. Rock. Score. 1 pages. Mads lopis #6212201. Published by Mads lopis (A0.937115). Dumb is the sixth song on the 1993 In Utero album. According to Kurt, the song was inspired by the envy he feels for the simple and always cheerful people who apparently go through life without ever feeling sad or depressed. It is a song that I reflected when I saw the problems of the world, but not deeply see the environment in which I live.

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341). https://tracymccallum.com/Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.

By Chris Matheos. For Electric Bass Guitar. Rock and Blues. 72 pages. Published by Mel Bay Publications - Digital Sheet Music