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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - Digital Download SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
You Can't Tell a Newfie a Thing He Should Do
Basse electrique
David Kai
$1.99 1.89 € Basse electrique PDF SheetMusicPlus

Bass Guitar - Level 3 - Digital Download SKU: A0.1267937 Composed by Edouard Jean Paul Maunick, Jean Paul Maunick, and Richard Bull. Arranged by Igor Sardi Bass. Funk,Lent,Pop. Score. 6 pages. Igor Sardi Bass #860489. Published by Igor Sardi Bass (A0.1267937). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36.
Still A Friend Of Mine
Basse electrique

$5.99 5.69 € Basse electrique PDF SheetMusicPlus

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341). https://tracymccallum.com/Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.
Larry Duncan
Basse electrique
Tracy Dean McCallum
$5.55 5.28 € Basse electrique PDF SheetMusicPlus

Scorpions : Still Loving You - Version originale
Basse electrique
Téléchargez la tablature et la partition Basse Still Loving You - Version or…
5.99 € Basse electrique PDF Tomplay

Gary Moore : Still Got the Blues (For You) (niveau débutant)
Basse electrique
Téléchargez la tablature et la partition Basse Still Got the Blues (For You)…
5.99 € Basse electrique PDF Tomplay

Gary Moore : Still Got the Blues (For You) - Version originale (niveau intermédiaire)
Basse electrique
Téléchargez la tablature et la partition Basse Still Got the Blues (For You)…
5.99 € Basse electrique PDF Tomplay

Gary Moore : Still Got the Blues (For You) (niveau facile)
Basse electrique
Téléchargez la tablature et la partition Basse Still Got the Blues (For You)…
5.99 € Basse electrique PDF Tomplay

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478384 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by Arranged By: Tracy DeanMcCallum. Classical. Score. 3 pages. Tracy Dean McCallum #1055768. Published by Tracy Dean McCallum (A0.1478384). https://tracymccallum.com/Für Elise: Bass Guitar Transcription with Tab and PianoFür Elise, originally for solo piano by Ludwig van Beethoven, can be adapted for a unique duet between bass guitar and piano. Here's a description of a possible transcription:Bass Line:Focus on Lower Register: The bass guitar will likely play an octave lower than the original piano melody, providing a low-end foundation.Melodic Following: The bassline won't simply play root notes of each chord. Instead, it might follow the essence of the piano melody, creating a counterpoint while staying within the bass guitar's range and avoiding awkward stretches.Rhythmic Variation: The bassline could add some rhythmic interest by using syncopation or playing off the piano's phrasing. However, it would likely maintain a steady pulse to anchor the groove.Tablature: The bass part would be written in tablature (tab) notation, indicating which frets to play on each string. This makes it easy for bass guitarists to understand and learn the part.Piano Part:Simplified Arrangement: The piano part might be a simplified version of the original, focusing on the main melody and chords. This allows the bass guitar to take the spotlight while the piano provides harmonic support.Left Hand: The piano's left hand would likely play the root notes and arpeggios of the chords, creating a foundation for the harmony.Right Hand: The right hand could play a simplified version of the melody, or focus on arpeggios and embellishments to add texture.Overall Sound:Intertwined Melodies: The combination of the bassline following the piano melody and the piano's right hand playing a simplified version creates a sense of two melodies intertwining.Warmth and Depth: The lower register of the bass guitar adds warmth and depth to the original piano piece.Modern Interpretation: This transcription offers a fresh take on a classical masterpiece, showcasing the versatility of both instruments.Finding the Transcription:While this description provides a general idea, finding a complete and ready-made transcription of Für Elise for bass guitar with piano might require some searching. You can try these resources:Online Sheet Music Sites: Websites like [sheet music websites] often have user-uploaded arrangements. Search for Für Elise for bass guitar and piano.Bass Playthrough Videos: Search for [Für Elise bass guitar] on YouTube. Some videos might feature a transcription or offer tips on playing the melody on bass.Music Notation Software: If you're musically inclined, you could use music notation software to create your own transcription based on the original piano piece.By exploring these resources, you can find a Für Elise transcription that suits your musical taste and skill level, allowing you and a pianist to bring a new dimension to this beloved piece.
Für Elise
Basse electrique
Ludwig van Beethoven
$5.55 5.28 € Basse electrique PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
Cygnus X-1 Book Ii: Hemispheres
Basse electrique
Rush
$5.99 5.69 € Basse electrique PDF SheetMusicPlus

Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1476428 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. Blues. Score. 1 pages. Tracy Dean McCallum #1053947. Published by Tracy Dean McCallum (A0.1476428). https://tracymccallum.com/ Blues In A Minor - Bass Guitar Transcription with Tab This is a basic blues shuffle in A minor for bass guitar. It utilizes the A minor pentatonic scale and some common bassline techniques for a groove that lays down the foundation for a blues jam. Tuning: Standard E-A-D-G Tempo: Moderate Shuffle (around 80-100 BPM) Gear: You can use this on a 4-string or 5-string bass. A Minor Pentatonic Scale: The A minor pentatonic scale is the foundation for this bassline. Here are the notes (by string):
Blues In A Minor
Basse electrique
Tracy Dean McCallum
$4.44 4.22 € Basse electrique PDF SheetMusicPlus






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