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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy Dean McCallum #1052968. Published by Tracy Dean McCallum (A0.1475418). https://tracymccallum.comTom Little: A Jazzy Bass Groove Tom Little is a funky bass guitar piece built on a foundation of swinging jazz chords. It evokes a laid-back yet sophisticated feel, perfect for setting the pocket in a jazz combo or adding a touch of cool to a solo performance. The Groove: Tempo: Medium swing (around 100-120 BPM) Feel: Relaxed and laid-back, with a steady pulse in the eighth notes. Articulation: Mostly legato (smoothly connected notes) with accents on the downbeat and upbeat for a driving feel. The Chords: Tom Little utilizes a classic jazz chord progression that cycles through ii-V-I movement in a minor key. This creates a sense of anticipation and resolution, characteristic of jazz harmony. The Bassline: The bassline weaves between the root notes of the chords, outlining the harmony while adding rhythmic interest through syncopation and walking bass lines. Ghost notes can be incorporated for a subtle, percussive effect. Tom Little's Solo: (Optional) Tom Little can be expanded into a full piece with a bass solo section. Here, the bassist explores the chord changes with melodic improvisation, showcasing their knowledge of jazz scales and techniques like double stops and chromaticism. Overall Vibe: Tom Little is a versatile piece that can be enjoyed by both bassists and jazz enthusiasts. It's a great way to practice essential jazz techniques on the bass while creating a cool and catchy groove.
TomLettle
Basse electrique
Tracy DeanMcCallum
$5.55 4.8 € Basse electrique PDF SheetMusicPlus

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1382545 By Audioslave. By Audioslave and Chris Cornell. Arranged by Jared Plane. Contemporary,Rock. Score. 4 pages. Jared Plane #966969. Published by Jared Plane (A0.1382545). Tim Commerford's original bass line as played on the Audioslave song, Yesterday to Tomorrow released on the 2005 album, Out Of Exile. This bass line is brought to life with the (optional) use of a bass overdrive pedal such as the Boss ODB3. This transcription has been arranged for both 4-string and 5-string bass guitars. The bass figure prior to the start of the Chorus descends down to a low C (which is outside of the standard range of 4-string basses). The TAB notation in these measures has been modified to accomodate 4-string basses, while the Standard Notation remains as played by Tim Commerford. This transcription comes with Standard Notation and bass TAB.
Yesterday To Tomorrow
Basse electrique
Audioslave
$5.00 4.32 € Basse electrique PDF SheetMusicPlus

The Police : Message in a Bottle (niveau débutant)
Basse electrique
Téléchargez la tablature et la partition Basse Message in a Bottle (niveau d…
5.99 € Basse electrique PDF Tomplay

The Police : Message in a Bottle - Version originale (niveau intermédiaire)
Basse electrique
Téléchargez la tablature et la partition Basse Message in a Bottle - Version…
5.99 € Basse electrique PDF Tomplay

Bass Guitar - Level 2 - Digital Download SKU: A0.1269288 By Queen. By Brian May. Arranged by Igor Sardi Bass. Pop,Rock. Score. 3 pages. Igor Sardi Bass #861826. Published by Igor Sardi Bass (A0.1269288). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy              Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti   -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
Fat Bottomed Girls
Basse electrique
Queen
$9.99 8.64 € Basse electrique PDF SheetMusicPlus

Small Ensemble Bass Guitar,Piano Accompaniment,Tenor Drum,Vibraphone,Voice - Level 3 - Digital Download SKU: A0.1044838 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Score and parts. 46 pages. Mark R Lewis #649456. Published by Mark R Lewis (A0.1044838). This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark Lewis is intended for a vocal soloist with two part vocal accompaniment. The voice parts are all written in treble clef for ease of reading but the Lead should be sing-able by most singers. The Upper Harmony should be sing-able by all except contraltos and true basses, and the Lower Harmony will sound best with altos, baritones, or basses. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for SATB Ensemble. Vocal Range: d minor Lead - 1 octave (C3 to C4 or C4 to C5) Upper Harmony - 1+ octave (C3 to E4 or C4 to E5) Lower Harmony - 1+ octave (F2 to A3 or F3 to A4) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).
The Girl By the Spring - vocal trio
Basse electrique
Mark R Lewis
$11.99 10.37 € Basse electrique PDF SheetMusicPlus






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