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Bass Guitar - Level 5 - Digital Download SKU: A0.923665 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Josh Cohen. Rock. Score. 8 pages. Josh Cohen #5982139. Published by Josh Cohen (A0.923665). Arrangement of the classic Can't Help Falling in Love for solo six-string electric bass. The arrangement uses advanced tapping and percussive techniques that create the sound of a small ensemble all on an atypical instrument for polyphonic performance, the electric bass. This would be a great choice of repertoire for a college level bass recital or for professional or serious hobbyists looking to expand their technical abilities. To hear what this arrangement sounds like and to see me perform it, click the YouTube link below. About the arranger:Josh Cohen is a multi-award winning six-string bassist, composer, session musician, and music educator (1st place winner of the NAMM 2020 PJB Solo Bass Competition, 2018 Madison Magazine Honoree for Innovation in the Arts, 2015 No Treble's Number 1 Bass Video of the year), who travels frequently throughout North America to perform and teach clinics/workshops including; Bass Boot Camp 2016 and 2019, Gruv Gear’s Clinic Series at Steve’s Music Toronto, Bass Break Live 2017 and 2020, the 2019 Waupaca Bach Festival, Solo Bass Night VI and VII and more. Josh’s solo six-string electric bass performances, which can be heard on his debut 2014 album Out of the Bassment,  use extended techniques to create the sound of an entire band with only one instrument, and without the aid of loop pedals. When listeners hear Josh playing for the first time, they are often surprised to find out that everything they are hearing is being created by one person in real-time.Instagram: @themusicofjoshcohenFacebook: facebook.com/themusicofjoshcohenWebsite: https://www.themusicofjoshcohen.com/
Can't Help Falling In Love
Basse electrique
Elvis Presley
$5.99 5.13 € Basse electrique PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6 pages. Daniel P Roberts #556397. Published by Daniel P Roberts (A0.950672). Arranged for 4 string bass in Drop D tuning with TAB Take this pink ribbon off my eyes I'm exposed and it's no big surprise Don't you think I know exactly where I stand? This world is forcing me to hold your hand 'Cause I'm just a girl, oh, little old me Well, don't let me out of your sight Oh, I'm just a girl, all pretty and petite So don't let me have any rights Oh, I've had it up to here The moment that I step outside So many reasons for me to run and hide I can't do the little things I hold so dear 'Cause it's all those little things that I fear 'Cause I'm just a girl, I'd rather not be 'Cause they won't let me drive late at night Oh, I'm just a girl, guess I'm some kind of freak 'Cause they all sit and stare with their eyes Oh, I'm just a girl, take a good look at me Just your typical prototype Oh, I've had it up to here Oh, am I making myself clear? I'm just a girl I'm just a girl in the world That's all that you'll let me be Oh, I'm just a girl, living in captivity Your rule of thumb makes me worrisome Oh, I'm just a girl, what's my destiny? What I've succumbed to is making me numb Oh, I'm just a girl, my apologies What I've become is so burdensome Oh, I'm just a girl, lucky me Twiddle-dum, there's no comparison Oh, I've had it up to Oh, I've had it up to Oh, I've had it up to here.
Just A Girl
Basse electrique
No Doubt
$4.99 4.27 € Basse electrique PDF SheetMusicPlus

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341). https://tracymccallum.com/Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.
Larry Duncan
Basse electrique
Tracy Dean McCallum
$5.55 4.75 € Basse electrique PDF SheetMusicPlus

Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!
Spy Plane
Basse electrique
Tracy Dean McCallum
$4.44 3.8 € Basse electrique PDF SheetMusicPlus






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