Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.607650 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4809685. Published by Kevin Busse (A0.607650). This is an exact transcription of Sign Of The Times in the easy key of C for Alto Sax

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.607616 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4809501. Published by Kevin Busse (A0.607616). This is an exact transcription of Sign Of The Times in the original key for Alto Sax

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.607633 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4809571. Published by Kevin Busse (A0.607633). This is an exact transcription of Sign Of The Times in a good range for Alto Sax

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.766364 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Jorge Juárez. Pop. Individual part. 4 pages. Georgie Guitar #5719225. Published by Georgie Guitar (A0.766364). An accurate note for note transcription of the vocals to be played Instrumental on Alto Sax.

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161651 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762022. Published by A.D.G. Productions (A0.1161651). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161637 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762007. Published by A.D.G. Productions (A0.1161637). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837033 Composed by Jay Vosk. Contemporary,Instructional. Individual part. 8 pages. Jay Vosk #5772289. Published by Jay Vosk (A0.837033). Sol-etudes are a set of 4 etudes for Alto Saxophone Solo. These pieces were purposely designed to be intense and challenging for the soloist. It was my intention to write something that would hone the players skills as well as be a meaningful piece of music. These are   times  of isolation,  and public performance is practically nonexistent. This is also a time when a lot of practicing can get done! That said,   the saxophonist  should seek solace in the fact that, with a solo piece such as this, and a little imagination, they can be both the soloist and ,in a way, the audience. Hopefully, come the time public performance is again normalized, one may  consider sol-etudes   for  public recitals and for studio study.