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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1096730 By Anderson Quevedo. By Anderson Quevedo. Arranged by Anderson Quevedo. Blues,Instructional,Jazz. Individual part. 2 pages. The Sheet Music Library #700723. Published by The Sheet Music Library (A0.1096730). Billietude's Bounce #1 for Alto Saxophone - Easy Intermediate Blues/Jazz Original Etude In this etude the beginner to intermediate saxophone student that wants to study improvisation will find a great built-up how-to-practice a 12-bar blues/jazz improvisation using only the 1-3 of each chord, then building up to 1-3-5, 1-3-5-7 and some approach notes. Chord changes based on the Charlie Parker tune Billie's Bounce.
Billietude's Bounce #1 for Alto Saxophone - Easy Intermediate Blues/Jazz Original Etude
Saxophone Alto
Anderson Quevedo
$1.99 1.9 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1099128 By Freedom Cries. By George Bennard and John Ryan. Arranged by Josiel Oliveira. Christian,Praise & Worship. Individual part. 1 pages. M das Melodias #702998. Published by M das Melodias (A0.1099128). Play this beautiful song with your instrument. Sheet music for Alto Saxophone, based on Elvis Presley's chant The Old Rugged Cross. On a hill far away stood an old rugged cross The emblem of suffering and shame And I love that old cross where the dearest and best For a world of lost sinners was slain So I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down I will cling to the old rugged cross And exchange it some day for a crown To the old rugged cross I will ever be true It's shame and reproach gladly bear Then he'll call me some day to my home far away Where his glory forever I'll share And I'll cherish the old rugged cross (rugged cross) Till my trophies at last I lay down And I will cling to the old rugged cross And exchange it some day for a crown I will cling to the old rugged cross And exchange it some day for a crown.
Old Rugged Cross
Saxophone Alto
Freedom Cries
$4.99 4.77 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.588329 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318219. Published by David McKeown (A0.588329). Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.This full version of Here Comes the Sun is arranged in a suitable key and range for solo Alto Saxophone. Chord symbol accompaniment in concert pitch is included above the stave.This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms  throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Here Comes The Sun
Saxophone Alto
The Beatles
$4.99 4.77 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
20,000
Saxophone Alto

$4.99 4.77 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.933336 Composed by Juan Guerra González. Contemporary. Individual part. 25 pages. Juan Carlos Guerra Gonzalez #6026515. Published by Juan Carlos Guerra Gonzalez (A0.933336). Inspiration always comes from unexpected situations or places. Every single morning when my wife wakes up, our cat Zeus comes to her and starts his massage routine (yes, we have a cat that does massages.) When he’s in the middle of his routine he always purrs, as many cats do. One day he changed the time of his routine and instead of doing in in the morning, he came to our bed when we were almost sleeping. When he started purring, I was impressed by the sense of relaxation I was getting from that sound and I decided to use it in my next composition.I came across an investigation of Dr. Karen Mccomb, a professor at the University of Sussex, London who also appeared on the documentary The Lion in your Living Room (available at Netflix) According to Dr. Mccomb, cats have two different types of purrs, the first type is for when our feline friends want something from us (solicitation purr) and the other one when they’re just relaxing (non-solicitation purr). I divided the piece into two movements, accompanied by a prerecorded tape. Visit www.juancarlosguerra.com to learn more about the piece.The first movement (Solicitation Purr) is for when cats are demanding for action, the saxophone creates effects while the tape accentuates this idea. Multiple cats joined this movement with their particular meows. The second movement (Non-solicitation Purr) is more relaxing and lyric for the soloist.
Pur(rrr)ifying
Saxophone Alto

$7.99 7.63 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.546481 By Bob Marley. By Vincent Ford. Arranged by Leo Silva. Multicultural,World. Individual part. 1 pages. MP Sheet Music #156500. Published by MP Sheet Music (A0.546481). No Woman, No Cry is the most re-recorded and acclaimed song in reggae history. Recorded in the studio in 1974 by Bob Marley & The Wailers for the album Natty Dread in 1974, the version that became best known was recorded live in London and released on the album Live! of 1975, having been considered the definitive one.[2] This is the version included in the Legend compilation which includes the singer's greatest hits. The song has been covered by several artists, including Rancid, NOFX, Boney M, Murder One, Joan Baez, Xavier Rudd, Jimmy Buffett, The Fugees, Sublime, Hugh Masekela and Gilberto Gil, musician and former minister of culture in Brazil. But only the ska punk band Spunge had permission from Marley's family to change the lyrics for their Room For Abuse album.
No Woman No Cry
Saxophone Alto
Bob Marley
$4.99 4.77 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.845217 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371981. Published by Phil Beaman (A0.845217). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!
A Lulu of a Lullaby-alto sax solo
Saxophone Alto

$3.99 3.81 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1295511 Composed by Katsumi WF. Arranged by Katsumi WF. Instructional,Jazz. Individual part. 2 pages. Katsumi WF #885802. Published by Katsumi WF (A0.1295511). This is an exercise / workout material for Alto Saxophone players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF.
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Saxophone Alto

$2.99 2.86 € Saxophone Alto PDF SheetMusicPlus






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