Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1353123 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Timothy Allen Music Ltd. 21st Century,Film/TV,Pop. 8 pages. Timothy Allen Music Ltd #937923. Published by Timothy Allen Music Ltd (A0.1353123). This hauntingly beautiful, sad yet hopeful song is really powerful, both to sing and to listen to. Taken from Greta Gerwig's feminist take on Barbie, the song was originally written and performed by Billie Eilish. Here it is arranged for four upper voices. Learning tracks and a backing track are available directly from the arranger at www.timothyallenmusic.co.uk.

By Peter Allen. By Peter Allen and Adrienne Anderson. Arranged by Rowena Harper. A Cappella, Broadway, Contemporary, Latin, Musical/Show. Octavo. 5 pages. Rowena Harper #684687. Published by Rowena Harper

By Peter Allen. By Peter Allen and Adrienne Anderson. Arranged by Rowena Harper. A Cappella, Broadway, Latin, Musical/Show, Pop. Octavo. 6 pages. Rowena Harper #648783. Published by Rowena Harper

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856262 Composed by Jeanine Tesori. Arranged by Liz Garnett. Contemporary. Octavo. 6 pages. Liz Garnett #6499275. Published by Liz Garnett (A0.856262). From the musical Thoroughly Modern Millie, this is a pastiche of a 1920s showtune, almost perfectly engineered to serve as a barbershop contest up-tune. It features a harmonically-rich, conversationally-paced introduction, before launching into a catchy tune, sparkling with cross-rhythms and internal rhymes. The vocal ranges are all readily accessible, with the main challenges coming coming in some syncopated passages that will want a light and accurate touch.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F#4 - E5

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941929 By George Michael. By Allen Shamblin and Mike Reid. Arranged by Cris Conerty. 19th Century,A Cappella,Barbershop,Contemporary,Pop. 6 pages. Cris Conerty #5312539. Published by Cris Conerty (A0.941929). A simple but dramatic, modern a cappella interpretation of this timeless song, for SSAA and/or female barbershop ensembles.  Made popular by Bonnie Raitt and covered by many other artists.  Close harmonies, solos, and melody transfers add interest.  Put your own heart and emotion into this and make it yours.   .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1178786 By Olivia Newton-John. By Jeff Barry and Peter Allen. Arranged by Glenda Lloyd. A Cappella,Barbershop,Blues,Country. Octavo. 7 pages. Glenda Lloyd #778750. Published by Glenda Lloyd (A0.1178786). Four part a cappella harmony in the barbershop style.A lovely ballad originally sung by the legendary Olivia Newton-John. A very singable arrangement suitable for groups of all levels.

By Peter Allen. Arranged by Sandra Milliken. Score. 8 pages. Published by Sandra Milliken

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.736337 Composed by Bobby Darin. Arranged by Joey Minshall. A Cappella. Octavo. 7 pages. Joey Minshall #4718019. Published by Joey Minshall (A0.736337). SSAA a cappella barbershop (ish) arrangement of Bobby Darin's great swing song. Melody transfers from lead to bass and tenor; style hops from barbershop to 40s top-melody; fun to sing!  Intermediate to challenging level

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1035545 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Adam Bock. Contemporary,Pop. Octavo. 11 pages. ADAM BOCK #3875097. Published by ADAM BOCK (A0.1035545). A challenging women's chorus arrangement of Mariah Carey's holiday hit. 4 parts with a trio of soloists.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.736350 Composed by Joe Sample and Will Jennings. Arranged by Joey Minshall. A Cappella. Octavo. 3 pages. Joey Minshall #5769195. Published by Joey Minshall (A0.736350). SSAA a cappella, barbershop-ish - barber-pop! - version of this haunting song from Moulin Rouge. Challenging!

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.851237 Composed by Hoagy Carmichael. Arranged by Joey Minshall. A Cappella,Jazz,Pop,Standards. Octavo. 5 pages. Joey Minshall #457375. Published by Joey Minshall (A0.851237). SSAA barbershop version of this wrenchingly beautiful Hoagy Carmichael ballad. Challenging! Contestable! Two tag voicing options, and optional intro for contest use.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1215063 By Kenny Loggins. By Kenny Loggins and Melissa Manchester. Arranged by Thomas J. West. A Cappella,Barbershop,Pop,Rock. Octavo. 8 pages. Thomas J. West #811920. Published by Thomas J. West (A0.1215063). SSAA Barbershop Harmony, Grade 4Parts written in barbershop harmony style with alto parts written in bass clef 8vaRanges:Tenor: B3-G5Lead: B3-Eb5Baritone: G3-A4Bass: E3-E4www.thomasjwestmusic.comThis commissioned arrangement uses elements of doo wop and contemporary a cappella to create a textured performance of this hit 1978 duet between Stevie Nicks (the lead part) and Kenny Loggins (the baritone part). Featuring typical 1970's key shifts between the verses and choruses, experienced quartet singers will enjoy the challenge of the polyphonic rhythmic parts and tonal shifts. The arrangment not suitable for use in Sweet Adelines and Harmony Inc. competitions.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills, Kathleen Mills. A Cappella,Contemporary,Pop,Rock. Octavo. 17 pages. Joanna Mills Music #4729201. Published by Joanna Mills Music (A0.781341). This fast-paced pop song about falling in love, written and recorded by Serena Ryder, has been arranged for SSAA choir, and is perfect for high-school or community treble choirs looking for a fun challenge! The melody moves between all four parts, allowing every section a chance to shine, and notation is included for foot stomps (or bass drum) and hand claps (or wood block). Interest is added using counterpoint and canon harmonies as well as a beautiful chorale setting in the bridge. This piece has been arranged so that it can be sung a cappella by more experienced choirs, but piano accompaniment and guitar chords have been included for those choirs who wish to include instruments. Additionally, less experienced choirs may wish to have the foot stomps and hand claps played by percussionists.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1342313 By Louis Armstrong. By Steve Allen. Arranged by Donya Metzger. Barbershop,Holiday. 5 pages. Donya I Metzger #890100. Published by Donya I Metzger (A0.1342313). Bring the swing into your holidays with Cool Yule! This SSAA/treble voiced Barbershop arrangement swaps melody between Lead (S2) and Baritone (A1) and also has little features for Bass (A2) and Tenor (S1). Comfy ranges for all parts make this arrangement very accessible with some zesty jazz chords and syncopations sprinkled throughout for a fun challenge.This pricing is for a large ensemble/chorus.